Class 3 Flashcards

1
Q

What are the principles of administration

A
  1. Follow standardized procedures (important to have same stimuli for everyone)
  2. The examiner is non-directive
    (let the client lead)
  3. Capture the client’s performance accurately
    (Write down all that is said by the client and you)
  4. Focus on what the client sees and how they see it (i.e., solve the problems the inkblots presents)
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Materials needed for the Ror.

A

The 10 Rorschach cards in order
At least 2 Location sheets (out of sight)
Plenty of paper
Two pens
Clipboard

OR now with the RPAS administration you can use a laptop (RPAS provides a Word template for ease on laptop)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

How long do you need for the test

A

1 hour

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Before starting, you need to ask what ….

A

Ask what they know about the Rorschach…

Investigate their knowledge of the Rorschach

Clarify any misunderstandings

“I want you to tell me what they look like to you”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Be worried about possible coaching or motivated distortion

A

Ask directly about preparation

If so, decide whether to proceed

If proceed, ask client if willing to be honest and spontaneous

Be familiar with public availability of materials

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

Two phases of the Ror.

A
  1. Response phase (RP)
    What might this be?
  2. Clarification phase (CP)
    Carefully worded questions to resolve coding ambiguities
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Things not to say or do

A

Avoid saying “ambiguous” or “unstructured”

Avoid saying there is no right or wrong answer (Can say “Different people see different things.”)

Avoid saying “most people…can or should say or do something”

Do not mislead the client into thinking that imagination or creativity is being tested

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

“Can I turn it? Should I use the whole thing?”

A

“It’s up to you.”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

“How are they made?”

A

Briefly explain and move on

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

“Does everybody look at different ones?”

A

No, it’s a standard set; everyone gets the same ones.”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

“What does it mean? Is there a right answer?”

A

“Let’s discuss that once the testing is completed.”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

“Do you see it?”

A

Response phase: “Let’s come back to that after we go through the cards.”

Clarification phase: Yes, I see it. Or No, not yet.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

Prompt

A

If only 1 response
> PROMPT for another, but only 1 prompt per card
> first occurence say “We would like 2 or maybe 3 to each card, so please try to give another.”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

Pull

A

After 4 responses, PULL the card

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Can you accept a card rejection

A

Don’t accept card rejections

“Take your time, there is no hurry. Look some more to see something else too.” Maybe add “You can do it.”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

How many responses do they need? What do you do if they don’t get enough

A

More than 15, they are good. If 15 or fewer, go back through the cards. AND….

Do not use extra prompts

Not necessary to get a response on each card

Do not present a card on which they already gave 4 responses

Once there are 4 responses, pull the card

Add these additional responses to the protocol and in the Clarification phase, clarify card by card (integrating the supplementary responses with each card)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

What happens in Phase 2 (clarification)

A

Used only to resolve scoring uncertainties (location, determinants)

Repeat each response verbatim

Clarify key word or phrases:
(Pretty, ugly, rotten, wild, mysterious, back there)

Focus the questions to resolve coding dilemmas.

Write down everything said as best you can.

Answer questions about the CP directly

Write down what is said and note significant gestures

Identify non-obvious and salient components on the location sheet

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
18
Q

In CP do you always need to clarify?

A

Clarification questions are not always needed (you may already have enough information to score from the RP)

Location clarification is rarely needed (no need to be overly precise)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
19
Q

Language in CP

A

Be as non-directive as possible
to minimize the danger of influencing the client

Use visual language with client in the CP (“Looks”, “see” rather than “suggests…”)

Focus your attention on key words or phrases from RP and early CP (That suggest but do not confirm a determinant)

Avoid vague questions (“What makes it l.l. that)

Don’t need to see it exactly as the client does

Vary language so as not to set a problem-solving set

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
20
Q

When confusing response during CP, say…

A

“I’m not sure how you see it”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
21
Q

What if you are unsure if the response is one or two responses?

