CHAPTER 5 Flashcards
1
Q
- The upstroke of a looping ascender.
A
WHIRL
2
Q
- A writing weakness portrayed by irregular shaky strokes is described as ______
A
TREMOR
3
Q
- slant stroke
A
SHANK
4
Q
- long stroke
A
STEM
5
Q
- the upright long downward stroke that is the trunk or stalk, normally seen in capital letters.
A
STEM OR SHANK
6
Q
- Any major long downward stroke of a letter that is the long downward stroke of the letter “b”, “g”.
A
STAFF
7
Q
- A short initial or terminal stroke.
A
SPUR
8
Q
- Any part of a stroke which is super imposed upon the original stroke.
A
RETRACE/RETRACING
9
Q
coming downward from the top to bottom will have a
A
RETRACE/RETRACING
10
Q
any stroke which goes back over another writing stroke
A
RETRACE/RETRACING
11
Q
In natural handwriting there may be instances in which the pen doubled back over the course.
A
RETRACE/RETRACING
12
Q
Ex: vertical stroke of the letters “d”, “t”
A
RETRACE/RETRACING
13
Q
-an interruption in a stroke caused by removing the writing instrument from the paper.
A
PEN LIFT
14
Q
is common defect on forgeries.
A
CAREFUL PATCHING
15
Q
- retouching or going back over a defective portion of a written stroke.
A
PATCHING
16
Q
- a capital letter.
A
MAJUSCULE
16
Q
- a small letter.
A
MINUSCULE
17
Q
–circle line structure
A
LOOP
18
Q
may be blind or open.
A
LOOP
19
Q
- A oblong curve such as found on the small letter “f”, “g”, “I” and letters stroke “P” has two.
A
LOOP
20
Q
A ________ is usually the result of the ink having filled the open space.
A
blind loop
21
Q
-usually applicable to fountain pen
A
KNOB
22
Q
-the extra deposit of ink in the initial and terminal stroke due to the slow withdrawal of the pen from the paper
A
KNOB
23
Q
- Upper portion of its letter “m”,”n”,”h”,”k”
A
HUMP/SHOULDER
23
- the rounded outside of the top of the bend stroke or curve in small letter.
HUMP/SHOULDER
24
-It also sometimes occurs at the beginning of an initial stroke.
HOOK
24
- It is a minute curve or a ankle which often occurs at the end of the terminal strokes.
HOOK
24
--it came from the term talon
HOOK
25
-In small letter "w" the initial curve is the ___
HOOK
25
-The terminal curves of the letters "a", "d", "n", "m", "p", "u", is the __
HOOK
26
the minute involuntary ____ like formation found at the commencement of an initial up stroke or the end terminal stroke.
talon
27
the minute involuntary talon like formation found at the commencement of an initial up stroke or the end terminal stroke.
HOOK
28
- a gap occurring between a continuous stroke without lifting the pen.
-Such as occurrence usually occurs due to speed;
HIATUS/PEN JUMP
29
-may be regarded also as a special form of pen lift distinguish in a ball gaps in that of perceptible gaps and appear in the writing.
HIATUS/PEN JUMP
30
- the term applied to the irregular thickening of ink which is found when writing slows down or stop while the pen take a stock of the position.
HESITATION
31
- lower part which rest on the base line.
FOOT
32
-The small letter "m" has three feet, and the small letter "n" has two feet.
FOOT
32
- a small loop or curved formed inside the letters.
EYE/EYELET/EYELOOP
33
--loop within a loop
EYE/EYELET/EYELOOP
33
-This may occur inside the oval of the letters "a, d, o";
EYE/EYELET/EYELOOP
34
the small loop form by stroke that extend in divergent direction as in small letters.
EYE/EYELET/EYELOOP
35
-an element added to complete a certain letter, either a cross bar or a dot.
DIACRITIC
36
-The matters of the Indian script are also known as
DIACRITIC SIGNS;
37
- "t" crossing and dots of the letter "i" and “j".
