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Ultimate Music Theory > UMT (8) Advanced Music Theory > 4 - Intervals - Simple, Compound & Inversions > Flashcards

4 - Intervals - Simple, Compound & Inversions Flashcards

Use this deck to learn Intervals (Simple, Compound and Inversions), Analysis (Repetition, Imitation and Sequence), and Scales (Major, minor, pentatonic, octatonic, chromatic, blues, whole tone), Rests, Enharmonic Equivalents and Time Signatures. Audio is included to supplement your learning. Master Your Musicianship Skills - Complete Lesson 4 of the matching Ultimate Music Theory Advanced Workbook to enhance your music theory training. UltimateMusicTheory.com

1
Q

True or False. A simple interval is no larger than a Perfect octave.

A

TRUE

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2
Q

True or False. A harmonic interval is written one note BESIDE the other.

A

False. A harmonic interval is written one note ABOVE the other.

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3
Q

True or False. A melodic interval is written one note BESIDE the other.

A

TRUE

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4
Q

True or False. The bottom note of an interval determines the Major key on which it is based.

A

TRUE

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5
Q

True or False. A simple interval and its inversion always equal 9.

A

TRUE

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6
Q

True or False. A compound interval is no larger than a Perfect octave.

A

False. A compound interval is LARGER than a Perfect octave.

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7
Q

True or False. A compound interval and its inversion always equal 9.

A

False. A compound interval and its inversion always equal 16.

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8
Q

True or False. The type/quality of a simple interval is the SAME as the type/quality of a compound interval.

A

TRUE

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9
Q

Identify the interval as Simple or Compound. Name the interval.

A

Simple interval
Augmented 3

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10
Q

Identify the interval as Simple or Compound. Name the interval.

A

Compound interval
diminished 13

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11
Q

Identify the interval as Simple or Compound. Name the interval.

A

Compound interval
Augmented 13

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12
Q

Identify the interval as Simple or Compound. Name the interval.

A

Compound interval
Augmented 12

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13
Q

Identify the interval as Simple or Compound. Name the interval.

A

Simple interval
minor 7

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14
Q

Identify the interval as Simple or Compound. Name the interval.

A

Simple interval
minor 6

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15
Q

Identify the interval as Simple or Compound. Name the interval.

A

Simple interval
Augmented 7

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16
Q

Identify the interval as Simple or Compound. Name the interval.

A

Compound interval
Perfect 12

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17
Q

Identify the interval as Simple or Compound. Name the interval.

A

Simple interval
Augmented 4

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18
Q

Identify the interval as Simple or Compound. Name the interval.

A

Simple interval
diminished 4

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19
Q

Identify the interval as Simple or Compound. Name the interval.

A

Compound interval
diminished 14

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20
Q

Identify the interval as Simple or Compound. Name the interval.

A

Simple interval
Augmented 3

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21
Q

Identify the interval as Simple or Compound. Name the interval.

A

Compound interval
diminished 13

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22
Q

Identify the interval as Simple or Compound. Name the interval.

A

Compound interval
Major 14

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23
Q

Is the Inversion in m.2 Correct or Incorrect?

A

Correct

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24
Q

Is the Inversion in m.2 Correct or Incorrect?

A

Incorrect. The Correct Inversion is

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25
Q

Is the Inversion in m.2 Correct or Incorrect?

A

Correct

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26
Q

Is the Inversion in m.2 Correct or Incorrect?

A

Incorrect. The Correct Inversion is

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27
Q

Is the Inversion in m.2 Correct or Incorrect?

A

Correct

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28
Q

Name the interval.

A

Major 9

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29
Q

Name the interval.

A

diminished 15

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30
Q

Name the interval.

A

Augmented 2

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31
Q

Name the interval.

A

Major 14

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32
Q

Name the interval.

A

diminished 15

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33
Q

Name the interval.

A

diminished 13

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34
Q

Name the interval.

A

Major 2

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35
Q

Name the interval.

A

minor 7

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36
Q

Name the interval.

