7. NAVEDTRA 10244 Basic Music (Excluding APP C, CH1, CH 14) Flashcards

1
Q

Define Divided Notes

A

Slashes or strokes through the stem of a note. Indicates to divide notes into equal lesser values using given pitch.

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2
Q

Cross-strokes (aka “slash” notation) indicate what?

A

Repeated beats.

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3
Q

Name 4 octave signs which indicate “octave”

A

8va, 8ve, 8, ottava

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4
Q

Sign for “octave lower”

A

8va bassa

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5
Q

Sign for “octave higher”

A

8va alta

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6
Q

Sign for “with octave”

A

con 8va

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7
Q

Sign for “where written”

A

loco

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8
Q

Name 8 melodic ornaments

A

Acciaccatura (grace note)AppoggiaturaDouble Grace Note (disjunct)Multiple Grace Note (conjunct)MordentTurn (gruppetto)TrillInverted Trill

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9
Q

What type of melodic ornament is indicated by an 8th note in small type with a slash through it?

A

Acciaccatura or Grace Note

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10
Q

This melodic ornament is usually performed before the beat, taking its time value from the preceding note and is very short.

A

Acciaccatura or Grace Note

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11
Q

This melodic ornament, when used in music of the Baroque and/or Classic periods (Haydn, Mozart, Handel, etc.), occurs ON the beat, taking its time value from the succeeding note and is very short.

A

Acciaccatura or Grace Note

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12
Q

A note in small type whose time value is NOT counted in the rhythm of the measure, always occurs on the beat & takes its time value from the succeeding note.

A

Appoggiatura

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13
Q

What value would you give the appoggiatura that precedes a note whose time value is divisible by 2?

A

1/2 of the value (quarter = appoggiatura = eighth note)

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14
Q

What value would you give the appoggiatura that precedes a note whose time value is divisible by 3?

A

2/3 of the value (dotted half = appoggiatura = half note or 2 quarters)

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15
Q

Two notes (usually 1 above and 1 below principal note) which may be performed on the beat or before the beat, depending on the character of the music. (NOTE: Standard practice is before the beat)

A

Double Grace Note

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16
Q

Why is a double grace note disjunct?

A

It is typically 1 note below & 1 note above the principal note.

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17
Q

A scale wise series of 2 or more small notes usually performed before the beat; although sometimes performed on the beat, depending on the character of the music.

A

Multiple Grace Note

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18
Q

Why is a multiple grace note considered conjunct?

A

The notes are scale or step wise.

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19
Q

A single or double alternation of the principal note with it’s lower neighbor - or with its upper neighbor when inverted.

A

Mordent

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20
Q

What’s the difference in notation of a mordent and a double mordent?

A

Mordent has a straight line through the squiggle, inverted does not.

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21
Q

Alternation of the principal note with its upper AND lower neighbor, consisting of 4 notes.

A

Turn or Gruppetto

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22
Q

If a turn sign is placed over the principal note, where does the turn start and where does the value come from?

A

It begins on the upper neighbor & takes it’s time from the 1st part of the principal note.

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23
Q

If a turn sign is placed between 2 notes of different pitch, where is it performed?

A

It starts on the upper neighbor and is performed on the last part of the principal (first) note.

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24
Q

If a turn sign is placed between 2 notes of the same pitch, how is it performed?

A

The first 3 notes are performed on the last part of the principal note - the second “same” pitch becomes becomes the 4th note of the turn.

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25
Q

If a turn sign is placed after a dotted note, how is it performed?

A

Performed the same as if placed between 2 notes of same pitch. (The first 3 notes are performed on the last part of the principal note - the second “same” pitch becomes becomes the 4th note of the turn).

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26
Q

If a turn is inverted, how is it performed?

A

The upper & lower neighbors change places - in other words, start the turn on the lower neighbor instead of the upper.

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27
Q

What’s the difference in the notation of a turn & an inverted turn?