DIACRITIC
38
-The portion of a letter that falls below the baseline of a typeface, not including optical adjustments.
DESCENDER
39
- opposite of ascender, the lower portion of a letter.
DESCENDER
40
--this term came from the Kallikak Theory
CALLIGRAPHY
41
- the art of beautiful writing.
CALLIGRAPHY
42
- bad
KAKOS
43
- beauty
KALLOS
44
- a bad writing.
CACOGRAPHY
45
- A loop made as a flourished which is added to the letters, as in small letter "k & b", or in capital letters "A", "K","P";
BUCKLE/BUCKLEKNOT
46
-the horizontal end loop stroke that are often used to complete a letter.
BUCKLE/BUCKLEKNOT
47
Ex: the oval of the letter "O" is the body, minus the downward stroke and the loop.
BODY
48
- The main portion of the letter, minus the initial of strokes, terminal strokes and the diacritic, of any.
BODY
49
- fading of the end of the letter
VANISHING
49
- the beginning and ending stroke of a letter (without hesitation).
BLUNT
50
- is the rudimentary initial up stroke of a letter.
BEARD
51
- maybe actually on a ruled paper, it might be imaginary alignment of writing;
BASELINE
51
- Preliminary embellished initial stroke which usually occurs in capital letters.
BEADED
52
--loop before the initial stroke
BEADED
53
-is the ruled or imaginary line upon which the writing rests.
BASELINE
54
-Or any arcade form in the body of a letter found in small letters which contain _____
ARC/ARCHES
54
-a curved formed inside the top curve of loop as in small letters "h", "m", "n", & "p".
ARC/ARCHES
55
-The portion of a lowercase letter above the x-height of a typeface.
ASCENDER
56
- is the top portion of a letter or upper loop.
ASCENDER
57
-It is one means of disguise.
WRONG-HANDED WRITING/ LEFT HANDED WRITING
57
-a.k.a. as "WITH THE AWKWARD HAND."
WRONG-HANDED WRITING/ LEFT HANDED WRITING
57
- Any writing executed with the opposite hand that normally used;
WRONG-HANDED WRITING/ LEFT HANDED WRITING
57
A presence of variation is
FORGED
58
- The act or process of changing.
VARIATION
58
--differs depending on the culture
SYSTEM (OF WRITING)
59
-See also copy book.
SYSTEM (OF WRITING)
60
-Not everyone writes at the same rate so that consideration of the _________ may be a significant identifying element.
SPEED (SPEEDY) WRITING
61
___________ cannot be measured precisely from the finished handwriting but can be interpreted in broad terms of slow, moderate, or rapid.
SPEED (SPEEDY) WRITING
61
-Writing through use diverges from the system, but generally retains some influence of the basic training.
SYSTEM (OF WRITING)
62
- The combination of the basic design of letters and the writing movement as taught in school make up the ______
SYSTEM (OF WRITING)
63
- slope to the left
NEGATIVE SLOPE
63
- slope to the right
POSITIVE SLOPE
64
-There are three classes: SLANT TO THE LEFT; SLANT TO THE RIGHT; AND VERTICAL SLANT.
SLOPE/SLANT
64
- the angle or inclination of the axis of the letters relative to the baseline.
SLOPE/SLANT
64
- In any set there are relative degrees, ability, or skill and a specimen of handwriting usually contains evidence of the writer's proficiency; degree, ability, or skill of a write proficiency.
SKILL
65
SLOPE/SLANT three classes:
SLANT TO THE LEFT; SLANT TO THE RIGHT; AND VERTICAL SLANT.
66
- May refer to the overall size of the writing
SIZE
67
the proportions between zones.
SIZE
67
- Eliminating extra or superfluous strokes from the copybook model.
SIMPLIFICATION
68
- Any characteristic of handwriting that is sufficiently uncommon and well-fixed to serve as a fundamental point in the identification.
