ARTS (1ST QUARTER) Flashcards

1
Q

Unity refers to the appearance our condition of
oneness of an artwork. all the elements such as
line, color, texture, and others belong together that
result in having a coherent and harmonous whole.
As variety provides diversity yet it acts as
counterbalance extreme unity.

A

Unity and variety

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2
Q

refers to the appearance our condition of
oneness of an artwork. all the elements such as
line, color, texture, and others belong together that
result in having a coherent and harmonous whole.

A

Unity

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3
Q

provides diversity yet it acts as

counterbalance extreme unity.

A

variety

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4
Q

is the condition in which acting
influences are held entrapped by
opposing forces or what is in the left side
should appear on the right side also in order
to achieve equilibrium.

A

Balance

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5
Q

The juxtaposition of strongly

dissimilar elements

A

Contrast

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6
Q
to draw our attention to an area
or areas, the artist uses
emphasis. To create emphasis,
position, contrast ,color intensity
and size can all be used. Neutral
areas of lesser interests are
created by artist through
subordination to keep us from
being distracted from the areas

of emphasis.

A

Emphasis and subordination

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7
Q

The repetition of visual elements give a
composition of unity continuity, flow and
emphasis. Rhythm in the visual art is
created through the regular recurrence of
elements with related variations.

A

the repetition and rhythm

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8
Q

visual elements give a

composition of unity continuity, flow, and emphasis

A

Repetition

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9
Q

the visual art is
created through the regular recurrence of
elements with related variations.

A

Rhythm

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10
Q
  • basic means for recording and symbolizing ideas, observations, and feelings; it is a primary means of visual communication
  • always have direction. They are always active.
A

Lines

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11
Q

are real marks made in a composition.

A

Actual lines

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12
Q

refers to the expanse within the outline of a two-dimensional area or within the outer boundaries of a three-dimensional object. It may be geometric which tends to be precise or regular (circles, triangles, squares) or organic which are irregular, often curving or rounded and seem relaxed and more informal

A

Shape

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13
Q

is the indefinable, general receptacle of all things. It is continuous, infinite, and ever present. The visual arts are sometimes referred to spatial arts, because most of the art forms are organized in space.

A

Space

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14
Q

efers to the lightness and darkness of surfaces. It ranges from white to various grays to black. It can be a property of color or an element independent color.

A

value

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15
Q

a component of light, affects us directly by modifying our thoughts, moods, actions, and even our health. Color exists only in light, but light itself seems colorless to the human eye.

A

Color

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16
Q
  • Primary Hues are
A

red, yellow, and blue

17
Q

Secondary Hues:

A

orange, green, and violet

18
Q

intermediet hue:

A

red-orange, yellow-green, blue-green, and red-violet

19
Q

The textile qualities of surfaces or to the visual representation of those qualities is referred to as texture, in visual arts. Actual textures are those we can feel by touching. Simulated textures are those created to look like something other than pain on a flat surface. Painters simulate texture, while sculptors and architects make use of actual texture.

A

TEXTURE

20
Q

indicate both of the process
after organizing visual elements and the product
of that process. It is a result offer basic need for
meaningful order.

A

design

21
Q

are lines that are suggested by changes in colour, tone and texture or by the edges of shapes.

A

Implied lines

22
Q

Neutral
areas of lesser interests are
created by artist

A

Subordination