A

The sign - sideways “S” - looks like a correct “S” - on its side if it’s inverted. A regular turn is similar to a “2” on its side.

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28
Q

A rapid alternation of the principal note with its upper neighbor, lasting the duration of the note value or to the end of the wavy line.

A

Trill

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29
Q

A trill is often followed by this as a completion of the trill.

A

1 or more grace notes.

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30
Q

If grace notes are not indicated following a trill, what is the common practice?

A

A single alternation with the lower neighbor of the principal - ending on the principal.

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31
Q

How is an inverted trill different from a normal trill?

A

It starts on the upper neighbor instead of the principal & it is notated with a grace note above the principal along with the “tr” and/or wavy line.

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32
Q

Which type of trill was most common in music prior to Beethoven (1770)?

A

Inverted Trill

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33
Q

The style & character of the music must be regarded as the essential determinant of what?

A

Performance

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34
Q

Symbols or interpretation markings should be regarded as simply what?

A

Reminders or suggestions for performance.

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35
Q

Name 7 common articulation markings.

A

Legato (Slurred)Tenuto (Non-legato or Leggiero)Portato (Mezzo Staccato)StaccatoStaccatissimoHorizontal AccentVertical Accent

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36
Q

Maximum duration. To be performed without interruption between notes. Only first note is attacked.

A

Legato (Slurred)

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37
Q

Held full value. To be performed with only a very slight break between notes to allow for the attack.

A

Tenuto (Non-legato or Leggiero)

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38
Q

Duration slightly more than half. To be performed with a slight break between the notes.

A

Portato (Mezzo-Staccato)

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39
Q

Duration about half. Performance varies from short to very short with the character and tempo of the music.

A

Staccato

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40
Q

Usually performed as short as possible, with a slight emphasis.

A

Staccatissimo

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41
Q

Attacked with force, usually followed by a slight decrescendo. Performed louder than surrounding dynamic level. Has no effect on duration.

A

Horizontal Accent

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42
Q

Attacked with force, usually followed by a retention of dynamic level. Performed louder than surrounding dynamic level. Occasionally performed with a slight lessening of duration.

A

Vertical Accent

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43
Q

There are 15 Jazz Expressive Devices. What are they?

A

BendDrop or FallDoit, Doik, or DoinkFalse FingeringsFlip or TurnGlissandoMutingPlopRip or FlareScoopShakeSmearStraight EighthsSubtoneSwallowed Notes

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44
Q

Of the 15 Jazz Expressive Devices, 6 are some type of glissando. What are they?

A

Doit, Doik, or DoinkDrop or FallPlopRegular GlissandoRip or FlareScoop

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45
Q

A short glissando from below to a note of any value. It’s time value is taken from the previous note or rest.

A

Scoop

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46
Q

A glissando that usually starts a 4th or 5th below a note of any value. It’s time value is taken from the previous note or rest.

A

Rip or Flare

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47
Q

A glissando which usually starts a 4th or 5th above a note of any value. It’s time value is taken from the previous note or rest.

A

Plop

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48
Q

Sometimes this is required between 2 notes - with its time value taken from the first of the 2 connected notes.

A

Regular Glissando

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49
Q

An ascending glissando that begins on the second half of a note of any value.

A

Doit, Doik, or Doink

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50
Q

A descending glissando that begins on the second half of a note of any value.

A

Drop or Fall

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51
Q

Saxophones can use Chromatic or diatonic scales for which jazz expressive glissandos?

A

Regular GlissandoDrop or FallDoit, Doik, or Doink

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52
Q

Trumpets can use “half valve or overtone series lip slurs” for which jazz expressive glissandos?

A

Rip or FlarePlopDrop or FallDoit, Doik, or Doink

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53
Q

“Lip up or finger lower grace note” are instructions to who to play what?

A

Saxophones, Scoop

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54
Q

Trombones can use “slide movement or overtone series lip slurs” for which jazz expressive glissandos?