SIGNIFICANT WRITING HABIT
69
- Is the widening of the ink strokes due to the added pressure on a flexible pen point or to the use of a stub pen.
SHADING
70
--stub pen is
FOUNTAIN PEN
71
-Periodicity, alternation of movement.
RHYTHM
72
-It may be classed as smooth, intermittent, or jerky in its quality; the flourishing succession of motion which are recorded in a written record.
RHYTHM
73
_____is used in describing handwriting to refer to any identifying factor that is related to the writing movement itself.
QUALITY
73
- A distinct or peculiar character.
QUALITY
73
- examination of letters to letters
RATIO
74
- The element of the writing movement which is marked by regular or periodic recurrences.
RHYTHM
75
- examination of the same letters
PROPORTION
76
- A creative combination of printing and cursive writing.
PRINTSCRIPT
76
- the relation between the tall and the short letter is referred as to ________
RATIO
77
- It is an important element in handwriting.
MOVEMENT
77
-These are normal or usual deviations found between repeated specimens of any individual handwriting.
NATURAL VARIATION/ GENUINE VARIATION
77
-It embraces all the factors which are related to the motion of the writing instrument skill, speed freedom, hesitation, rhythm, emphasis, tremors and the like.
MOVEMENT
77
- Any specimen of writing executed normally without any attempt to control or alter its identifying habits and its usual quality or execution.
NATURAL WRITING
78
- Any study or examination which is made with the microscope in other to discover minute details.
MICROSCOPIC EXAMINATION
78
-The manner in which the writing instrument is move that is by finger, hand, forearm or whole arm.
MOVEMENT
79
- The amount of space left around the writing on all four sides.
MARGINS
80
-This type of writing is taught in young children in elementary schools as the first step in learning to write.
MANUSCRIPT WRITING
81
-A disconnected form of script or semi-script writing.
MANUSCRIPT WRITING
82
--used in beginner writer
MANUSCRIPT WRITING
83
- poor line quality
TREMOR
84
-The visible records in the written stroke of the basic movements and manner of holding the writing instrument is characterized by the term _______
LINE QUALITY
85
- the overall character of the ink lines from the beginning to the ending strokes.
LINE QUALITY
86
-THERE ARE TWO CLASSES: GOOD LINE QUALITY AND POOR LINE QUALITY.
LINE QUALITY
87
LINE QUALITY TWO CLASSES
GOOD LINE QUALITY AND POOR LINE QUALITY.
88
- May slant up, down, or straight across the page.
LINE DIRECTION
89
- Movement of the baseline.
LINE DIRECTION
90
-Sometimes, referred to as LINE SPACE.
LETTER SPACE
91
- The amount of space left between letters.
LETTER SPACE
92
--it is calligraphy but not connecting letters
HANDLETTERING
93
-also called HAND PRINTING.
HANDLETTERING
94
- Any disconnected style of writing in which each letter is written separately;
HANDLETTERING
95
-It also means the scientific study and analysis of handwriting, especially with reference to forgeries and questioned documents.
GRAPHOLOGY
96
- the art of determining character disposition and amplitude of a person from the study of handwriting.
GRAPHOLOGY
97
- analysis by comparison and measurement.
GRAPHOMETRY
98
- the study of handwriting based on the two fundamental strokes, the CURVE (loop), and the STRAIGHT STROKES.
GRAPHOANALYSIS
99
GRAPHOANALYSIS the two fundamental strokes:
the CURVE and the STRAIGHT STROKES.
100
-Also a school of handwriting analysis that looks at handwriting as a whole
GESTALT
101
_______ needs nothing added or taken away to make it "look right".
good gestalt
102
- The German word that means "complete" or "whole".
GESTALT
103
- A cup-like connected form that is open at the top and rounded on the bottom.
GARLAND FORMS
103
GESTALT came from what word?
German
103
- The writer's chosen writing style.
FORM
104
GESTALT came from German word that means
"complete" or "whole".
