Chapter 5: Perception Flashcards

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1
Q

Distal Stimulus

A

an object/event in outside world

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2
Q

Proximal Stimulus

A

energies from the outside world that directly reach our sense organs

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3
Q

Binocular cues

A

cue from the fact that our two eyes look out onto the world from slightly different positions –> result: each eye has a slightly diff. view allowing us to infer info about distance relationships

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4
Q

Monocular Cues

A

we can also perceive depth with one eye
–> can indicate distance even if stimulus is viewed with only one eye

(blind people can still perceive depth)

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5
Q

Adjustment CUes

A

adjustment needed to see world clearly depending on how far away viewed object is

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6
Q

Pictorial Cues

A

patterns repped on flat surface in order to create a sense of 3-dimensional object/scene

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7
Q

Interposition

A

monocular cues to distance– relies on the fact that objects farther away are blocked by closer objects

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8
Q

Linear Perspective

A

parallel lines seem to converge as the get farther and farther from viewer

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9
Q

Texture Gradients

A

if texture gets smaller and smaller (has discontinuity), can communicate info about depth/distance

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10
Q

Motion Parallax

A

as an observer moves, the retinal images of nearby objects move more rapidly than do those of objects farther away

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11
Q

What happens when observer simply moves toward or away from image? Why?

A

makes imager larger/smaller

there is more retinal stimulation when we move closer to an object

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12
Q

Retinal Motion

A

some cells (motion detectors) in the visual cortex respond to image movements on the retina by firing at an increased rate whenever movement is present.

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13
Q

Why doesn’t a given cell respond to just any kind of movement (retinal motion)?

A

cells are direction specific

i.e– some will fire if a stimulus moves from left –> right; others will fire if a stimulus moves from right –> left

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14
Q

Apparent Movement

A

perception of movement produced by stimulus that are stationary but are presented at first at one position and then a different position

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15
Q

Eye Movement

A

When you move your eye, you compute the shift in retinal image produced by your own movement

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16
Q

Induced Movement

A

perceived movement of a stationary stimulus, caused by movement of a surrounding framework of nearby objects

17
Q

correspondence problem

A

deciding, as you move from one view to the next, which elements in the second view correspond with which elements in the first view

18
Q

Form Perception (p.182)

A

recognition of objects in a particular form within a certain environment

19
Q

Perceptual Segregation

A

= perceptual parsing
how you separatea scene into individual objects, linking together the parts of each object but not linking one object’s parts to some other object

20
Q

Feature nets (188-9)

A

model of pattern recognition involving a network of detectors and having feature detectors as the network’s starting point
visual search

ex: clock—> c - l - o - c- k –> features of letters themselves

21
Q

Bottom-up Processing

A

“data-driven” processing

22
Q

Top-down Processing

A

“knowledge-driven” processing; guided by the ideas/expectations perceiver brings into situation

23
Q

Priming

A

warming up of certain detectors so they’re better prepared to respond

24
Q

“What” System

A

visual pathway leading from the visual cortex to the inferotemporal lobe (involved in identifying objects(parvo cells))

25
Q

“Where” System

A

visual pathway leading from the visual cortex to the parietal lobe (involved in locating objects in space(magno cells))

26
Q

Attention

A

orients to stimulus so as to gain more information & helps find the input features; helps shelter perceiver from unwanted distractions

27
Q

cocktail-party effect

A

ability to tune our attention to just one voice from a multitude

28
Q

Implicit attention

A

they threw stones @ the bank as presented to one ear is affected by whether “money” or “river” was presented to the other

29
Q

dichotic presentation

A

simultaneous reception of one message through one ear and another message through the other ear

30
Q

unconscious inference

A

reflex-like mechanism which is part of the formation of visual impression