~Chapter 11 - Lecture Section 11.4 Flashcards
Pitch perception is the variation in sound perceptually associated with ___.
musical melodies
Why can Pitch perception not be as simple as just the Place Theory?
The main reason for this is the effect of the missing fundamental/Periodicity Pitch, where if you play a complex tone, and remove the Fundamental, therefore the peak in the Basilar Membrane is gone, and so the activation pattern according to strict Place Theory would be changed, but yet we still perceive this sound as having the same pitch.
Therefore, simply measuring where the peaks in the Basilar Membrane activation are located and saying that produces a perceptive pitch cannot be true because when you change the stimulus, but the percept does not change, disproves this theory
We can modify the Place Code, because we know the Fundamental frequency can still be determined by measuring the separation of ____ on the cochlea. But rather than doing it on a Frequency Spectra, instead, we measure the separation of ___ on the Cochlea itself, this qualifies as a ___. We could also use the timing of ___ to pick out the different frequencies and detect the spacing between those frequencies.
peaks/Harmonics // Harmonics // Modified Place Code // neural firing (temporal coding)
Another piece of evidence indicates that melodies with notes above ___Hz do not sound musical, but melodies with notes that are below ___Hz still sound musical, indicates that probably has more to do with the ___ Code, because the ___ Code stops being effective after ___Hz, but the ___ Code does not.
5000 // 5000 // Timing // Timing // 5000 // Place
Pitch perception mostly occurs for frequencies below ___Hz, which is also the limit of ___. Therefore, ____ Coding is probably the main determinant of pitch perception
5000 // Phase Locking // Temporal
Tuning of Auditory nerve fibers is ___ at high Frequencies, and ___ at low Frequencies .
wider // narrower
Auditory filterbank is a collection of auditory nerve cells that have their ___, and also have tuning ___. For low frequencies, the tuning width is ___. For high frequencies, the tuning width is quite ___.
characteristic frequencies // widths // low // broad
Fundamental + lower/second Harmonics activate different/distinct “filters” and will produce a ___ activation. When you have narrowly spaced harmonics that are activating broadly tuned curves, they will produce a ___ line. Higher harmonics activate multiple/a few large ___ “filters”.
wiggly // flat // overlapping
What is “Excitation pattern”?
The summation of all of the activity produced from the complex tone/sum of filter activity
For Resolved Harmonics that activate discrete filters, the Second Harmonic and the Fundamental activate ___ filters, there’s one that’s left ___ in between. Harmonics that produce ___ in the excitation pattern. Produce ___ perception of pitch.
discrete // unstimulated // peaks // strong
Unresolved Harmonics will activate ___ tuned curves, that interact within the same filters to create a ___ perception of pitch and a ___ excitation pattern. They are Harmonics that produce ___ in excitation pattern. They produce ___ perception of pitch.
broadly // weak // smooth/flat // smooth activity // weak
The difference between Resolved and Unresolved Harmonics has to do with the different ___ of the ___ along the Basilar Membrane, and is very much related to the ___ of pitch perception.
widths // tuning curves // Place Code
The Primary Auditory Cortex is called ___.
A1
There is ___ organization in Cortex (A1).
Columnar
A1 consists of a ___ area, ___ area, and a ___ area that are ___ organized, neurons in the same column have the same characteristic frequency (Tonotopic maps). There is orderly organization of ___.
Core // Belt // Parabelt // Tonotopically // characteristic frequency