105
-The way the writing looks, whether it is copybook, elaborated, simplified, or printed.
FORM
106
- the movement of the pen away from the writer
UPWARDSTROKE/ UPSTROKE
107
- The movement of the pen toward the writer.
DOWNSTROKE
108
- A writer may deliberately try to alter his usual writing habits in hopes of hiding his identity or concealing identity
DISGUISED WRITING
109
--conducting JUXTA POSITION or the side by side examination
COMPARISON
110
- it refers not only a visual but also the mental act in which the element of one item are related to the counterparts of the other.
COMPARISON
111
-the act of setting two or more items side by side to weigh their identifying qualities;
COMPARISON
112
-any property or mark which distinguishes and in document examination
CHARACTERISTICS
113
commonly called to as the IDENTIFYING DETAILS
CHARACTERISTICS
114
- Forms that look like arches rounded on the top and open at the bottom.
ARCADE FORMS
115
- Sharp, straight strokes that are made by stopping the pen and changing direction before continuing.
ANGULAR FORMS
116
- Is the relation of parts of the whole of writing or line of individual letters in words to the baseline.
ALIGNMENT
116
- It is the result of very complicated series of facts, being used as whole, combination of certain forms of visible mental and muscular habits acquired by long continued painstaking effort.
HANDWRITING
117
-Some defined handwriting as a.k.a "VISIBLE SPEECH".
HANDWRITING
118
--it is a two way process since we are using our mental and muscular habits
HANDWRITING
119
KINDS OF WRITINGS
CURSIVE
SCRIPT
BLOCK
120
- connected;
CURSIVE
121
-writing in which one letter is joined to the next.
CURSIVE
122
-Came from Latin word CURSUS means "running"
CURSIVE
123
-Characters are written in a joint-flowing manner for the purpose of making the writing faster.
CURSIVE
124
CURSIVE came from Latin word _______ means ______
CURSUS means "running"
125
CURSIVE came from what word?
latin word
126
- separated or printing writing.
SCRIPT
127
-Characters were written in a separate manner making it easier for beginners to learn the shapes of each letters.
SCRIPT
128
- all are in capital letter.
BLOCK
129
-- used for business writing, engineering for their blueprint
BLOCK
130
BASIS OF HANDWRITING IDENTIFICATION
A. In WIGNORE'S PRINCIPLES OF JUDICIAL PROOF, HANDWRITING is defined as a visible effect of bodily movement which is an almost unconscious expression of fixed muscular habits, reacting from fixed mental impression of certain ideas associated with script form.
B. Environment, education and occupation affect individuals so variously in the formation of these muscular habits that finally the act of writing becomes an almost automatic succession of acts stimulated by these habits.
C. The imitation of the style of writing by another person becomes difficult because the other person cannot by mere will power reproduce in himself all the muscular combination from the habit of the first writer.
131
_____ is defined as a visible effect of bodily movement which is an almost unconscious expression of fixed muscular habits, reacting from fixed mental impression of certain ideas associated with script form.
HANDWRITING
132
In ______________, HANDWRITING is defined as a visible effect of bodily movement which is an almost unconscious expression of fixed muscular habits, reacting from fixed mental impression of certain ideas associated with script form.
WIGNORE'S PRINCIPLES OF JUDICIAL PROOF
132
-extension of fingerprint
HANDWRITING
132
_____________ affect individuals so variously in the formation of these muscular habits that finally the act of writing becomes an almost automatic succession of acts stimulated by these habits.
Environment, education and occupation
132
__________________ because the other person cannot by mere will power reproduce in himself all the muscular combination from the habit of the first writer.
The imitation of the style of writing by another person becomes difficult
133
TWO GROUPS OF MUSCLES INVOLVE IN HANDWRITING:
1. EXTENSOR MUSCLES
2. FLEXOR MUSCLES
134
- push up the pen to form the upward strokes
EXTENSOR MUSCLES
135
- which push the pen to from the downward strokes.