A

Augmented 14

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37
Q

Name the interval.

A

minor 13

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38
Q

Is the Enharmonic Equivalent in m.2 Correct or Incorrect?

A

Correct

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39
Q

Is the Enharmonic Equivalent in m.2 Correct or Incorrect?

A

Incorrect. The Correct Enharmonic Equivalent is

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40
Q

Is the Enharmonic Equivalent in m.2 Correct or Incorrect?

A

Incorrect. The Correct Enharmonic Equivalent is

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41
Q

Is the Enharmonic Equivalent in m.2 Correct or Incorrect?

A

Correct

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42
Q

Is the Enharmonic Equivalent in m.2 Correct or Incorrect?

A

Correct

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43
Q

Explain the Italian term arco.

A

arco - for stringed instruments: resume bowing after a pizzicato passage

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44
Q

Explain the Italian term primo.

A

primo - first; the upper part of a duet

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45
Q

Explain the Italian term tempo.

A

tempo - speed at which music is performed

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46
Q

Explain the Italian term col.

A

col - with

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47
Q

Explain the Italian term D.C. (da capo).

A

D.C. - da capo, from the beginning

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48
Q

Explain the Italian term attacca.

A

attacca - proceed without a break

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49
Q

Explain the Italian term prima.

A

prima - first; the upper part of a duet

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50
Q

Explain the Italian term tutti.

A

tutti - a passage for the ensemble

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51
Q

Explain the Italian term coll’.

A

coll’ - with

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52
Q

Explain the Italian term con sordino.

A

con sordino - with mute

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53
Q

Explain the Italian term quindicesima alta.

A

quindicesima alta - two octaves higher

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54
Q

Explain the Italian term D.S. (dal segno).

A

D.S. - dal segno, from the sign

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55
Q

Explain the Italian term volta.

A

volta - time (for example: prima volta = first time)

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56
Q

Name the Italian term for stringed instruments meaning - resume bowing after a pizzicato passage.

A

arco

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57
Q

Name the Italian term meaning - speed at which music is performed.

A

tempo

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58
Q

Name the Italian term meaning - to proceed without a break.

A

attacca

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59
Q

Name the Italian term meaning - a passage for the ensemble.

A

tutti

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60
Q

Name the Italian term meaning - with mute.

A

con sordino

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61
Q

Name the Italian term meaning - two octaves higher.

A

quindicesima alta

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62
Q

True or False. A Motive is the smallest unit of musical form that is used as a building block in music.

A

TRUE

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63
Q

True or False. Repetition is the repeating of a musical idea by the same voice at a different pitch.

A

False. Repetition is the repeating of a musical idea by the same voice at the same pitch.

64
Q

True or False. One form of Imitation is the repeating of a musical idea by another voice at the same pitch.

A

TRUE

65
Q

True or False. One form of Imitation is the repeating of a musical idea by another voice at a different pitch.

A

TRUE

66
Q

True or False. One form of Imitation is the repeating of a musical idea in a different clef.

A

TRUE

67
Q

True or False. Imitation must always be an exact repetition of a musical idea.

A

False. Imitation may be an exact or a varied repetition of a musical idea.

68
Q

True or False. Sequence is the repetition of a musical idea by a different voice at a higher or lower pitch.

A

False. Sequence is the repetition of a musical idea by the same voice at a higher or lower pitch.

69
Q

True or False. Inversion is the repetition of a musical idea “upside-down”.

A

TRUE

70
Q

True or False. An excerpt is a passage taken from a piece of music.

A

TRUE

71
Q

Identify the relationship between the measures as Imitation, Sequence or Inversion.

A

Inversion

72
Q

Identify the relationship between the measures as Imitation, Sequence or Inversion.

A

Imitation

73
Q

Identify the relationship between the measures as Imitation, Sequence or Inversion.

A

Sequence

74
Q

Identify the relationship between the measures as Imitation, Sequence or Inversion.

A

Inversion

75
Q

Identify the relationship between the measures as Imitation, Sequence or Inversion.

