Children in Films Flashcards

1
Q

What was the first children’s film?

A
  • First children’s film was L’Arroseur (the sprinkler sprinkled) on December 28, 1895 by the Lumiere Brothers, Auguste and Louis
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2
Q

Can children’s films be defined?

A

No consensus on how to define it and whether it can be
Important to acknowledge that children’s films is (And will remain) a fluid and richly complicated phenomenon

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3
Q

What are the 2 main definitions of children’s films?

A

One definition: either features children or is viewed by children
Second definition: films that are produced and marketed for children and popularly received as such

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4
Q

What are some ways adults can tell if a movie is made for kids?

A

○ Marketing and distribution strategies (movie posters and trailers)
○ Suitability rating
○ Reviews and word-of-mouth reception to the film
○ Merchandizing around the film (helped by association with Disney)
○ Child-friendly exhibition strategies that have accompanied it (daytime or early evening scheduling in cinemas, festivals, and TV on video-on-demand platforms)

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5
Q

What makes a movie for children?

A

○ Reaffirmation of family, kinship, and community
○ Foregrounding of child or childlike figures (even animals and immature adults)
○ Exclusion and or eventual defeat of disruptive social elements, such as criminals
○ The minimization of “adult” representational aspects such as sex, strong violence, or extreme suffering
○ Predominantly optimistic, emotionally uplifting endings
○ Foregrounding of animals, magic, adventure, and play
○ Emphasis on children’s coming to terms with their place in the world, learning responsibility, and coming of age

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6
Q

What is the dominant metanarrative in children’s films?

A

A dominant metanarrative is the child figure’s learning of responsibility and “correct” codes of behaviour
- Children’s film is an invention of adult society, prescribed by society of what children should see
○ Based on cultural, psychological, and ethical considerations

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7
Q

If children’s films are based on society, what aspects of it are taken into consideration?

A

Cultural, psychological, and ethical considerations

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8
Q

What are non-commercial films?

A

○ Primarily non-commercial and intended for the near-exclusive consumption of children
Non-commercial films aimed at inculcating certain moral and behavioural practices
- Produced for largely non-political purposes
- Expressions of cultural identity

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9
Q

What are commercial films?

A

Primarily commercial and intended for multi-demographic “family audiences”
Commercial cinema
○ Need to appeal to parents (need to supervise their kids)
○ Capable of appealing to multiple demographics
○ “family films” mostly associated with mainstream Hollywood films
○ Addition of adult stars, jokes, subplots, and double-coded humour (wordplay or innuendo)
○ Far less moralistic or educational than non-commercial children’s films

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10
Q

Describe tween films

A

Tween films appeal to children around ages 11 to 13
○ A post-1980s phenomenon that intersects with the advent of the PG13 rating in the USA
○ Represents a midpoint between more traditional children’s films and the increasingly mature content of the teen film
○ Increased focus on the complexities of growing up (sexual awakenings)

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11
Q

Are Disney films watched by adults? For what reason?

A

Disney films watched in large numbers by adults too
○ Hidden jokes
○ Quality and artistry of the productions
○ Film’s ability to elicit a sense of comfort and nostalgia

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