assessments & evaluation instruments Flashcards

1
Q

Bridge Drawing

A

projective assessment that visualizes a transition, communication and/or
overcoming an obstacle in one’s life

help clients make connections, problem-solve, overcome obstacles and aid in communication.

Procedure:
Client is asked: Please draw a picture of a bridge going from some place to some place.
After client is done drawing, Indicate with an arrow or arrows the direction of travel.
Place a dot or draw a person to indicate where you are in the picture.
If you wish, feel free to describe your picture in words.

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2
Q

Bridge drawing evaluation

A

Directionality - Often but not always, the left represents the past and the right represents the future, or
something better or good.

Attachment - How attached the bridge was to each end could be indicative of how attached a person is to the past or hoped-for future. When more attached to the past it could represent hopelessness, when
more attached to the future it could mean more hope filled.

Elaboration - Where was the focus of the picture, on the communicative element (the bridge), or the past (behind the patient), the future (ahead)?

Matter crossed - What is below the bridge? Sometimes what was crossed represents a fear or temptation.

Viewer vantage point - Is the bridge in the distance (could be distant communication), close (could be secure and honest) or viewed from above (could be controlling) or below (could be insecure)?

Placement of self - Where did the person place themselves? Can show where they are in the journey and this placement can be supported or challenged in order to offer a reality check.

Places the bridge connects - Was the bridge attached to a real entity or a fantasy place? Did the bridge one or both sides in the drawing? Did the patient want others to know where they have been, or were going?

Bridge construction - What construction materials is the bridge made of? Is there a safety rail?

Associations - What associations can you make between the drawing and your life? Clients found it easy to respond to the concreteness of the self in relation to the other symbolic parts of the drawing.

Synthesis of the picture - Is there a cohesive and completeness to the picture? A unified statement in the picture?

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3
Q

Kinetic-Family-Drawing (KFD)

A

collects info on concept of self and interpersonal relationships

evaluates family dynamics

considers adaptive and defensive levels of functioning

directed to “draw a picture of everyone in your family, including you, DOING something. Try to draw whole people, not cartoons or stick people. Remember, make everyone DOING something-some kind of action.”

Examiner leaves the room and checks back periodically

If the client states “I can’t”, they are encouraged intermittently and left in the room until completion of KFD

Assessment is terminated once the client verbally indicates or gestures they are done

No time limit is given and non-compliance is extremely rare

Materials: 11inch by 8 1⁄2 inch paper, placed directly in front of the client accompanied by a No. 2 pencil

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4
Q

KFD evaluation

A

Actions: movement or energy with self and other characters
* Example: bouncing a ball

Style of drawing: structure, placement, arrangement of drawing
o Example: compartmentalization

Symbols: interpretations of what certain items in drawing may mean
。 Example: use of a stop sign

Characteristics of Individual figures: individual traits and appearances
o Example: omission of body parts

Size & Distance of Figures: grid placed overtop of drawing, measured are height, size and distance
o Example of grid in text, lack of instructions on use

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5
Q

House-Tree-Person (HTP)/Kinetic House-Tree-Person (K-H-T-P)

A

Personality characteristics and interpersonal relationships

Moving figures yield more info than stagnant ones
Measures perceptions of self environment and family

Present a piece of plain, white 8.5x11-inch paper at an angle to the subject

to understand human development: Individual transformation process, reflections of scores included Attachments Present, Figures Other than Self Present, and Additional Figures Present

Essentially, the house represented the physical aspects of the client’s life, the tree indicated life energy and direction, and the person symbolized the client

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6
Q

Lowenfeld Developmental Stages of Art

A

1947

Stage 1 – Scribble Stage (1 – 3 years old)
disordered scribble
naming scribble

Stage 2 – Preschematic Stage (3 – 4 years old)
representing world around them
symbols / schema
developing spatial relations

Stage 3 – The Schematic Stage (5 – 6 years old)
form and concept
still 2D

Stage 4 – The Dawning Realism (7 – 9 years old)
more critical
concept of space

Stage 5 – The Pseudo-Naturalistic Stage (10 – 13 years old)
emphasis on final product

Stage 6 – The Decision Stage (13 – 16 years old)

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7
Q

Person Picking an Apple from a Tree (PPAT

A

12x18 piece of white drawing paper, given at an angle so subject determines orientation

  • 12 felt tip markers (red, orange, blue, turquoise, green, dark green, hot pink, magenta, purple, brown, yellow and black)

o Mr. Sketch scented markers are suggested

  • Subject is directed to “Draw a person picking an apple from a tree.”
  • If questions are asked, the therapist reiterates “Draw a persona picking an apple from a tree.”
  • No time limit

scored using the Formal Elements Art Therapy Scale (FEATS), which is comprised of 14 categories of formal elements.

