Chapter 15 5th Century Drama Flashcards

1
Q

Aeschylus

A

Athenian that wrote 7 tragedies of the 33 surviving plays (525 - 456 BC)

  • Accredited with anatgonists in 480 BC
  • All his work had at least two actors
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Sophocles

A

(490 - 404 BCE); wrote 7 tragedies,

  • liked to show dignity of noble individuals caught in overwhelming crises with superior/divine forces.
  • his heros were lonely and unbending, learning how to behave too late.
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Euripides

A

More survives of his work than Aeschylus’ and Sophocles’’ 18 works; 7 tragedies, 11 plays.

  • MOST INFLUENTIAL TRAGEDIAN
  • subjected traditional myths to rigorous scrutiny and severe criticism or ridicule.
  • His characters are often deflated heros, mortals.
  • His famous play is Medea about divorce in a monogamous society.
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

dithyrambs

A

-tragedy evolved from this

hymns to Dionysus in the form of dance and song by choruses of fifteen or so members and a leader.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

protagonist

A

“first actor”; first 25 years of dithyrambs had one actor

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

antagonist

A

-two different actors that switch personalities throughout the play
Aristotle says Aeschylus transformed the genre in the 470s BCE by adding a second actor and reducing the chorus’ role. This second actor is the _

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Oresteia

A
  • group of three trilogies by Aeschylus
  • “Story of Orestes” 458 BCE in which a third actor is used
  • ultimate end point of tragedy
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

City Dionysia

A

festival honoring the god of wine that Pisistratus reformed from an older ceremoney

  • gigantic public symposium for the whole demos occurred in March after spring harvest
  • government subsidized all of it.
How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

episodes

A

-actors would perform and then take breaks and chorus would sing
“side-songs” portions of dialogue interspersed with stasima

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Dramatic need

A

-certain situations requrie certain actions to take place

something the protagonist wants which drives the plot of drama’s

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

peripeteia

A
  • turning point of a tragedy is ___

- starts with a realization (anagnorisis)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

Anagnorisis

A

aristocratic characters in a tragedy experience “recognition” which is called ___
-like when Oedipus realized he was the one that killed his dad and slept with his mom

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

katastrophe

A

-directly the result of what a person has done

aristocratic characters in a tragedy experience a “down-turning” called ____

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

hamartia

A

what leads to katastrophe is the role of “missing the mark” or “mistake” which is called ____

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Aristophanes

A

Produced the first complete comedy, the Acharnians in 425 that attacked Cleon and was then sued for it
-eleven of his complete comedies survive

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

Old comedy

A

5th century comedies are called this to distinguish them from New Comedy - late 4th century plays

  • jokes about body fluid, vulgarity, politics and sex
  • performed at city Dionysia
17
Q

tragoidia

A

“goat song”

  • goats were associated with Dionysys, at whose spring festival in Athens these works were staged.
  • the name is derived from songs performed while goats were sacrificed in his honor
18
Q

Thespis

A

An Athenian active in the 530s under the tyranny of Pisistratus who is given credit for using masks to switch characters in plays

19
Q

deus ex machina

A

Some plays ended when an actor playing a god was lowered to the earth to resolve a complicated plot.
- means “God from the machine” comes from this technique and refers to any abrupt or contrived ending to a story

20
Q

agon

A

“contest”; formal debate common in middle Greek tragedies

21
Q

mimesis

A

Aristotle’s concept of “representation” or “imitation”

-tragedies were artificial represetation of things happenign

22
Q

katharsis

A
  • purifying the soul of negative motions by watching tragedies
  • “relief” a cleansing that audiences feel after experiencing tension and release.