FLEXOR MUSCLES
136
decrease the angle between bones on the side of the joint, such as bending the knee.
FLEXOR MUSCLES
137
Directed by a ___________, the flexor surfaces are where folded skin can touch.
FLEXOR MUSCLES
138
Generally speaking, four groups of muscles are employed in writing - those which operate the joints of the _____________
FINGERS, WRIST, ELBOW, AND SHOULDER.
139
The delicate way in which the various muscles used in writing work together to produce written form is known as __________
MOTOR COORDINATION
140
KINDS OF MOVEMENT
1. FINGER MOVEMENT
2. HAND MOVEMENT
3. FOREARM MOVEMENT
4. WHOLE FOREARM MOVEMENT
140
- The thumb, the first, second and slightly the third fingers are in actual motion most usually employed m children and illiterates.
FINGER MOVEMENT
140
- produced by the movement or action of the whole hand with the wrist as the center of attraction.
HAND MOVEMENT
141
- the movement of the shoulder, hand, and arm with support of the table (elbow)
FOREARM MOVEMENT
141
- action of the entire arm without resting.
WHOLE FOREARM MOVEMENT
142
CAUSES OF VARIATION
1. Function of some external condition
2. Abnormal conditions
3. Position of letter
142
i.e., influence of the available space.
Function of some external condition
143
_______________ such as physical injury, toxic effects, emotion, and deception.
Abnormal conditions
144
- all the letters are to be found initially, medially, and finally.
Position of letter
145
The fact of a different position, especially in combination with another and particular letter, may modify any of them in some way or another.
Position of letter
145
As speed increases, _________ begin to break down.
conscious design and regularity
145
DEVELOPMENT OF HANDWRITING OF AN INDIVIDUAL
A. Children learn writing by following the school copy or model (copybook nung elem)
B. After acquiring some degree of skill the children no longer follow the school model
C. As speed increases, conscious design and regularity begin to break down.
D. In the course of trial and error, modification are made, simplification and elaborations, addition and omissions occur.
146
__________ learn writing by following the school copy or model
Children
146
. After acquiring some degree of skill the children no longer follow the ______
school model
147
In the course of trial and error, _________ are made, simplification and elaborations, addition and omissions occur.
modification
148
- This refers to the shape or design of the individual letters.
FORM
149
A highly visible dissimilarity in the _______ of the same letter found in both the questioned and standard material is an inherent fundamental difference in handwriting.
FORM
150
- It is an angle or inclination, of the axis of the letters relative to the baseline.
SLOPE OR SLANT
151
--sliding of the letter
SLOPE OR SLANT
152
- Individual characteristics in relative of letter or relative height of one letter to another letter can be found in different writing.
PROPORTION
153
is one of the hidden features of writing
PROPORTION
154
- generally refers to the symmetry of an individual letter.
PROPORTION
155
-Using the letter "B" as an example, is the top "bulb" the same size as the bottom "bulb?" Is one portion of the letter thinner than another?
PROPORTION
156
-This concept usually develops a relationship between one portion of a letter to another portion of that same letter
PROPORTION
157
- There are different ______ in writing letters; these are NORMAL, COMPRESSED, AND EXTENDED.
PROPORTION
158
KINDS OF PROPORTION
NORMAL, COMPRESSED, AND EXTENDED.
159
- The relation between the tall and short letters is refund to as the
RATIO
159
is used when the writing space is adequate;
Normal proportion
159
when the space is too wide to write on.
Extended Proportion
159
when the space is limited
Compressed Proportion
160
-are a comparison or correlation of the height of one letter or letter segment to another letter, usually within the same word or signature.
RATIO
161
- In signatures, it is a common practice among many writers to write their signatures with the initials and connected without pen.
CONNECTING STROKE
161
-combinations of various height ___ are often uniquely individual and habitual to a specific writer
RATIO
162
the motion of the pen also slightly precedes the putting of the pen on the paper at the beginning with "flying start" so that strokes at the beginning and end of words gradually diminish or taper a "vanishing point".