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8
Q

Formal Elements Art Therapy Scale (FEATS)

A

1 Prominence of Color

Each element is given a value 0-5 (70 points total) Likert scale

  • Detailed rating scale featured in the rating manual

#2 Color Fit
#3 Implied Energy
#4 Space
#5 Integration
#6 Logic
#7 Realism
#8 Problem Solving
#9 Developmental Level
#10 Details of Objects and Environment
#11 Line Quality
#12 Person
#13 Rotation
#14 Perseveration

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9
Q

Bird’s Nest Drawing (BND)

A

assess attachment

rated for the presence or the absence of numerous indicators such as content (eggs or baby birds), a tree, the bottom of the nest able to contain [birds or eggs], use of most of the page, using more than two colors, line quality, and centered image

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10
Q

BND secure attach

A

included birds in their drawings

significantly more often a whimsical, happy quality

composed titles for their drawings that could be described as engaging or gently humorous.

more likely to feature green as the predominant color and include
birds drawn in the nest.

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11
Q

BND insecure attachment

A

nests without bottoms or tilted nests that were unable to
contain their contents.

use fewer colors

themes of danger, lack of protection, and vulnerability.

absence of the mother bird, distortion of the father bird figure, and placing the nest on thin and brittle branches.

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12
Q

Draw-A-Person-In-The-Rain (DAP-R, PIR)

A

1996

elicit information about the level of stress a person is experiencing at the time of drawing, and to determine whether that person has adequate defenses to avoid being overwhelmed to the point of decompensation.

Present a piece of plain, white 8.5x11-inch paper at an angle to the subject and say:
“I want you to draw a person standing in the rain.”

If they draw a profile, head only, or stick figure, say:
“Wait, I want you to draw a whole person, not just the [head, profile, or stick figure].”

**Alternative instructions:
“I want you to draw a person in the rain with an umbrella. Be sure to draw all three parts: the person, the rain, and the umbrella.”

Evaluation:
examining specific environmental elements (e.g., number of rain drops, lightening bolts) and their relationship to the human figure in the drawing

The theoretical premise is that the size and amount of rain, the type of inclement weather depicted, and the presence or absence of protective factors give an indication of the person’s degree of vulnerability to decompensation

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13
Q

Expressive Therapies Continuum (ETC)

A

Understanding what is happening in the brain can help us to develop experientials

Less about dominance and more about communication between sides of the brain

cognitive symbolic

perceptual affective

kinesthetic sensory

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14
Q

Draw-A-Story (DAS)

A

Screen for depression (no evidence on this though)

Yields info about artists affective state

create image. therapist assesses with score card

choose images and create a story with them

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15
Q

Diagnostic Drawing Series (DDS)

A

12 color pack of chalk pastels & white drawing paper 18X24

Draw anything they want

Draw a tree

represent how he or she feels by the clever use of lines, colors, and shapes.

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16
Q

Road Drawing

A

promote insight into the impact of one’s lived experiences as well as current values and goals

“draw a road” using drawing materials, such as colored pencils, markers, oil pastels, chalk pastels, or graphite pencils.

encouraged to consider aspects of the road……
type of road it is (windy, straight, narrow, wide, curved, multi-directional),

material that the road is made out of (asphalt, dirt, stones, grass)

condition of the road (potholes, cracks, newly paved and painted, faded lines/unclear boundaries)

location of the road (city, countryside, near the coast, near mountains)

accessories that may or may not be present on the road (road signs, construction blockades, speed bumps, fences, bridges)

foreseeable destination- where is this road headed toward or leading to

17
Q

Administer a formal art therapy assessment

A

allow art therapists to understand their clients, based on their assessment scores, as similar to or varying from others who have executed the same assessment

one to three drawings

standardized art materials

standardized and consistent procedures or directives

a rating or scoring system

18
Q
A