A

Inversion

76
Q

Identify the relationship between the measures as Imitation, Sequence or Inversion.

A

Imitation

77
Q

Identify the relationship between the measures as Imitation, Sequence or Inversion.

A

Sequence

78
Q

Identify the relationship between the measures as Imitation, Sequence or Inversion.

A

Imitation

79
Q

Identify the relationship between the measures as Imitation, Sequence or Inversion.

A

Sequence

80
Q

Name the Major scale. Identify the technical degree name of the first note.

A

G flat Major scale
Mediant

81
Q

Name the Major scale. Identify the technical degree name of the first note.

A

B Major scale
Supertonic

82
Q

Name the Major scale. Identify the technical degree name of the first note.

A

E Major scale
Leading note

83
Q

Name the Major scale. Identify the technical degree name of the first note.

A

D Major scale
Dominant

84
Q

Name the Major scale. Identify the technical degree name of the first note.

A

E flat Major scale
Mediant

85
Q

Name the Major scale. Identify the technical degree name of the first note.

A

G Major scale
Subdominant

86
Q

Name the Major scale. Identify the technical degree name of the first note.

A

A Major scale
Mediant

87
Q

Name the minor scale. Identify the technical degree name of the first note.

A

d sharp minor melodic scale
Subdominant

88
Q

Name the minor scale. Identify the technical degree name of the first note.

A

c minor natural scale
Supertonic

89
Q

Name the minor scale. Identify the technical degree name of the first note.

A

g sharp minor harmonic scale
Subdominant

90
Q

Name the minor scale. Identify the technical degree name of the first note.

A

a minor melodic scale
Leading note

91
Q

Name the minor scale. Identify the technical degree name of the first note.

A

e minor melodic scale
Dominant

92
Q

Name the minor scale. Identify the technical degree name of the first note.

A

b minor natural scale
Subtonic

93
Q

Name the minor scale. Identify the technical degree name of the first note.

A

d sharp minor melodic scale
Mediant

94
Q

Identify the scale as Major pentatonic or minor pentatonic.

A

minor pentatonic scale (starting on G sharp)

95
Q

Identify the scale as Major pentatonic or minor pentatonic.

A

Major pentatonic scale (starting on C)

96
Q

Identify the scale as Major pentatonic or minor pentatonic.

A

minor pentatonic scale (starting on F sharp)

97
Q

Identify the scale as Major pentatonic or minor pentatonic.

A

minor pentatonic scale (starting on E)

98
Q

Identify the scale as Major pentatonic or minor pentatonic.

A

Major pentatonic scale (starting on C sharp)

99
Q

Identify the scale as Major pentatonic or minor pentatonic.

A

Major pentatonic scale (starting on D flat)

100
Q

Identify the scale as Major pentatonic or minor pentatonic.

A

minor pentatonic scale (starting on D)

101
Q

Identify the scale as Major pentatonic or minor pentatonic.

A

minor pentatonic scale (starting on F)

102
Q

Identify the scale as Major pentatonic or minor pentatonic.

A

Major pentatonic scale (starting on D)

103
Q

Identify the scale as Major pentatonic or minor pentatonic.

A

minor pentatonic scale (starting on C sharp)

104
Q

Identify the scale as Major pentatonic or minor pentatonic.

A

Major pentatonic scale (starting on E flat)

105
Q

Identify the scale as Major pentatonic or minor pentatonic.

A

minor pentatonic scale (starting on C)

106
Q

Identify the scale as Major pentatonic or minor pentatonic.

A

Major pentatonic scale (starting on E)

107
Q

Identify the scale as Major pentatonic or minor pentatonic.

A

minor pentatonic scale (starting on G)

108
Q

Identify the scale as blues or whole tone.

A

blues scale (starting on C)

109
Q

Identify the scale as blues or whole tone.

A

blues scale (starting on D flat)

110
Q

Identify the scale as blues or whole tone.

A

whole tone scale (starting on C sharp)

111
Q

Identify the scale as blues or whole tone.