A

Sometimes it is necessary to clarify whether an ambiguous verbalization is one or two responses

Wait until the CP, and repeat back the response and often the client will spontaneously clarify the question in your mind

If client reported 2 things, read the first and see if they clarify by including the second

If still not clarified, you may need to ask directly, “Was that one or two answers?”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
22
Q

Clarification Don’ts

A

Don’t ask questions that don’t have a purpose. Target one or more specific coding category

Don’t ask too many questions

Don’t keep going after a score you “know” must be there.

Don’t ask leading questions:
(Is it moving? are you using color?)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
23
Q

Documentation

A

Document well!

Document enough that another person could code the record (using commonly known shorthand)

Verbatim response, relevant gestures,

Orientation of the card (<v>)</v>

Note Prompts (PR) and Pulls (PU)

Location on the location sheet during clarification

Ask client to slow down or repeat as necessary

Put examiner comments/questions in parentheses

Document if supplemental responses were needed

Code as soon as possible!

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
24
Q

Do you code things off the card? Ex. code the car in “a dog that got it by a car”

A

Code what is on the card, not something off the card
(although it doesn’t have to be seen, as long as it resides on the card)

25
Q

What do you code?

A

Code what is articulated and sometimes gestures
(rubbing the card)

Code how client saw this cloud at this time
(not clouds in general)

Code what is on the card, not something off the card
(although it doesn’t have to be seen, as long as it resides on the card)

Code categories independent of each other

26
Q

What if CP contradicts the RP

A

Code what was seen in the RP

Ignore CP information that contradicts the RP

27
Q
A
28
Q

Coding accurately vs seeing it the way they do

A

The goal is to code accurately, not necessarily to see it the way they do

29
Q

The reasonably certain standard

A

If “reasonably certain,” code it

30
Q

Main issue of coding problems are

A

Coding problems are most often due to clarification problems

31
Q

Inter-rater reliability most well known study

A

The most thorough and meticulous is by Acklin, McDowell, Verschell, & Chan (2000)

32
Q

Inter-rater reliability – how many studies done

A

Interrater agreement is a critical aspect of coding the Rorschach

Over 85 studies done on Reliability of Rorschach scoring/coding over the years

33
Q

Viglione, Blume-Marcovici, Miller, Giromini, and Meyer (2012)

A

Two graduate students independently coded 50 Rorschach protocols administered to adults and children

Results:

Mean ICC of all 62 RPAS indictors = .88 (Std Deviation =.11; Median = .92)

34
Q

Kivisalu, Lewey, Shaffer, and Canfield (2016)

A

everything italicized under it

evaluated interrater reliability for 50 nonclinical R–PAS protocols–at the response level of analysis.

Each protocol was coded twice, first by the original examiner and then by a blind coder

Mean ICC = .78 from the 62 codes at the response level

35
Q

Pignolo et al (2017)

A

Standard scores and Complexity-adjusted scores in an Italian sample. Coded separately by 2 separate coders. italicized

Most scores in good to excellent range
Raw score mean = .78 (Std.D = .14)
Complexity-adjusted mean = .74 (Std.D = .14)

36
Q

TEST-RETEST RELIABILITY

A

Pretty good, book has chart of 1 and 3 year re-test

Pretty stable over long intervals
(Some even in .90)

State variables
- Navy psychologist
- Paratroopers
- Surgery patients–elective

> 38 test-retest reliability studies done by 1985

37
Q

What is test-retest not stable on

A

Y and m (inanimate movement and diffuse shading)

38
Q

Study of test-retest reliability

A

Children in elementary school. Took children of the classroom to help “train” examiners

Day 2 (3-4 days later)
- Control group (same directions)
- Experimental group (told to give different responses, and they did)

FOUND:
85% same responses in the control group
14% same responses in the experimental group

Yet the correlations between the Structural Summary for each child was similar in each group!

AKA its not about you what you see, its how you see it.

Replicated in 1982 with adults (Nancy Haller) –> Similar results as with the children

39
Q

Overall review of reliability

A

Test-Retest reliability seems strong

Inter-rater reliability seems to be good except for a few indicators

Since the Acklin et al study, a coding book has been published with detailed guidelines covering how to code, presumably increasing those variables that showed lower inter-rate reliability

40
Q

Card orientation

A

< top facing left

v top facing down

>

top facing right

@ response is upright but the card was turned at least 90 degrees before giving the response

41
Q

Reasons to Document Orientation

A
  1. to help coding FQ
  2. to help interpret reflections

[If card held upright but response is upside down, code the cards orientation as upright, and note location as upside down]

42
Q

Prompts and pulls

A

Code PR or PU for every card for which you are required to prompt or pull.