TERMINAL STROKE AND INITIAL STROKE
162
"flying finish" or what is also referred to as
"vanishing", "tapering" or "flourishing" terminal strokes
162
- When a letter, word or name (signature) is completed in a free, natural writing, the pen is usually raised from paper while in motion with a "flying finish" (or what is also referred to as "vanishing", "tapering" or "flourishing" terminal strokes) and with many writers, the motion of the pen also slightly precedes the putting of the pen on the paper at the beginning with "flying start" so that strokes at the beginning and end of words gradually diminish or taper a "vanishing point".
TERMINAL STROKE AND INITIAL STROKE
163
- is considered as a common characteristic when it conforms to the ordinary copy-book-form.
LATERAL SPACING
163
- It is an interruption in a stroke caused by removing the pen from the paper.
PEN LIFT
163
- Is a gap between strokes due to speed in writing and defective writing instrument
HIATUS
164
-It is the distance of a letter in a word or of words in a sentence.
LATERAL SPACING
165
- It is the widening of the ink strokes with increase pressure on the paper surface
SHADING
165
_________ are wide alphabets
m and w
165
- refers to the visible record in the written strokes of the basic movement and manner of holding the writing instrument.
LINE QUALITY
166
- It is the balanced quality of movements of the harmonious recurrence of stress or impulse.
RHYTHM
167
--contrast of tremor
RHYTHM
168
-When the pen-point has flexibility, this emphasis produces shading, but with more rigid writing points heavy point emphasis can occur in writing w/out any evidence of shading;
PEN EMPHASIS
168
- The act of intermittently forcing the pen against the paper surfaces
PEN EMPHASIS
169
--smooth flow of writing
RHYTHM
170
--the act intermittently forcing the pen against the paper with increase pressure.
PEN EMPHASIS
170
- relationship between the pen point and the paper.
* PEN POSITION
171
- The place where the writer grasps the barrel of the pen and the angle at which he holds it.
PEN HOLD
171
TYPES OF PEN HOLD
DYNAMIC TRIPOD
DYNAMIC QUADRUPOD
LATERAL TRIPOD
LATERAL QUADRUPOD
171
- the average force with which the pen contacts the paper.
PEN PRESSURE
172
as opposed to pen emphasis deals with the usual of average force involved in the writing rather than the period increases.
PEN PRESSURE
172
- deviation from uniform strokes due to lack of smoothness perfectly apparent even without magnification.
TREMOR
173
--not all _____ is a sign of forgery
TREMOR
174
- This refers to additional unnecessary strokes not necessary to legibility of letterforms or writing but incorporated in writing for decorative or ornamental purpose.
* RUBRIC OR EMBELLISHMENT
174
--kinds of tremors:
tremor of age and disease
175
- variation is due to lack of machine-like precision of the human hand
NATURAL VARIATION
176
it is also cause by external factors, such as the writing instrument and the writing position, influenced by physical and mental condition such as fatigue, intoxication, illness, nervousness and the age of the writer, due to the quality of the writing prepared in the course of the time variation in genuine signature appears in superficial parts and does not apply to the whole process of writing.
NATURAL VARIATION
177
-is a succession of connected, uniform strokes working in full coordination, pressure is always in state of change moving from light to heavy or from heavy light.
RHYTHM
177
--determine the line quality whether good line quality or poor line quality
RHYTHM
177
--in all kinds of writing, there is always this
RHYTHM
177
- Characterized by a succession of awkward, independent, poorly directed and disconnected motions.
LACK OF RHYTHM
177
--presence of knob, tremors, hesitation
LACK OF RHYTHM
178
the succession of strokes, one can determine if the writer normally and spontaneously or write with hesitation as if he is attempting to for another signature.
RHYTHM
179
- Words are formed by connection letters to one another, even letters are formed by the joining of the upward and downward strokes.
