5 - Physiological Synchrony Flashcards

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1
Q

Types of interactions

A
  • performer/performer
  • performer/audience
  • audience/audience
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2
Q

Behavioural vs. physiological synchrony

A
  • behavioural = synchronized motor behaviour

- physiological = can occur with or without motor behaviour

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3
Q

EEG

A
  • electroencephalography
  • non-invasive recording of brain electrical activity (electrodes)
  • hyperscanning = scanning more than one person
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4
Q

RQA and CRQA

A
  • recurrence quantification analysis (intrapersonal)

- cross RQA (interpersonal)

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5
Q

Time series and recurrence plots

A
  • time series = recurrence of a particular parameter

- recurrence plot = same time series on both axes

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6
Q

Lindenberger - Electrodes of interest

A
  • F3, FZ, F4
  • C3, CZ, C4
  • fronto-central electrodes
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7
Q

Brain waves

A
  • beta (14 - 30 Hz)
  • alpha (8 - 13 Hz)
  • phi (9.2 - 11.5 Hz)
  • theta (4 - 7 Hz)
  • delta (< 3.5 Hz)
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8
Q

Frequency and phase matching

A
  • frequency and phase matching
  • frequency but no phase matching (syncopation)
  • no frequency or phase matching
  • completely out of phase = antiphase
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9
Q

Konvalinka - Study

A
  • physiological in the absence of behavioural synchrony

- naturalistic setting (Spain)

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10
Q

Konvalinka - IVs

A
  • relatedness to firewalker (between-subject, 3 levels) = related, tangentially related, unrelated
  • source epoch (within-subject, 2 levels) = baseline, ritual
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11
Q

Konvalinka - DVs

A
  • heart rate (bpm)
  • predictability
  • stability
  • complexity
  • smoothness
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12
Q

Konvalinka - Typologies (recurrence plots)

A
  • disrupted = abrupt changes in dynamics (firewalkers and related)
  • drift = pattern fades due to slowly varying parameters (unrelated)
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13
Q

Konvalinka - Main Results

A
  • recurrence plots showed a similar typology between fire-walkers and related spectators, and both were different from the typology of unrelated spectators
  • cross-recurrence plots showed a similar typology between fire-walkers and both related and tangentially-related spectators
  • both were different from the typology between fire-walkers and unrelated spectators
  • CRQA analysis (MANOVA) showed greater structuring and shared dynamics between fire-walkers and both related spectators and tangentially-related spectators
  • both were higher than the same parameters when pairing fire-walkers with unrelated spectators
  • CRQA analysis also showed greater structuring and shared dynamics during the ritual than during the pre-ritual baseline condition
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14
Q

Konvalinka - Summary

A
  • a public ritual is able to evoke synchronized arousal between participants and spectators
  • this occurs in the absence of synchronized action
  • however, the effect seems to vary across spectators
  • relatedness to the performer (i.e. shared membership in the group) is one factor that modulates this
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15
Q

Lindenberger - Study

A
  • guitar duos, 8 pairs
  • stimulus melody (Fusion #1)
  • epoch time-locked to two events = 2nd metronome beat (prep), start of guitar A (play onset)
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16
Q

Lindenberger - DVs

A
  • PLI (phase locking index) = intrapersonal
  • IPC (interbrain phase coherence) = interpersonal
  • PLI-A, PLI-B, IPC-AB, IPC-BA
17
Q

Lindenberger - baseline measurements

A
  • prep = 300ms between two metronome beats

- performance = 300ms before play onset

18
Q

Lindenberger - Main Results

A
  • preparatory period of metronome beating = highest signal was found within- and between-brain in the theta frequency range (peaking at around 5 Hz)
  • play onset = peak signal was found in a lower part of theta range (around 3 Hz), but still occurred in the frontal and central regions
  • synchronization was also seen at the time of the lead guitarist’s finger gesture and during the playing of the initial notes, but fell off 2s after play onset
19
Q

Lindenberger - Summary

A
  • both within-brain and between-brain synchronization occurred in the theta frequency range