Chapter 6&7 Flashcards

1
Q

“Squared for transfer”

A

drawing is drawn on a grid to make the transfer easier from paper to canvas, walls, etc.

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2
Q

Chalk

A

Considered a borderline medium between drawing and painting, as it can be blended.

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3
Q

Difference between chalk & crayon

A

The difference between chalk and crayon, is the binder. Pastel uses a nonfat binder, where as crayon is greasy or waxy.

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4
Q

Illustration

A

To make VISUAL, the written word, ideas or products used in books, magazines, posters, and newspapers—used also to record when the camera isn’t permitted

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5
Q

pigment

A

powdered coloring material

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6
Q

metalpoint

A

Popular during the renaissance.
Use a thin metal wire to make marks on a specially coated ground.
Not often used today because of its unforgivingness of mistakes.
Silver was often used. This would be “silverpoint”.

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7
Q

Dry Media-

A

Charcoal

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8
Q

binder

A

Pigments are held together with a binder. Depending on the particular media, the binder can be anything from fats to egg yolk.

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9
Q

Collage-

A

A French word for pasting or gluing. It refers to the practice of attaching actual objects to the surface. It was developed by Picasso and Braque in the early 20th centruy.

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10
Q

Acrylic

A

They can be thinned for watercolor effects, or used straight from the tube for impasto techniques.

Synthetic/ polymer paint perfected in 1950’s.
Medium is acrylic resins
and water.

Advantages:
Tough, flexible & waterproof.
Fast drying.
Plastic quality for Mixed Media.

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11
Q

Gouache

Gouache i

A

Gouache is watercolor with an inert white pigment added for Opacity.
Similar to poster paints.
Advantages:Dries quickly.Light colors can be layered over dark ones.

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12
Q

Watercolor

A

Pigment with a medium of water and gum arabic that acts as a binder.
Usually, white is not added, using the transparent effect ofwater instead.

Advantages:
Transparency
Portability
Spontaneity

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13
Q

Oil has ____types

A

two:

Glazing

Impasto

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14
Q

Glazing-

A

building up thin, translucent layers of color over a thicker underpainting.

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15
Q

Impasto-

A

Italian, meaning “paste”. It refers to when paint has been applied very thickly and can actually extend somewhat off of the canvas or support.

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16
Q

Oil is:

A

Pigment combined with oil, usually linseed.

17
Q

Tempera

A

An aqueous (water) medium
like watercolor, with the
durability of oil.
Most famous binder is egg yolk.

Because it dries quickly, blending must be done rapidly.

18
Q

Gesso

A

primer was used to seal the wood first, which is sanded and then used as the painting surface. (in tempera)

19
Q

Fresco

A

Pigment is mixed with water and applied to a plaster support usually a wall or ceiling . It is usually worked while the plaster is damp, which requires working on small areas at one time. As the plaster cures, the plaster itself acts as the binder.

20
Q

More Fresco info:

A

Requires absolute commitment.
To make corrections, the plaster must be chipped away, sanded and reapplied

21
Q

Encaustic

A

Pigment is mixed with
wax and resin and burned
in as a heat source passes
over the surface.

Advantages:
Build up textured surface
Will not harm the paper
over time

22
Q

More Encaustic info:

A

Uses wax as a medium, resin as a binder.
Was first used in Egypt during the first century, to create portraits for mummy casings to memorialize the dead.

23
Q

WHAT PAINT IS MADE OF

A

Pigment: powdered color - compounded with a
Medium: a liquid that holds the pigments together without dissolving them, can also include a
Binder: an ingredient that ensures that the paint will adhere to the surface. It is applied on a
Support: a surface on which the artist works, which is first coated with a
Ground or Primer: a preliminary coating.

Note: media and medium are also used to refer to all materials used in a work of art.

24
Q

MEDIUMS OF PAINTINGS:

A

Encaustic 2.Fresco 3.Tempera 4.Oil 5.Watercolor 6.Gouache 7. Acrylic 8. Collage

25
Q
A