auditory perception - final exam Flashcards
sound transformation up the auditory pathway
sound waves begin as vibrations in the air
enter ear canal
move through various stages
converted into neural signals in the brain
air bone fluid
air = sound waves
bone = ossicular vibrations
fluid - BM waves
outer ear
filters the sound
air
ear canal resonance
the resonance of the ear canal = the resonance of the vocal tract
amplifies the resonant freqs of speech
threshold of audibility
softest sound that can be heard
varies w/ freq
“0 loudness”
equal loudness curve
different freqs need varying sound pressures to be perceived as equally loud
low & high freq sounds need greater amp to be heard at same loudness as mid freq sounds
linear scale of auditory representation
measure freqs uniformly
Hz
nonlinear scale of auditory representation
reflect human perception
smaller changes in lower freqs are more noticable than in higher freqs (stretch it out @ lower freqs, condense @ higher freqs)
Bark
cochlea
freq masking
each neuron responds to multiple freqs
if already firing to 1 freq (1000Hz)
can’t increase firing much to another (1100Hz)
neural saturation
where high sound intensities cause neurons to max out
restricting dynamic range & clarity in hearing
sounds that follow other sounds don’t get as big of a neural response
neurons need time to rest
stages up the auditory pathway
sound waves enter outer ear
travels through ear canal & strikes the ear drum
vibrations transferred to ossicles in the middle ear
vibrations enter cochlea where hair cells convert them to electrical signals
signals travel through the AN to the brain
upward spread of masking
sounds are more easily masked when they are higher in freq than the masker
low freqs travel farther along the BM, therefore moving more of the BM
high freqs don’t vibrate as much of the BM so are not able to mask lower freqs
the traveling wave loses its energy after it hits the characteristic place - doesn’t vibrate beyond that
where along a freq scale are changes in pitch more audible
lower freqs (100-500Hz)
due to Bark’s nonlinear structure -
reflecting our sensitivity to pitch vibrations in that range