LETTER OF CONNECTIONS
180
--exit and entry points
LETTER OF CONNECTIONS
181
TYPES OF LETTER CONNECTIONS ARE:
* ARCADE
* GARLAND
* ANGULAR CONNECTIVE FORM
* THE THREADLIKE CONNECTIVE FORM
182
-a rounded stroke shaped like an arch.
ARCADE
183
-It is a slow mode of connection resulting from controlled movements.
ARCADE
183
-m and n letters look like arches with rounded tops
ARCADE
184
--rounded at the top, open at the bottom
ARCADE
185
- Links the downward stroke to the upstrokes with a flowing curve swinging from left to right.
GARLAND
186
- m and n letters are like cups, inverted arcades
GARLAND
187
-- open at the top, rounded at the bottom
GARLAND
188
--cup like connected form
GARLAND
189
-When the downward strokes and upward strokes meet directly angular connection is formed.
ANGULAR CONNECTIVE FORM
190
-straight lines that cross each other or break
ANGULAR CONNECTIVE FORM
191
- the joining of downward and upward strokes is slurred to a threadlike tracing or where rounded turns used at both top and bottom produce a double curve
THE THREADLIKE CONNECTIVE FORM
192
- looks like unravelled wool
THE THREADLIKE CONNECTIVE FORM
193
--used in medical field in medical prescription of the doctor
THE THREADLIKE CONNECTIVE FORM
193
--has wider characters
THE THREADLIKE CONNECTIVE FORM
194
-part of basic writing system or which are modification of the system of writing found among large group of writes that have only slight identification value.
GENERAL (CLASS) CHARACTERISTICS
195
- used as writing system in PH
ENGLISH ALPHABET
196
- used by Koreans alphabet
HANGUL
197
- used by Chinese wherein they don’t have writing system but they have characters that represents alphabets
HANZI
198
- used by Japanese alphabet
KATAKANA, HIRAGANA, KANJI
199
- they are characteristics which are result of the writer's muscular control, coordination, age, health, and nervous temperament, frequency of writing, personality, and character.
INDIVIDUAL CHARACTERISTICS
200
-They are found in the following:
1. WRITING MOVEMENT
2. FORM AND DESIGN OF LETTERS
3. MUSCULAR CONTROL OR MOTOR CONTROL
4. MOTOR COORDINATION
5. SHADING
6. SKILL
7. ALIGNMENT
8. PEN PRESSURE
9. CONNECTION
10. PEN HOLD
11. RHYTHM
12. DISCONNECTIONS OR PEN LIFTS BETWEEN LETTERS
13. SPEED.
14. SLANT AS A WRITING HABIT
15. PROPORTION OF LETTERS AS AN INDIVIDUAL CHARACTERISTIC OR HABIT.
16. QUALITY OF STROKE OR LINE QUALITY
17. VARIATION
INDIVIDUAL CHARACTERISTICS
201
- this is characterized by too much freedom of movement and lack of regulation.
LOOSE WRITING
202
INDIVIDUAL CHARACTERISTICS ARE FOUND IN?
1. WRITING MOVEMENT
2. FORM AND DESIGN OF LETTERS
3. MUSCULAR CONTROL OR MOTOR CONTROL
4. MOTOR COORDINATION
5. SHADING
6. SKILL
7. ALIGNMENT
8. PEN PRESSURE
9. CONNECTION
10. PEN HOLD
11. RHYTHM
12. DISCONNECTIONS OR PEN LIFTS BETWEEN LETTERS
13. SPEED.
14. SLANT AS A WRITING HABIT
15. PROPORTION OF LETTERS AS AN INDIVIDUAL CHARACTERISTIC OR HABIT.
16. QUALITY OF STROKE OR LINE QUALITY
17. VARIATION
203
-This is noticed especially in tall letters forms.
LOOSE WRITING
204
- there is lack of freedom and inhibited movements.
RESTRAINED WRITING
205
-It gives you the impression that every stroke was made with great difficulty.
RESTRAINED WRITING