A

blues scale (starting on D)

112
Q

Identify the scale as blues or whole tone.

A

blues scale (starting on F sharp)

113
Q

Identify the scale as blues or whole tone.

A

blues scale (starting on C sharp)

114
Q

Identify the scale as blues or whole tone.

A

whole tone scale (starting on E flat)

115
Q

Identify the scale as blues or whole tone.

A

whole tone scale (starting on F sharp)

116
Q

Identify the scale as blues or whole tone.

A

blues scale (starting on F)

117
Q

Identify the scale as blues or whole tone.

A

blues scale (starting on E flat)

118
Q

Identify the scale as blues or whole tone.

A

whole tone scale (starting on C)

119
Q

Identify the scale as blues or whole tone.

A

whole tone scale (starting on D flat)

120
Q

Identify the scale as blues or whole tone.

A

blues scale (starting on E)

121
Q

Identify the scale as blues or whole tone.

A

whole tone scale (starting on D)

122
Q

Identify the scale as blues or whole tone.

A

whole tone scale (starting on E)

123
Q

Identify the scale as blues or whole tone.

A

whole tone scale (starting on F)

124
Q

Identify the scale as octatonic or chromatic.

A

octatonic scale (starting on C sharp)

125
Q

Identify the scale as octatonic or chromatic.

A

chromatic scale (starting on F)

126
Q

Identify the scale as octatonic or chromatic.

A

octatonic scale (starting on C)

127
Q

Identify the scale as octatonic or chromatic.

A

chromatic scale (starting on B)

128
Q

Identify the scale as octatonic or chromatic.

A

chromatic scale (starting on D)

129
Q

Identify the scale as octatonic or chromatic.

A

octatonic scale (starting on D flat)

130
Q

Identify the scale as octatonic or chromatic.

A

chromatic scale (starting on C)

131
Q

Identify the scale as octatonic or chromatic.

A

octatonic scale (starting on E flat)

132
Q

Identify the scale as octatonic or chromatic.

A

octatonic scale (starting on D)

133
Q

Identify the scale as octatonic or chromatic.

A

chromatic scale (starting on B flat)

134
Q

Identify the scale as octatonic or chromatic.

A

chromatic scale (starting on F sharp)

135
Q

Identify the scale as octatonic or chromatic.

A

octatonic scale (starting on E)

136
Q

Identify the scale as octatonic or chromatic.

A

chromatic scale (starting on C flat)

137
Q

Identify the scale as octatonic or chromatic.

A

octatonic scale (starting on F sharp)

138
Q

Identify the scale as octatonic or chromatic.

A

chromatic scale (starting on D sharp)

139
Q

Are the rests Correct or Incorrect?

A

Incorrect. The Correct rests are

140
Q

Are the rests Correct or Incorrect?

A

Correct

141
Q

Are the rests Correct or Incorrect?

A

Incorrect. The Correct rests are

142
Q

Are the rests Correct or Incorrect?

A

Incorrect. The Correct rests are

143
Q

Are the rests Correct or Incorrect?

A

Correct

144
Q

Are the rests Correct or Incorrect?

A

Correct

145
Q

Are the rests Correct or Incorrect?

A

Incorrect. The Correct rests are

146
Q

Are the rests Correct or Incorrect?

A

Incorrect. The Correct rests are

147
Q

Are the rests Correct or Incorrect?

A

Correct

148
Q

Identify the missing Time Signature.

A

The Time Signature is

149
Q

Identify the missing Time Signature.

A

The Time Signature is

150
Q

Identify the missing Time Signature.

A

The Time Signature is

151
Q

Identify the missing Time Signature.

A

The Time Signature is

152
Q

Identify the missing Time Signature.

A

The Time Signature is

153
Q

Identify the missing Time Signature.

A

The Time Signature is

154
Q

Identify the missing Time Signature.

A

The Time Signature is

155
Q

Identify the missing Time Signature.

A

The Time Signature is

156
Q

Identify the missing Time Signature.

A

The Time Signature is

UMT (8) Advanced Music Theory (12 decks)

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