chapter 2 lesson 1 Flashcards

1
Q

An —- is dedicated only to the creative side, making visually
pleasing work only for the enjoyment and appreciation of the viewer,
but with no functional value. (ex. painter, writer, musicians etc.)

A

ARTIST

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2
Q

An —– is essentially a manual worker who makes items with
his/her hands, and who through skill, experience and talent can create
things of great beauty as well as being functional. (ex. carpenter,
weaver, embroider etc.)

A

ARTISAN

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3
Q

Fine artists work with paint,
watercolor, pen, ink, or
illustrations

A

ARTIST

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4
Q

focus on creating aesthetically
pleasing works

A

ARTIST

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5
Q

The work of an artists tends to
be shown in museums or
galleries

A

ARTIST

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6
Q

craft work like
jewelry, glasswork, pottery, or
other functional product.

A

Artisans

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7
Q

focuses on accessorizing
functionality more than
aesthetics.

A

Artisans

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8
Q

Their crafts are displayed
in fair, shops and in malls.

A

Artisans’

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9
Q
  • is a material used by an
    artist to express his/her
    feelings or thoughts.
    Ex. Clay, paint, crayon, ink
    , etc.
A

Medium

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10
Q

*is a matter in which the artist
controls his medium to achieve
the desired effect and the ability
which fulfills the technical
requirements of his particular
work of art.

A

Technique

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11
Q

Techniques of Artist

A
  1. Encaustic
  2. Fresco Secco
  3. Fresco
  4. Egg Tempera
  5. Mosaic
  6. Oil paint
  7. Water color
  8. Acrylic
  9. Collage
  10. Drawing
  11. Print making
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12
Q
  • The medium for the powdered color is hot wax which is painted onto a
    wood surface with a brush.
  • It is then smoothed with a metal instrument resembling a spoon, and
    then blended and set over a flame to soften and set the colors into
    wood.
  • This method produces durable colors and permits sculptural modeling
    of the paint surface.
A
  1. Encaustic
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13
Q

The — are among the
most famous examples of ancient encaustic
painting.

A

Fayum Mummy Portraits

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14
Q

Created between the 1st and 3rd centuries in Egypt, these portraits were painted on wooden panels and placed over the faces of mummified bodies.

A

Fayum Mummy Portraits

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15
Q

In the dry plaster or —–
technique, pigments are usually mixed
with water, although other substances
might also be used.

A

fresco “secco”

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16
Q

Advantage of the technique are that the
painting can be done more slowly and
carefully, and changes can be made
simply by over-painting, since colors are
opaque.

A

Fresco Secco

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17
Q

This is also known as “Buon Fresco” or True Fresco, which entails painting on freshly spread, moist plaster.

A

Fresco

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18
Q

First, layers of plaster are applied to the surface. While the final layer is still
wet, the artist applies the colors, which are earth pigments mixed with
water.

A

Fresco

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19
Q

example of fresco

A
  1. Raphael’s Stanza Mural
  2. Sistine Chapel by Michelangelo
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20
Q
  • In this method, the pigment is
    mixed with egg yolk or both
    the yolk and white of an egg.
A

Egg Tempera

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21
Q

It is thinned with water and
applied to a gesso ground
(plaster mixed with a binding)
on a panel.
Techniques of Artist

A
  1. Egg Tempera
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22
Q
  • The design is created by
    small pieces of colored
    glass, stone, or ceramic
    (called Tesserae), embedded
    in wet mortar which has
    been spread over the surface
    to be decorated. An example of mosaic
A

Mosaic and abanico art mosaic

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23
Q

type of mosaic

A

WATERCOLOR ART MOSAIC and PAPER MOSAIC

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24
Q
  • Prior to the 15th century —–
    were thick and hard to control, so
    they were initially used only for
    utilitarian purposes.
A

Oil paint

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25
Q

The earliest technique of —— involved building up
layers of colors, moving from
darker to lighter values.
Techniques of Artist

26
Q
  • Powdered pigments are mixed
    with gum-arabic or a similar
    substance that will help them
    adhere to a surface.
A

Water color

27
Q

The artist then mixes them with
water and applies them to a
ground, usually paper, with soft
brush.

