Chapter 14 Art and Thought in the 5th Century Flashcards

1
Q

Anaxagoras

A

born ~550 BC from CLazomenae in Ionia, moved to Athens in 456 and befriended Pericles. Formulated theories in Ionia, became famous in Athens

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2
Q

Parmenides

A

One of southern Italy’s greatest thinkers
Agreed with Heraclitus that our senses mislead us, but though our sense tick us into thinking that reality consists of change, but it doesn’t actually change

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3
Q

Zeno

A

Follower of Parmenides (490 - 430 BC)

-the paradoxes of ____, “proving” that motion, hence change, is illusory.

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4
Q

Paradox of Zeno

A

famous puzzle of Zeno, proves that motion is illusory

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5
Q

pluralists

A

Parmenides’ immediate successors are call this, because they reasoned that if there is no one thing from which the many derive, then the world must be made of many things in the first place.
-most important ones were Empedocles, Anaxagoras, and Deomcritus

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6
Q

Empedocles

A

(492 - 432 BC) lived in wealthy and famous Akragas in south Sicily. Active in politics and an olympic athlete. Behaved like a shaman, claiming that his knowledge worked wonders, controlled winds, and raised the dead

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7
Q

Democritus

A

(460 - 380 BC) of Abdera in Thrace, was a strange man who sunned fame. devised an atomic theory in a form that changed little until the 19th century.
Postulated that tiny uncuttable (atoms) things eterinal in themselves combined to form other tiny things.

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8
Q

moral relativism

A

sophists questioned if anyone could know anything for sure.
if hot and cold do not exist but results only from accidental mixture and meeting of invisible atoms, then good and evil may also be relative, conventional categories.

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9
Q

sophists

A

intellectuals which flocked Athens, “wise men”, really teachers whose instruction could improve a citizen’s chance of influencing the poleis

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10
Q

arete

A

“virtue”, “excellence”

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11
Q

Protagoras

A

famous sophist, coined the phrase “man is the measure of all things”, meanign that one man views the world one way, another in another way, and neither is right.
insisted some forms of behavior are more practical than others

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12
Q

Socrates

A

(469 - 399 BC) opposed moral relativism. Wrote nothing but is principal speaker in Plato’s numerous dialogues.
Maintained that arete is knowledge.
Convincing his interlocutors that when they thought they had an answer, they really didn’t

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13
Q

inductive living method

A

encouraged by Socrates for discovering general definitions.

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14
Q

severe style

A

serenely calm facial expressions on statues contrast with the earlier frozen smiles of the archaic period.

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15
Q

lost wax technique

A

sculptors would make a rough model of clay, then coat it with wax. They would shape the wax in detail, coat it with clay and leave holes at the top and bottom of the outer clay later. Then bronze was poured in top hole nad the heat would melt the wax as it ran to the bottom. The sculptor then shattered the outer layer of clay, revealing the bronze statue.

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16
Q

Phidias

A

most famous Athenian sculptor.

17
Q

high classical

A

style of the mid 5th century

18
Q

Parthenon

A

Athens rebuilt their holy places after Xerxes destroyed the them. Their patron goddess Athena got a new temple ____.
Inside, a 40 ft statue of Athena Parthenos “the virgin”.
Had wooden frame with ivory coated flesh parts and gold plated clothes

19
Q

Elgin Marbles

A

world famous, carved around 435 BC, raching unsurpassed levels of technical skill and artistic power

20
Q

Propylaea

A

the great gate. Construction began in 437, finished in 432 BC

21
Q

Erechtheum

A

strange but wonderful temple stated during Peloponnesian War, finished between 409 and 406 BC

22
Q

Athena Nike

A

“victory”, temple built in 420s BC, celebrated figure of Nike (victory personified).
Shows high classical art at its best

23
Q

caryaids

A

most famous feature of Erechtheum, statues named after priestesses of Artemis at Karuai replace the normal fluted columns

24
Q

white ground style

A

developed by Athenian vase painters to stay ahead in competitive market
to imitate vases made of ivory but better suited than red figure for mimicking effects of wall painting.
Painters covered surface of vase with chalky white pigment, then drew in the figures with fine black lines and filled them with things washes of red, yellow, and blue