Chapter 6 - Quiz 3 Flashcards
6.1 Sound and the Ear: Physics and Psychology of sound
What are sound waves?
-periodic compressions of air, water or other media
-vary in amplitude and frequency
6.1 Sound and the Ear: Physics and Psychology of sound
Define amplitude
-the intensity of a sound wave or height of the wave
–in general, sounds of greater amplitude seem louder, but exceptions occur
6.1 Sound and the Ear: Physics and Psychology of sound
Define frequency and what its measured in? (2)
-number of compressions per second
-measured in hertz
-sounds higher in frequency are higher in pitch
-a graph of lower frequency would be less waves per distance, so think of less choppy water
6.1 Sound and the Ear: Physics and Psychology of sound
Define pitch
-related aspect of perception
6.1 Sound and the Ear: Physics and Psychology of sound
Define timbre
-tone quality or complexity
-how someone can tell the difference between a piano and violin playing the same note at the same volume
6.1 Sound and the Ear: Physics and Psychology of sound
Define prosody
-when someone conveys emotional information by tone of voice
6.1 Sound and the Ear: Structures of the Ear
What are the three main parts of the ear anatomically distinguished by anatomists?
-Outer ear, middle ear, and inner ear.
6.1 Sound and the Ear: Structures of the Ear
What is a part of the outer ear?
-pinna and auditory canal
6.1 Sound and the Ear: Structures of the Ear
What is part of the middle ear?
-tympanic membrane and ossicles (hammer, anvil, stirrup)
6.1 Sound and the Ear: Structures of the Ear
What structures are part of the inner ear?
-cochlea, oval window, hair cells, auditory nerve
6.1 Sound and the Ear: Structures of the Ear
What is the function of the pinna in the outer ear?
-helps locate the source of a sound by altering the reflections of sound waves.
-Each person’s pinna is uniquely shaped, requiring individual learning to use this information effectively
-Rabbits have large, movable pinnas for more precise sound localization.
6.1 Sound and the Ear: Structures of the Ear
What role does the tympanic membrane play in the middle ear?
-aka eardrum
-vibrates in response to sound waves and transmits these vibrations to the three tiny bones in the middle ear.
6.1 Sound and the Ear: Structures of the Ear
What are the three tiny bones in the middle ear called? In English and Latin? (2)
-hammer, anvil, and stirrup
-malleus, incus, and stapes
6.1 Sound and the Ear: Structures of the Ear
How do the three tiny bones in the middle ear amplify sound?
-They transmit vibrations from the tympanic membrane to the oval window with increased force, converting sound waves into waves of greater pressure.
-The tympanic membrane is about 20 times larger than the footplate of the stirrup, amplifying the vibrations like a hydraulic pump.
6.1 Sound and the Ear: Structures of the Ear
What happens when the stirrup vibrates the oval window in the inner ear?
-It sets the fluid in the cochlea into motion, which displaces the hair cells and opens ion channels in their membranes.
6.1 Sound and the Ear: Structures of the Ear
What do the hair cells stimulate and where are they located between? (2)
-stimulate the auditory nerve (part of the eighth cranial nerve)
-located between the basilar and tectorial membranes of the cochlea
6.1 Pitch Perception
What is place theory in hearing and how does it explain our perception of different pitches? What is an example? (3)
-Theory: Different parts of the cochlea are activated by different sound frequencies.
-How: Pitch is determined by where hair cells are stimulated along the cochlea.
-Example: In the scenario of a party with a DJ booth where high-energy music with thumping bass is played, the sensation of feeling the bass more intensely near the DJ booth corresponds to the place theory, where the location of stronger vibrations along the basilar membrane indicates higher pitch perception in our brain.
-High-frequency sounds activate the base; low-frequency sounds activate the apex.
-This mapping helps us distinguish different pitches.
-each frequency activates the hair cells at only one place along the basilar membrane, and the nervous system distinguishes among frequencies based on which neurons respond.
6.1 Pitch Perception
What is the downfall of place theory?
-various parts of the basilar membrane are bound too tightly for any part to resonate like a piano string
-Essentially, the downfall indicates a discrepancy between the proposed mechanism of the theory and the physical structure of the basilar membrane.
6.1 Pitch Perception
What is frequency theory in hearing? What is an example? (2)
-Theory: entire basilar membrane vibrates in synchrony with a sound, causing auditory nerve axons to produce action potentials at the same frequency
-Example: In the context of people clapping at a party to music, where each clap represents a sound wave, the frequency theory suggests that the pitch we perceive is determined by the speed of the claps; thus, in slower music, like a gentle song, where claps occur at a slow, steady pace, our brain interprets the low pitch due to this steady rhythm.
-for example, a sound at 50 Hz would cause 50 action potentials per second in the auditory nerve
6.1 Pitch Perception
What is the downfall of frequency theory?