A

PlopDrop or FallDoit, Doik, or Doink

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55
Q

“Lip up, finger lower grace note or half valve” are instructions to who to play what?

A

Trumpets, Scoop

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56
Q

“Lip or short slide movement” are instructions to who to play what?

A

Trombones, Scoop

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57
Q

“Lip up with chromatic or diatonic scale” are instructions to who to play what?

A

Saxophones, Rip or Flare

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58
Q

“Longer slide movement or overtone series lip slur” are instructions to who to play what?

A

Trombones, Rip or Flare

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59
Q

“Lip down with chromatic or diatonic scale” are instructions to who to play what?

A

Saxophones, Plop

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60
Q

“Chromatic or diatonic scale, half valve and slide” are instructions for sax, trumpet & trombone for what common jazz device?

A

Regular Glissando

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61
Q

Which melodic ornament is the only one that is always performed ON the beat?

A

Appoggiatura

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62
Q

This jazz expressive device is a variation on the classical Turn of Gruppetto.

A

Flip or Turn

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63
Q

“Perform the principal note, slur to the note above the principal note, glissando to the 2nd written note” are directions for who to play what?

A

Saxophone, Flip or Turn

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64
Q

“Perform the principal note, slur to the 1st available overtone above the principal note, lip slur the overtone series to the 2nd written note” are directions for who to play what?

A

Trumpets & Trombones, Flip or Turn

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65
Q

This effect is produced by “attacking the note in the normal manner, lowering the pitch by relaxing the embouchure, & bringing the note back up to pitch by tightening the embouchure.”

A

Bend

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66
Q

This effect is produced by “attacking the note below. Penal pitch by using a relaxed embouchure and bringing the note up to pitch by tightening the embouchure.” Its time value is NOT taken from the previous note or rest.

A

Smear

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67
Q

This effect is essentially a lip trill from the note marked, up to an overtone above.

A

Shake

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68
Q

The width & speed of the shake is normally determined by who?

A

Section leader or band leader

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69
Q

How does a saxophone simulate a shake?

A

With a keyed trill (lip trill is not possible)

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70
Q

This saxophone effect consists of a soft, airy sound produced by relaxing the embouchure.

A

Subtone

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71
Q

Muting is a way to alter brass wind sounds. What is H.O.B.?

A

Hand over bell

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72
Q

What is the purpose of false Fingerings & swallowed notes?

A

To change the timbre of a note

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73
Q

How are swallowed notes typically indicated?

A

With parentheses

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74
Q

These “notes” are performed at a lower dynamic level than surrounding notes.

A

Swallowed notes

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75
Q

Straight eighths are sometimes used to replace swing eighths for effect. How are they notated?

A

With a tenuto sign or simply marked “straight eighths”

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76
Q

Adagio

A

Slow

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77
Q

Largo

A

Slow, broad

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78
Q

Andante

A

Going, walking

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79
Q

Moderato

A

Moderate

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80
Q

Name 2 medium tempi

A

Andante, Moderato

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81
Q

Allegro

A

Cheerful, Quick

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82
Q

Vivace

A

Lively

83
Q

Presto

A

Fast

84
Q

Name 3 faster tempi

A

Allegro, Vivace, Presto

85
Q

Tenuto

A

Momentary change in tempo meaning “held or sustained” (I just think full value)

86
Q

Rubato

A

Momentary change in tempo meaning “robbed or stolen.”