A

Water color

28
Q
  • Are artificial compounds
    developed in the twentieth
    century.
29
Q

The binder includes water, and
the paints can be thinned with
water, but once the paints dry,
they have glossy, permanent
surface that resembles the
surface created by oils.

30
Q
  • The word —- comes from
    the French verb coller, meaning
    ‘’to paste’’.
31
Q

In this technique photographs,
news clippings or other
subjects are pasted on the
painting surface and may be
combined with paint areas.
Techniques of Artist

32
Q
  • The materials and methods of
    —- are the most basic
    tools of the artist and the artist
    and the designer.
33
Q

Work that is intended to be
executed in almost any
material—paint, stone, steel,
or fabric- may first be
envisioned in a drawing.
Techniques of Artist

34
Q

(GAMABA)

A

The Gawad sa Manlilikha ng Bayan Award

35
Q

is an award that acknowledges folk and
indigenous artists who, despite the modern times, remain true to their traditions.

36
Q

This award aims to support and motivate these artists to preserve their artistic heritage for
the present and future generations.

37
Q

*A Tausug weaver of Pis
Syabit, the traditional
cloth tapestry worn as a
head cover.

A

DARHATA SAWABI

38
Q

an artist from Apalit,
Pampanga who has
dedicated his life to
creating religious and
secular art in silver,
bronze, and wood;

A

EDUARDO MUTUC

39
Q

recognized as master mat
weaver among the Sama
indigenous community for
her unique designs,
straightness of her edging
(tabig), and fineness of her
sasa and kima-kima.

A

HAJA AMINA APPI

40
Q

a Kalinga master of
dance and performing
arts who mastered not
only the Kalinga musical
instruments but also her
dance patterns and
movements associated
with her peoples’ ritual.

A

ALONZO SACLAG

41
Q

A Sulod Bukidnon epic
chanter from Kalinog,
Iloilo who ceasely
works for the
documentation of the
oral literature,
particularly the epics of
his people.

A

FEDERICO CABALLERO

42
Q

a Yakan musician who is
a master of the
kwintangan, kayu, and
tuntungan instruments.

A

UWANG AHADAS

43
Q

a T’boli traditional
weaver of T’nalak or
T’boli cloth made of
colorful abaca fabrics.

A

LANG DULAY

44
Q

a Tagbanua Bagobo
traditional weaver of
distinct abaca fabrics
called inabal;

A

SALINTAN MONON

45
Q

is a Hanunuo Mangyan
poet who is considered
as a master of ambahan
poetry;

A

GINAW BILOG

46
Q

a prolific and pre-
eminent epic chanter

and story-teller
recognized for his
outstanding mastery of
various traditional
musical instruments of
the Palawan people such
as basal, kulilal, and
bagil.

A

MASINO INTARAY

47
Q

is an interdisciplinary art form that brings together
elements of time, space, bodies, and audiences.

A

Performance art

48
Q

The —- refer to the forms of art where an artist uses his own
face, body and presence.

A

performing arts

49
Q

The major types of performing arts includes

A

music, opera, dance, drama and
spoken words.

50
Q

is a form of art whose
medium is silence and sound.

51
Q
  • The word — was derived
    from the Greek word mousa
    which means the art of the
    muses.
52
Q

The common elements of
— include rhythm, pitch,
dynamics, timbre and
texture.

53
Q

is a form of performing
arts wherein musicians and
singers perform a dramatic work
that combines text, which is
called libretto and musical score.

54
Q

originated in Italy in the
16th century and it soon
spread to the rest Europe as it
gained popularity.

55
Q

is a form of
performing arts that refers to
the art of moving the body
rhythmically and usually in
accordance with music.

56
Q

It is used as a form social
interaction and expression,
or is commonly presented in
a performance or spiritual
setting.

57
Q

— refers to a
mode of fiction
represented in a
performance.

58
Q

The word
drama is originated
from the Greek word
—- which means
actions.

59
Q

Fresco is also known as

A

“Buon Fresco” or True Fresco

60
Q

• Painting or graphic image done in black ink on white appear
and becomes the artist’s plate.

A

Print making

61
Q

Advantage of ——- is the process of making copies of
the original drawing.

A

printmaking

62
Q

The five major types of Prints

A

Relief
o Intaglio prints
o Stencil prints
o Woodcut
o Engraving