chapter 3 3 Flashcards

1
Q

—-, as Russian artist and architectural
movement was first influenced by Cubism and
Futurism, is generally considered to have been
initiated in 1913 with the “painting reliefs” – abstract
geometric constructions – of Vladimir Tatlin.

A

Constructivism

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2
Q

It is a from manifesto that the name ‘—–’
was derived; one of the directives that it contained
was “ to construct” art.

A

Constructivism

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3
Q

It is a from manifesto that the name ‘Constructivism’
was derived; one of the directives that it contained
was “ —-” art.

A

to construct

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4
Q

— developed side by side with
Supermatism, the two major modern art form to come
out of Russian in the 20th century.

A

Constructivism

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5
Q

Concerned with the use of ‘real materials in space’,
the movement sought to use art as a tool for the
common good, much in line with the communist
principles of the new Russian regime.

A

Constructivism

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6
Q

—- is marked by a commitment to total
abstraction and a wholehearted acceptance of
modernity.

A

Constructivist art

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7
Q

— was an art movement that developed in the United States in the late
1950s and reached its peak in the mid to late 1960s.

A

Minimalism

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8
Q

It is also sometimes called Minimalist Art or —- Art because it focuses on basic
elements.

A

ABC

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9
Q

It grew out of ideas expressed in the early 20th century by people like the Russian artist
Kazimir Malevich, who pioneered Abstract Art by painting pictures with no reference
to things visible in the real world – no trees or people, no landscapes or still-life
scenes.

A

Minimalism

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10
Q

—- was also a reaction to the most prominent style of art pursued in the
1950s Abstract Expressionism, in which the art conveyed multiple meanings of
intense emotion, ideas, feelings and was sometimes created spontaneous or
unplanned ways.

A

Minimalism

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11
Q

One of the most important characteristics of — common is repetition, or
creating multiple images of the same shape, especially simple geometric shape
forms like lines and squares.

A

Minimalist Art,

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12
Q

— are about geometry, shapes, lines and color. It is art’s sake without emotion
involved.

A

Paintings

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13
Q

A modern form of contemporary art which gives priority to an idea presented by
visual means that are themselves secondary to the idea.

A

conceptual art

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14
Q

—-, while having no intrinsic financial value, can deliver a powerful
message, and thus has served as a vehicle for socio-political comment, as well
as abroad challenge to the tradition of a ‘work of art’ being crafted unique object.

A

Conceptual art

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15
Q

The ideas behind this visual art were explored by Marcel Duchamp (1887-1968),
the so-called father of Conceptual Art, although the term was first used by Edward
Kienholz (1927-94) in the late 1950s.

A

Conceptual art

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16
Q

—- is all about “ideas and meanings’ rather than “works of art”

A

Conceptual art

17
Q

It is characterized by its use of text, as well as imagery, along with a variety of
ephemeral, typically everyday materials and “found objects”.

A

Conceptual art

18
Q
  • It is also typically incorporates photography and video, as well as other
    contemporary media such as computers, performance art, projections,
    installation art and sound.
A

Conceptual art

19
Q

One of the most famous examples of Conceptual Art is ‘—-’ which is a telegram sent to the Galerie Iris Clert.

A

Portrait of Iris Clert by
Robert Rauschenberg,

20
Q

Another one of conceptual art is —- which is a read-made urinal.

A

‘Fountain’ by Marcel Duchamp

21
Q

Also called Super-realism is an American art movement that began in the 1960s,
taking photography as its inspiration.

A

Photo realism

22
Q

— painters created highly illusionistic images that referred no to nature
but to the reproduced image.

A

Photo-realist

23
Q

— developed in the 20th century.

A

Installation Art

24
Q

— is the term for works, room-sized or larger, in which the whole space
is considered a single unified artwork.

A

Installation art

25
Q

—- often create installations in mixed media. Mixed media means using more
than one art medium. Such works may include traditional arts, like painting,
sculpture, and textiles as well as words, text, and utilitarian materials.

26
Q

—- ranges from the very simple to the very complex. It can be gallery
based, computer-based, electronic based, web-based – the possibilities are limitless
and depend entirely upon the artist’s concepts and aims.

A

Installation art

27
Q

— , Jr., better known as Junyee, is a pioneer of installation art in the
Philippines, and was mentored by Napoleon Abueva, the “father” of modern
Philippine sculpture.

A

Luis E. Yee

28
Q

the so-called father of Conceptual Art, although the term was first used by Edward
Kienholz (1927-94) in the late 1950s.

A

Marcel Duchamp