87
Q

Deliberate unsteadiness of tempo

A

Rubato

88
Q

A slackening and quickening of tempo for the sake of expression

A

Rubato

89
Q

Fermata

A

Stay, stop

90
Q

Unmeasured pause or hold

A

Fermata

91
Q

A rest for the entire band

A

General Pause (G.P.) - sometimes called a grand pause

92
Q

Name 6 momentary changes in tempo

A

Tenuto, Rubato, Fermata, General Pause (G.P.), Lunga Pause, Cut Off

93
Q

Lunga Pause

A

Long pause

94
Q

An abrupt, short pause

A

Cut Off (//)

95
Q

Name 4 Increasing tempo terms

A

Accelerando, Incalzando, Stringendo, Piu Mosso

96
Q

Accelerating

A

Accelerando

97
Q

Hastening, pressing forward

A

Incalzando

98
Q

Suddenly accelerating

A

Stringendo

99
Q

More moved

A

Piu Mosso

100
Q

Name 8 decreasing tempo terms

A

Allargando, Calando, Rallentando, Ritardando, Ritenuto, Meno Mosso, Morendo, Smorzando

101
Q

Becoming broader, slower

A

Allargando

102
Q

Slowing and decreasing in loudness (3 possibilities)

A

Calando, Morendo, Smorzando

103
Q

Gradually slower (2 possibilities)

A

Rallentando (rall.) OR Ritardando (rit.)

104
Q

Suddenly slower

A

Ritenuto

105
Q

Less moved

A

Meno Mosso

106
Q

These 3 terms indicate a return to a previous tempo

A

A Tempo, Primo Tempo, Tempo I

107
Q

In (original) tempo

A

A Tempo

108
Q

First tempo (2 possibilities)

A

Primo Tempo or Tempo I

109
Q

These 3 terms indicate “No change in Tempo” (or same tempo)

A

L’istesso Tempo, Lo Stesso Tempo, Stesso Tempo

110
Q

Lento

A

Slow, Dragging

111
Q

Name 3 “soft” dynamic indicators

A

pp - very softp - softmp - medium soft

112
Q

Pianissimo

A

very soft

113
Q

Piano

A

soft

114
Q

Mezzo Piano

A

medium soft

115
Q

Name 3 “loud” dynamic indicators

A

mf - mezzo fortef - forteff - fortissimo

116
Q

Mezzo Forte

A

Medium strong (loud)

117
Q

Forte

A

Strong (loud)

118
Q

Fortissimo

A

Very strong (loud)

119
Q

These 6 terms are directions for increasing dynamics

A

CrescendoForzando, Forzato Sforzando, SforzatoRinzforzando

120
Q

Crescendo

A

cresc. - gradually increasing loudness

121
Q

Forzando and/or Forzato

A

fz - forced, strongly accented

122
Q

Sforzando and/or Sforzato

A

sfz - forced, strongly accented

123
Q

Rinzforzando

A

rfz OR rinf. - sudden stress or emphasis

124
Q

These 5 terms are directions for decreasing dynamics

A

CalandoDecrescendoDiminuendoMorendoSmorzando

125
Q

Calando

A

cal. - decreasing loudness, slowing

126
Q

Decrescendo

A

decresc. OR dec. - gradually decreasing loudness

127
Q

Diminuendo

A

dim. - gradually decreasing loudness

128
Q

Morendo

A

mor. - decreasing loudness

129
Q

Smorzando

A

smorz. - decreasing loudness, slowing

130
Q

These three dynamic indicators share this definition - “decreasing loudness, slowing”

A

Calando, Morendo, Smorzando

131
Q

These 2 dynamic indicators share this definition - “gradually decreasing loudness”

A

Decrescendo and Diminuendo

132
Q

Italian term for “To, at, for, by, in, etc.”

