Audio Consoles Frost Owned and Amps Flashcards
Yamaha QL1
(#3)
$9500
The Yamaha QL1 is a digital mixing console capable of handling live audio production for small to medium-scale events, including:
Strengths:
Compact and rack-mountable:
- 16 xlr inputs, 8 xlr outputs
- 16 mix buses and 8 matrix buses.
- 16 channels of the dugan auto mixer.
- 1 aes output
- Includes EQ, dynamics, effects, and Rupert Neve Designs compressor emulations for professional sound shaping.
- Dante audio networking: Easy integration with other Dante-compatible devices for expanded I/O and system flexibility.
- Touch and turn interface: A combination of touch screen and physical knobs for fast and intuitive control.
- Manage the console and prepare settings using an iPad or computer.
Things to consider:
Limited fader count: The 16+2 fader configuration might not be enough for complex mixes with many individual channels.
QSC TouchMix-8
(3)
$1500
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The QSC TouchMix-8 is another great option for live audio production, particularly in compact or portable setups. Here’s a rundown of its features and how it compares to the Yamaha QL1:
Strengths:
Even more compact and portable: Perfect for small gigs, mobile DJs, and solo performers.
14 input channels (4 XLR, 4 XLR combo): Enough for smaller bands and acoustic acts.
6 output channels (4 Aux): Flexible routing for monitor mixes and recording.
Onboard Wi-Fi and iOS/Android control: Control the mixer wirelessly from a tablet or phone for added flexibility.
Anti-feedback and room tuning wizards: Simplify complex tasks and achieve great sound even in challenging environments.
Real-time analyzers (RTAs): Visually monitor channel and room acoustics for precise adjustments.
14-channel direct-to-disk recording: Capture live performances easily without a computer.
High-quality Class A mic preamps and professional-grade converters: Great sounding audio in a compact package.
Compared to the Yamaha QL1:
Fewer physical faders: Only 8 faders on the TouchMix-8, so may require more menu navigation for complex mixes.
Less processing power: Not as many onboard effects or advanced features as the QL1.
Lower channel count: Not ideal for larger bands or events with many microphones.
QSC TouchMix-16 Compact Digital Mixer with Touchscreen
(2)
$1700
The QSC TouchMix 16 is a compact digital mixer.
Strengths:
- 20 input channels (16 mic preamps) can handle most small to medium-sized bands and events.
- Comprehensive processing: Includes 4-band parametric EQ, gate, compressor, effects, and assignable pitch correction on each channel.
- Touch and turn interface: 10-inch touchscreen combined with physical knobs for intuitive control.
- Anti-feedback and room tuning wizards: Simplify setup and achieve great sound even in challenging environments.
- Multi-track recording: Record directly to an external USB drive for live captures or virtual soundchecks.
- Dante networking: Easy integration with other Dante-compatible devices for expanded flexibility.
- iOS/Android app control: Mix wirelessly from a tablet or phone for added convenience.
- Compact and portable: Suitable for mobile setups and smaller venues.
Digico SD9
(#1)
$27,000
The DiGiCo SD9
Strengths:
- High channel count: Supports 96 input channels
- Stealth Digital Processing and floating-point Super FPGA technology
- 24 touch-sensitive motorized faders
- 15-inch high-resolution touchscreen
- Comprehensive onboard processing: Includes EQ, dynamics, effects, channel delay, highpass and lowpass filters, parametric EQ, and tube-style saturation.
- Multiple I/O options: Features eight mic/line inputs, eight line outputs, four mono AES/EBU, MADI I/O, and two D-rack ports.
- Can be expanded with additional I/O racks.
Midas Venice 16 Channel
(1)
$1500
Midas Venice 16: This is a fully analog console with 12 mono microphone preamplifiers and 4 stereo input channels. It features the renowned Midas XL3 EQ and a classic analog interface.
16 channel strips: Each channel features a Midas XL3 EQ, high-pass filter, pan pot, and fader.
Direct outputs: Each channel has a direct output for recording or routing signals to external processors.
4 aux sends: These sends can be used for effects, monitors, or other purposes.
4 subgroups: These can be used to group multiple channels together for easier mixing.
2 main outputs: These are the final outputs of the console, typically sent to the main speakers or PA system.
Yamaha QL5
(#2)
$18,000
>525 - 700
The Yamaha QL5 is a highly regarded 64-channel digital mixing console known for its versatility, stellar sound quality, and powerful features. Here’s a breakdown:
Key features:
- 64 mix channels (64 mono + 8 stereo):
- 16 mix buses and 8 matrix buses:
- 32 mic/line inputs and 16 analog outputs:
- Built-in Dante networking
- Dugan automixing.
- Premium internal processors: Includes EQ and dynamics tools developed in collaboration with Rupert Neve Designs, ensuring top-notch sound quality.
- Intuitive interface: Features a large touch-panel display and “Touch and Turn” knobs for efficient and smooth control.
- 300 scene memories: Allows for quick recall of saved mix settings for different scenarios.
Yamaha CL5
(#2)
$22,000
>900 - 1200
There are CL1’s but we don’t own any.
The Yamaha CL5 is also a highly regarded digital mixing console, but it sits in a different category than the QL5. Here’s a breakdown:
Key features:
Larger scale capabilities: Compared to the QL5’s 64 channels, the CL5 boasts 72 mono and 8 stereo channels, making it better suited for handling larger and more complex productions.
Centralogic section: This unique feature offers an additional set of motorized faders and controls for quick access to frequently used functions.
Built-in Dante and MADI Offers even more networking options than the QL5 for integrating with various audio systems.
More powerful processing: The CL5 includes additional onboard effects and processing tools, including VCM (Virtual Circuitry Modeling-emulations of classic analog gear.)