-the refractory period of a neuron is typically much lower than the highest Hz of frequencies we hear
-its usually around 1000 Hz, but we can hear much higher frequencies
6.1 Pitch Perception
What is the current theory for how we hear things? Explain it for low, higher, and extremely high frequencies? (3)
-The current theory combines elements of the frequency theory and the volley principle.
For low-frequency sounds (up to about 100 Hz):
-frequency theory
At higher frequencies:
-Volley principle explains pitch discrimination up to 4000 Hz.
Beyond 4000 Hz:
-Mechanism similar to place theory used.
-Point of peak vibration on basilar membrane identifies sound frequency.
-soft sounds activate fewer neurons and stronger sounds activate more
-Low frequencies are like synchronized claps representing slower music.
-High frequencies are like claps following the rhythm, even if not perfectly in sync.
-Beyond 4000 Hz, it’s like figuring out the music genre by where the loudest claps are coming from.
6.1 Pitch Perception
What is the volley principle? Use an example to explain. (2)
-theory: auditory nerve produces volleys of impulse for sounds up to about 4000 per second
-Example: Imagine a relay race where runners pass a baton to keep up speed. Similarly, groups of neurons take turns firing to keep pace with high-frequency sounds. While no single neuron fires at the sound’s frequency, together they create a volley of impulses to match it.
-The volley principle explains how groups of neurons work together to perceive pitch.
-volleys of impulses for sounds up to about 4000 per second, even though no individual axon approaches that frequency
6.1 Pitch Perception Stop and Check 191
Through which mechanism do we perceive low-frequency sounds (up to about 100 Hz)?
-At low frequencies, the basilar membrane vibrates in synchrony with the sound waves, and each responding axon in the auditory nerve sends one action potential per sound wave.
-frequency theory
6.1 Pitch Perception Stop and Check Pg 191
How do we perceive middle-frequency sounds? (100-4000 Hz)?
-At intermediate frequencies, no single axon fires an action potential for each sound wave, but different axons fire for different waves, and so a volley (group) of axons fires for each wave.
-volley principle
6.1 Pitch Perception Stop and Check Pg 191
How do we perceive high-frequency sounds above 4000 Hz?
-At high frequencies, the sound causes maximum vibration for the hair cells at one location along the basilar membrane.
-similar to place theory
6.1 Auditory Complex
Explain the mechanism by which information from the auditory system is processed in the brain, including the role of subcortical areas and the midbrain. What is the point of this mechanism? (2)
-Information from the auditory system undergoes processing in the brain through subcortical areas, with axons crossing over in the midbrain to enable each hemisphere of the forebrain to receive input from the opposite ear.
-This mechanism ensures efficient processing of auditory information in the brain.
-When you hear something, like a bird singing, the sound travels from your ears to deeper parts of your brain. Along the way, the brain makes sure that both sides get information from both ears. So, if the bird is on your left, your right brain also knows about it. This helps your brain quickly make sense of what you’re hearing.
6.1 Auditory Cortex
How does the organization of the auditory cortex parallel the visual cortex? What are the seperate pathways? (3)
-the visual and auditory system both have seperate pathways for identifying objects and acting upon them as well as similar consequences to damage (motion deaf)
-pathway in anterior temporal cortex for identifying sounds
-pathway in posterior temporal cortex and parietal cortex for locating sound
6.1 Auditory Cortex
Discuss the role of area A1 in auditory processing, including its response to both real and imagined sounds as described in the text.
-A1 (primary auditory cortex) responds not only to real sounds but also imagined
6.1 Auditory Cortex
How does experience influence the development of the auditory system? Use an example.
-rearing an animal in constant noise environments makes it harder for them to identify individual sounds
-Experience shapes auditory development like it does with vision.
6.1 Auditory Cortex
Explain the functional differences between damage to the primary visual cortex (area V1) and the primary auditory cortex in terms of resulting sensory deficits. What do individuals with damage to the primary auditory cortex have trouble with? (2)
-Unlike damage to the primary visual cortex causing blindness, damage to the primary auditory cortex doesn’t lead to deafness.
-instead, individuals with damage to this area struggle with speech and music perception, but can still identify and localize single sounds, indicating the cortex’s role in processing rather than sensory reception.
6.1 Auditory Cortex
Describe the concept of tonotopic mapping in the auditory cortex and how it relates to the processing of different frequencies of sound. Why does it happen? (2)
-Tonotopic mapping in the auditory cortex refers to the spatial arrangement of cells responsive to specific frequencies of sound.
-Cells sensitive to similar frequencies tend to cluster together, forming a spatial representation of the frequency spectrum.
6.1 Auditory Cortex
Discuss the preference of auditory cortex cells for a particular type of cell (complex or simple)
-Auditory cortex cells exhibit a preference for complex sounds over single tones, responding best to sounds with dominant tones and harmonics.