If a client spontaneously hands the card back after the 4th response, do not code PU.

43
Q

Location codes

A

W (Whole)

D (Common detail) *

Dd (unusual detail) *

*found in the FQ tables in Chapter 6, along with specific numbers (Dd99 means not in the table)

If multiple content, list location of all that apply in the Loc # column.

44
Q

What if considering Dd, but almost entirely covered by a D response

Do you code Dd for near-D?

A

Do not code Dd for near-D if they differ only slightly from the D location. (unimportant location differences) (pages 66-67)

45
Q

What location code do you use for symmetrically paired objects

A

“Code D for symmetrically paired objects that together reside in D location

46
Q

Using white space – codes

A

SR: if space is the foreground (AKA SEEING WHITE SPACE)
- space is normally background but score SR if it becomes foreground
- Shows: Swimming against the current, self-assertion, resisting pressure, thinking outside the box, or oppositionalism (p. 72-73)

SI: If space is articulated detail inside or integrating an ink part as well (AKA USING WHITE SPACE WITH INK PART)

Can score both (see p. 72)
- ex. mask with white eye wholes

47
Q

How do you code identifying lightly colored areas as “white”

A

Code SI, if the response is integrated with other parts of the blot

Do not code SR

48
Q

Coding SR and SI: 4 ghosts dancing in the dark

A

SR: space reversal to see independent objects in the space

AND

SI: see white integrated with the ink

49
Q

Content codes- what are they, do you need to have one, can you have multiple?

A

They describe “what” is seen in the card.

*Code all the categories that apply but only code each category once per response

*Must have content code

50
Q

Sy and Vg

A

Sy: Synthesis
– Distinct and separate objects in a relationship

Vg: Vagueness
– objects with vague or indistinct outline or boundaries (no form demand) and no form added/injected

51
Q

Synthesis thresholds

A

Positive threshold examples for coding Sy: “leaning on” or “leaning against,” “touching,” “looking at each other,” “standing behind (when one object obscures another),” “a bird on a branch,” “a person casting a shadow,” “a person on a rug,” “a fetus with its umbilical cord attached,” “flying above this object,” “lying next to,” “lying beside one another,” or one object “coming from” another, “trees on a pond.”

Negative threshold examples that are not coded for Sy: “a garden scene with yellow flowers, kind of like roses, daffodils, tomato horn worms,” “an underwater scene… there’s fish, rocks, plants,” “a landscape with rocks, trees and a pond,” “a sculpture of a bear and a fish.”

52
Q

Pairs (2)

A

Two identical objects symmetrical on each side of the blot midline (not parts that come in pairs, like eyes, boots, hands of a whole person)

must be identical in all respects
if differentiated in any way, do not score pair

(Goes into summary calculations related to symmetry)

– don’t score pair when reflection is scored

53
Q

Form quality (and do you code up or down)

A

If a response has multiple objects, code the FQ of the material objects (not an inconsequential part of the response) with the lowest FQ

54
Q

FQ Tables are based on…

A

FQ tables are based on accumulated FQ tables (Beck et al (1961), Hertz (1970), Exner (2003), and international sample.

Based on
1) fit (derived from multiple judges from 11 countries)
2) frequency (from the multiple data sources above)

55
Q

FQ and Extrapolation General

A

FQ extrapolations must have the same shape, form features, and spatial orientation (not just content)

56
Q

FQ and Extrapolation Steps for single object

A
  1. Search the FQ tables for responses with similar shapes. (if it is Dd99). If straightforward, assign the FQ.
  2. Search like areas
  3. Search subcomponents of an object e.g., bird > wings; bull > horns
  4. Consider results and make a determination.
57
Q

FQ and Extrapolation Steps for multiple objects

A

Score the lowest form quality of important components

58
Q

What does FQ reflect on someone’s thinking

A

FQ reflects conventional and accurate ways of processing information