Chapter 12: The Fifteenth Century Flashcards
Lorenzo de’ Medici
“the Magnificent,” was the grandson of the man who founded the Medici political dynasty in the Republic of Florence, patronized the arts and letters,
Alessandro Filipepi, who would be called Botticelli
Adoration of the Magi, established himself in the Medici court, as evidenced by the family portraits that appear in that scene, one of Medici’s closest friends, In the Adoration of the Magi, Botticelli pays homage to the beneficence of the Medici—who saw themselves as kings and princes—and codifies the reconciliation of Christian belief and humanist thought that marked the discourse of Medici Florence
capitalism and the people
A class of wealthy families emerged, whose claims to eminence were based less on noble blood than on the ability to make money through capitalism, Centers of international trade sprang up in Northern Europe and in Italy. Bruges in Flanders and Florence in Italy emerged as two of the wealthiest cities. With capitalism came prosperity, and with prosperity came patronage of the arts.
new notions associated with Renaissance thought
pride and ownership of one’s accomplishments, and the acknowledgement of fame
largest and most powerful of the duchies
the duchy of Burgundy ( It soon became, in effect, the financial capital of northern Europe)
polyptych
An arrangement of four or more painted or carved panels that are hinged together.
Who formed the core of the great humanist collection housed today in the Laurentian Library in Florence?
Cosimo de’ Medici from his love of the humanities
italics
Cosimo de’ Medici had his copyists write in neat cursive which turned into the model for italics
Cosimo’s most significant contribution to the advancement of Greek studies
the foundation and endowment of an academy for the study of Plato
Marsilio Ficino
Cosimo supported this priest so that he could copy all the works of Plato, Plotinus, and other Platonic thinkers into Latin. He wrote his own book on Platonism called Theologia Platonica
platonic love
word created by Ficino to describe the spiritual bond between two people who were joined together in the contemplative search for the true, the good, and the beautiful
the Pazzi conspiracy
they wanted to rule the city so they murdered Giuliano and stabbed Lorenzo (both Medici) and evidently the pope was cool with this
Lorenzo il Magnifico (“the Magnificent”) (de’ Medici)
His accomplishments were so many and varied that the last half of the 15th century in Florence is often called the Laurentian Era, Lorenzo continued the family tradition of art patronage by supporting various projects and by adding to the Medici collection of ancient gems, other antiquities, and books, Lorenzo was an accomplished poet, The poem for which Lorenzo is best known is “The Song of Bacchus.” Written in 1490, its opening stanzas echo the old Roman dictum of living for the present because life is short and the future is uncertain, Lorenzo contributed the funds necessary to rebuild the University of Pisa and designated it the principal university of Tuscany (Galileo taught there in the next century)
Girolamo Savonarola
Dominican preacher and reformer, His urgent preaching against the vanities of Florence in general and the degeneracy of its art and culture in particular had an electric effect on the populace,
Giovanni Pico della Mirandola
one of the most brilliant humanists of the period, turned from his polyglot studies of Greek, Hebrew, Aramaic, and Latin to a devout life under the direction of the friar; only Pico’s early death prevented him from joining Savonarola as a friar at San Marco. The humanist painter Botticelli was so impressed by Savonarola that he burned some of his worldlier paintings, and scholars see in his last works a more profound religiosity derived from the contact with the reforming friar