6.1 Auditory Cortex
Analyze the significance of the study involving individuals with damage to the auditory cortex and their ability to process words related to sounds, in the context of understanding the role of sensory associations in human concepts. What is its signifigance? (2)
-The study shows that when people can’t imagine sounds, words about sounds lose their meaning.
-It reminds us how our senses and words are linked.
-the study supports the theory that human concepts rely on associations with the sensations or actions that initially established them, if you cannot imagine sound then a word relating to sound seems meaningless
6.1 Stop and Check Pg 193
List the four ways the auditory cortex is like the visual cortex.
-Both seeing and hearing have pathways for “what” (identifying) and “where” (locating).
-Parts of the brain’s superior temporal cortex handle movement for both sights and sounds. If damaged, it can lead to trouble seeing motion (motion blindness) or hearing it (motion deafness).
-The part of the brain responsible for sight is crucial for imagining visuals, while the part for hearing is crucial for imagining sounds.
-Both the brain areas for seeing and hearing need regular experiences early in life to develop properly.
6.1 Sound Localization
How does the human brain determine the direction and distance of a sound?
-By comparing the responses of the two ears.
6.1 Sound Localization
What are the three methods explained that help to figure out where sound is coming from? (3)
-difference in time of arrival at the two ears
-difference in intensity between the ears
-phase difference between the ears
6.1 Sound Localization
Explain how the time of arrival of a sound for both ears helps you differentiate location.
-If a sound reaches one ear before the other, it indicates the direction of the sound.
6.1 Sound localization
How does the difference in intensity between the ears aid in determining location? What is an example? (2)
-bird song example
-The difference in intensity between the ears, caused by the head creating a sound shadow, helps localize high-frequency sounds.
-works best for Hz above 2000 - 3000
-Imagine you’re outside and hear a high-pitched bird on your right side. Because your head creates a sound shadow, the sound is louder in your right ear than your left. Your brain detects this difference and helps you locate the bird’s direction.
6.1 Sound localization
How does phase difference between the ears assist in locating sound? Example? (2)
-refers to the difference in the timing of sound wave peaks between the ears, providing information for localizing sounds
-Imagine you’re in a room and someone snaps their fingers to your right. The sound waves reach your right ear slightly before they reach your left ear. This small time gap, known as the phase difference, gives your brain information about the direction of the sound cause you hear the sound at different peaks.
-especially those with frequencies up to about 1500 Hz.
6.1 Sound Localization
Sum up how we localize low and high frequencies and sudden frequencies. (3)
-low frequencies with phase differences
-high frequencies by loudness difference
-sudden frequencies by time
6.1 Sound Localization
What happens if you become deaf in one ear? At first and eventually? How do they localize sounds? (3)
-Initially, all sounds seem to come from the intact ear.
-Eventually, people learn to interpret loudness cues.
-Louder sounds are perceived to come from the intact ear, softer sounds from the opposite side.
6.1 Sound localization Stop and CHeck Pg 194
Which method of sound localization is more effective for an animal with a small head? Which is more effective for an animal with a large head? Why? (2)
-An animal with a small head localizes sounds mainly by differences in loudness because the ears are not far enough apart for differences in time to be useful.
-An animal with a large head localizes sounds mainly by differences in time because its ears are far apart and well suited to noting differences in phase or onset time.
6.1 Individual Differences
What is Amusia? What do they have trouble recognizing? (2)
AKA tone deafness
-people who struggle to recognize more subtle differences in tones
-trouble recognizing tunes, when someone is singing off key, do not detec a wrong note, trouble gauging peoples mood off tone of voice
-
6.1 Individual Differences
How does people with Amusia’s brain differ? Why is this significant? (2)
-auditory cortex appears normal, but fewer connections to the frontal cortex
-shows the deficit is not in hearing itself, but poor memory or attention for pitch
-implication that amusia results from either an impairment of the prefrontal cortex or input to it from the auditory cortex
6.1 Individual differences: deafness
What are the two categories of hearing loss?
-conductive deafness or nerve deafness
6.1 Individual differences: deafnessq
Explain conductive deafness, what is it and how does it occur and treatment? (3)
-AKA as middle-ear deafness
-What: middle ear is unable to transmit sound waves to the cochlea
-How: Diseases, infectins or tumorous bone growths obstruct/stop this
-Treatment: may be temporary, otherwise surgery or hearing aids
-because people can still hear themselves, since the cochlea is okay and the auditory nerve, they sometimes think people are just mumbling
6.1 Individual Differences: Deafness
What is nerve deafness? Explain what, how and treatment. (3)
-AKA as inner-ear deafness
-What is it: damage to the cochlea, hair cells or auditory nerves
-How: inheritance, disease or exposure to loud noises
-Treatment: Preventing further damage, hearing aids or cochlear implant
-if its confined to one part of the cochla, it impairs hearing of certain frequencies and not others