A

a

133
Q

Italian term for “According to”

A

Alla

134
Q

Italian term for “Very”

A

Assai

135
Q

Italian term for “Well”

A

Ben

136
Q

Italian term for “With”

A

Con

137
Q

Italian term for “Of, from”

A

Da, di

138
Q

Italian term for “Double”

A

Doppio

139
Q

Italian term for “And”

A

e

140
Q

Italian term for “The”

A

Il (iL)

141
Q

Italian term for “But”

A

Ma

142
Q

Italian term for “Less”

A

Meno

143
Q

Italian term for “Half”

A

Mezzo

144
Q

Italian term for “Much”

A

Molto

145
Q

Italian term for “Moved”

A

Mosso

146
Q

Italian term for “Motion”

A

Moto

147
Q

Italian term for “Not”

A

Non

148
Q

Italian term for “More”

A

Piu

149
Q

Italian term for “Little”

A

Poco

150
Q

Italian term for “First”

A

Primo

151
Q

Italian term for “Like, as”

A

Quasi

152
Q

Italian term for “Dry”

A

Secco

153
Q

Italian term for “Always”

A

Sempre

154
Q

Italian term for “Without”

A

Senza

155
Q

Italian term for “Under”

A

Sotto

156
Q

Italian term for “Same”

A

Stesso

157
Q

Italian term for “As much, so much”

A

Tanto

158
Q

Italian term for “Too (much)”

A

Troppo

159
Q

Italian term for “A, an, one”

A

Un, uno, una

160
Q

Italian term for “Voice”

A

Voce

161
Q

Italian term for “Attack Suddenly”

A

Attacca Subito

162
Q

Italian term for “Divide in two (three)”

A

Div a 2 (3)

163
Q

Italian term for “With the part”

A

Colla Parte

164
Q

Italian term for “Follows”

A

Segue

165
Q

Italian term for “Mute(s)”

A

Sordino(i)

166
Q

Italian term for “Turn (page) immediately”

A

Volta subito or V.S.

167
Q

Italian term for “Alone, performed by a single performer”

A

Solo

168
Q

Italian term for “Plural of solo, more than one player plays the solo parts”

A

Soli

169
Q

Italian term for “All together”

A

Tutti

170
Q

Italian term for “Full band”

A

Ensemble (Ens.)

171
Q

Italian term for “Agitated”

A

Agitato

172
Q

Italian term for “Spirited”

A

Animato

173
Q

Italian term for “Bravery”

A

Bravura

174
Q

Italian term for “Brilliant”

A

Brilliante

175
Q

Italian term for “Brilliance”

A

Brio

176
Q

Italian term for “Singing”

A

Cantabile

177
Q

Italian term for “As if sung”

A

Cantando

178
Q

Italian term for “Decisive”

A

Deciso

179
Q

Italian term for “Sweet”

A

Dolce

180
Q

Italian term for “Sweetly”

A

Dolcemente

181
Q

Italian term for “Grief”

A

Dolore

182
Q

Italian term for “Pained”

A

Doloroso

183
Q

Italian term for “Grieving”

A

Dolente

184
Q

Italian term for “Energetic”

A

Energico

185
Q

Italian term for “Expressive”

A

Espressivo (Expressivo)

186
Q

Italian term for “Force”

A

Forza

187
Q

Italian term for “Fire”

A

Fuoco

188
Q

Italian term for “Just, strict, precise”

A

Giusto

189
Q

Italian term for “Heavy” (2 answers)

A

Grave, Pesante

190
Q

Italian term for “Tearful”

A

Lacrimoso

191
Q

Italian term for “Majestic”

A

Maestoso

192
Q

Italian term for “Marked”

A

Marcato

193
Q

Italian term for “March”

A

Marcia

194
Q

Italian term for “Martial”

A

Marziale

195
Q

Italian term for “Impassioned”

A

Passionato, Appassionato

196
Q

Italian term for “At pleasure”

A

Piacere, a piacere

197
Q

Italian term for “Pompous”

A

Pomposo

198
Q

Italian term for “Ponderous”

A

Ponderoso

199
Q

Italian term for “Religious”

A

Religioso

200
Q

Italian term for “Playful, joking”

A

Scherzando

201
Q

Italian term for “Sustained”

A

Sostenuto

202
Q

Italian term for “Loud, noisy”

A

Strepitoso

203
Q

Italian term for “Vigorously”

A

Vigoroso