Ch 19 Rose Winemaking Options Flashcards

1
Q

Rose Winemaking

What are the 3 main ways of making rose?

A
  1. Direct press
  2. Short maceration
  3. Blending
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2
Q

Rose Winemaking

What is direct press and aka for this wine style?
What style does it make?
How is it done?
What are options/considerations?
Example

A

○ Produces some of lightest style roses - wine style aka Vin Gris (includes Provence roses)
○ Black grapes are either whole bunch pressed or de-stemmed (optionally crushed) and immediately pressed -> minimize any maceration
○ Pneumatic presses usually used and flushed w/ inert gas to protect from O2 and browning of lightly colored juice
○ Juice then ferm like a white wine
○ Amt of color depends on -> pressure during pressing, duration of pressing and how much press juice used
○ White grapes can be co-pressed and co-ferm to add acid and get paler color - depends on laws ex Rolle (Vermentino) allowed in Provence roses

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3
Q

Rose Winemaking

What is short maceration?
What style does it make?
How is it done?
What are options/considerations?
Example

A

○ Short period of pre-ferm maceration before pressing
○ Must can be protected w/ inert gas to avoid oxi/spoilage orgs
○ Longer maceration = more color, flavor and tannin to lesser extent
○ Maceration can last from few hrs to few days
○ After maceration -> juice drained and skins gently pressed -> then ferm as white wine
○ Usually produces wines w/ deeper color and more pronounced flavors vs direct press
○ Ex - Spanish roses and Tavel roses

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4
Q

Rose Winemaking

What is another short maceration approach and aka?
How is it done?
Adv/disadv?
What QSP does this?

A

○ Wines made w/ short maceration is sometimes by-product of must concentration in red wine production
○ Aka Saignée (bleeding) -> bleeding off some of juice in red wine production which concentrates must in crushed fruit ferms
○ Adv - relatively cost effective
○ Disadv - the black grapes were grown and harvested as if making red wine -> juice used for rose may be less suitable (e.g., lower in acidity)
○ Quality producers can make good to outstanding quality roses this way

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5
Q

Rose Winemaking

What is blending?
How is it done?
Key consideration?
Example?
What QSP does this?

A

○ Blending small prop of red wine with much larger vol of white wine -> retains flavors and aromas of white grape
○ Ex - SB Rose
○ Law - not allowed in many GIs in Europe -> champagne key exception
○ Mostly done for inexp wines- if red and whites wines used already in production

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6
Q

Rose Winemaking

What role does color play in rose production?
What is implication for winemakers?
How packaged?

A

○ Color critically important element for roses
○ Often packaged in clear bottles to be easily seen by cons -> pale color usually preferred as deeper color mistakenly perceived to have some sweetness
○ Color dec during ferm -> when making wines by direct press/short mac -> winemaker needs some predictive skill to achieve desired end color; blending easier since wines already ferm

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7
Q

Rose Winemaking

What are preferred characteristics of rose wines?
What are viticultural implications when growing good/outstanding qual grapes for rose?
What are current market preferences?

cool/warm climate condition considerations for grape growing

A

○ Usually desirable for roses to have high acid, low to med alc and fresh fruit flavors
○ Good to outstanding quality grapes usually grown:
§ Cool/moderate climates or sites
§ Grown at higher yields -> common for grapes grown for rose to be higher yield vs red -> slows ripening and helps make grapes w/ less concentration
§ Warmer climates - grapes picked early to retain fresh fruit/acid
○ Varieties with less color and lower tannins -> appeal to current market for prefers light color, min tannin rose
○ Harvest tends to be earlier vs black grapes for red wine -> retain acid and delicate fruit/floral aroma/flavor char
○ Ripe tannins key for wines made w/ short maceration -> avoid green flavors - less impt for direct press
○ Harvesting can be done by hand or machine
§ hand harvest allows for whole bunch press to get juice low in color
§ Machine harvest done in warmer climates -> done at night to keep grapes cool; also good if large volume of grapes need to be quickly picked at specific ripeness

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8
Q

Rose Winemaking

What temps are used for rose ferm?
What vessels and considerations?
What kind of yeast and why?

A

○ Cool temps 12-16°C -> promote prod and retention of aroma compounds
○ s/s tanks most common - neutral and allow temp control
○ Oak occasionally used -> provide texture = more expensive
○ If using oak -> wine needs enough fruit concentration not to be overwhelmed by oak
○ Cultured yeast strains most common - can be selected for fruity aromas

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9
Q

Rose Winemaking

How are roses w/ RS made?

A

○ Usually by stopping ferm or by blending sweetening component

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10
Q

Rose Winemaking

How is MLC handled for rose and why?

A

○ Usually avoided -> don’t want buttery flavors that mask fruit
○ Usually prefer fresh style -> MLC lowers acidity

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11
Q

Rose Winemaking

How is maturation handled for rose?
QSP implication of choices?

A

○ Short maceration on lees and/or in oak vessels done if winemaker wants to add texture and body
○ New oak used by a few producers who want oak flavors to make new style of rose
○ Wines matured on lees or in oak -> mid-price and up due to time and cost of barrels

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12
Q

Rose Winemaking

How is blending handled, when and why?

A

○ Blending can be done to add color
○ Usually done just before finishing and packaging
○ Allows adjustment of color/flavor profile and/or to ensure consistency

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13
Q

Rose Winemaking

How are fining/filtering done?

A

○ Most roses are fined and filtered to inc clarity -> as appearance is key part of appeal
○ Sterile filtration important for wines that have RS -> avoid ferm in bottle

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