Larger display: The CL5’s touchscreen display is slightly larger than the QL5’s, offering more space for viewing and interacting with the interface.
Applications:
The CL5 is ideal for larger live sound applications,
Cons:
Significantly more expensive than the QL5 ($16k).
- Larger and heavier
- More complex interface might require a steeper learning curve.
Overall:
The Yamaha CL5 is a premium digital mixing console designed for handling the most demanding live sound applications
L-Acoustic LAX4
(#22)
$3k
?? can one la4 juice 2 nl4’s since there are 2 channels in each nl4??
- Class D Amplification: Delivers 4 x 1000W RMS into 4 or 8 ohms,
• 1000W RMS: This refers to the continuous power handling capacity of each channel in the amplifier.
• RMS stands for “Root Mean Square” and represents the true average power delivered by the amplifier over time.
• It’s a more accurate measure of power than peak power, which can be misleading.
• 4 or 8 ohms per channel: This specifies the range of speaker impedances (resistance) that the amplifier can safely drive without overloading or damaging itself or the speakers.
• Impedance is measured in ohms (Ω) and affects the amount of current drawn by the speakers from the amplifier.
Here’s a breakdown of what each part of the statement means:
• 1000W RMS: Each channel of the LA4x amplifier can continuously deliver up to 1000 watts of power to the speakers.
• 4 or 8 ohms: The amplifier is designed to work safely with speakers that have an impedance of either 4 ohms or 8 ohms per channel. The LA4x amplifier can provide up to 1000 watts of power to each of its four channels.
-
4 Inputs and 4 Outputs:
Offers a flexible 4 x 4 matrix for routing audio signals to different speaker channels. -
Milan AVB Audio Networking:
Enables high-bandwidth, low-latency audio transmission without the need for separate cables. - Analog and Digital Inputs:
- SpeakON / NL4 Connectors:
- Onboard DSP Processor:
Provides advanced speaker management features, including EQ, delay, and limiter functions. - L-DRIVE System Protection:
Safeguards your speakers from clipping and overheating. - LCD Display and LEDs: Offer clear indication of system status and operating parameters.
- L-Acoustics Remote Control Software
Allows for comprehensive control and monitoring of the LA4X from a computer or tablet. - Built to withstand the rigors of professional use.
?? power output isnt right, check user manual??
L-Acoustics LA8
(#21)
$4500
- Main difference between La8 and la4 is at 2.7 ohms la8 has 1800 watts a channel vs la41000 wats. fyi La12 3500 watts
Power and Performance:
Class D Amplification: Similar to the LA4X, it delivers 4 x 1800W RMS (instead odd 1000 rms on the LA4) into 4 or 8 ohms, providing ample power for larger or more demanding speaker systems.
4 Inputs and 4 Outputs: Similar to the LA4X, it allows for flexible routing of audio signals across speaker channels.
Onboard DSP Processor: Features similar speaker management capabilities as the LA4X, including EQ, delay, and limiter functions.
L-Acoustics Remote Control Software: Allows for comprehensive control and monitoring from a computer or tablet.
and lower operating costs.
2U Lightweight Design: Offers slightly more compact packaging than the LA4X for increased portability and easier rack mounting.
Durable Construction: Built to withstand the rigors of professional use.
L-Acoustics LA Rack I (rack with (3) LA8)
(#6)
$14,000 in amps plus cost of rack
The LA-RAK touring rack is built on the company’s LA8 amplified controller, and offers an advanced drive rack solution for all L-Acoustics’ systems covering signal and power distribution in a plug-and-play touring package.
The fully equipped LA-RAK module comprises a 9U rack with LEXAN® front and rear covers; three LA8 amplified controllers; an I/O distribution panel for analog signal, L-NET (control and monitoring) and L-DGA (digital audio) networks distribution within the rack and link out with other racks; available 2U space for implementing L-NET and L-DGA network switches when operating with a star network topology; and an I/O panel for power distribution of three LA8, two Ethernet switches and one auxiliary AC outlet
L-Acoustics LA-Rack II (rack with (3) LA12X amplidfiers)
(3) racks with (3) LA12X amps each
$9k per amp.
The L-Acoustics LA12X is the powerhouse amplifier in the LA series, offering even more power and versatility than the LA4X and LA8. Here’s a breakdown of its key features:
- Class D Amplification: Delivers a staggering 4 x 3300W RMS into 2.7 ohms or 4 x 2600W RMS into 4 ohms.
- Dynamic Range: 114dB, providing exceptional punch and clarity across the entire audible spectrum.
Frequency Response: 20Hz - 20kHz. - Milan AVB Audio Networking: high-bandwidth, low-latency audio transmission.
- Analog, AES/EBU, and AVB Audio Inputs.
- Dual SpeakON (NL4) Outputs per Channel: Provides redundancy and flexibility for speaker connections.
- Powerful Onboard DSP and Control.
- Dual SHARC 32-bit DSP Processors: Delivers exceptional processing power for advanced speaker management and system optimization.
- L-DRIVE Advanced System Protection: Safeguards your speakers from damage due to clipping, overheating, and other potential issues.
- Comprehensive DSP Tools: Features EQ, delay, limiter, and crossover functions for precise control over your sound system.
- LCD Display and LEDs: Offers clear system status and operating parameter information.
- L-Acoustics Remote Control Software - Enables comprehensive control and monitoring from a computer or tablet.
Additional Benefits: - Green Power Module with PFC - Minimizes power consumption and operating costs while adhering to environmental standards.
- Compact and Robust Design - Despite its power, the LA12X remains well-sized for both portable and fixed installations.
- Reliable Construction - Built for professional use and long-lasting performance.
