Chapter 4 Flashcards

Harmony, texture, tonality, and mode

1
Q

Harmony

A

Simultaneous pitches
accompaniment of melody

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Chords

A

groupings of simultaneous pitches

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Consonance

A

Sounds pleasing or at rest

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Dissonance

A

Sounds discordant, creates tension
creates a desire to resolve to consonance

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Texture

A

the relationship between a melody and all other lines

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

How to identify texture

A

How many melodic lines do you hear?
Are all the lines interesting?
How similar/different are they?

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

How to identify lines

A

melody only?
more than one melody?
any chords, figures, bass lines, countermelodies?

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Are all the lines equally interesting?

A

is there a foreground/background?
Is there one main melody?
hard to tell which is the melody?

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

How different are the lines?

A

Same or different rhythms?
same or different melodies?

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Monophonic texture

A

only one line; nothing else

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

Homophonic texture

A

two or more lines
one main melody with other parts (chords)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

Polyphonic texture

A

two or more lines
all competing to be the most important

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

imitative

A

same melodies

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

non-imitative

A

different melodies

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Tonality

A

Musical center
feeling of a “home” pitch

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

Tonal

A

having sense of tonality (center/”home” pitch)

17
Q

Atonal

A

absence of tonality (no center/”home”pitch)

18
Q

Tonic pitch

A

the “home” pitch toward which other pitches lead
The first note of a scale
the most stable pitch

19
Q

Modality

A

Major vs minor scales

20
Q

Major scale

A

do, re, mi, fa, sol, la, ti, do

21
Q

Minor scale

A

Major: C D E F G A B C
Minor: A B C D E F G A

22
Q

Major vs. minor scales

A

MAJOR:
begin with 2 whole steps
end with a half step
tend to sound brighter, happier

MINOR:
begin with a whole step and half step
end with a whole step
tend to sound darker, sadder

23
Q

Key

A

scales can begin on any note on the keyboard

24
Q

Modulation

A

Changing to a different key, creates new tonal center