4. Color Theory Flashcards

1
Q

Micropigmentation is part science and part ____.

A

art

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2
Q

The name of a color.

A

hue

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3
Q

The brightness of a color.

A

value

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4
Q

The intensity of a color.

A

saturation

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5
Q

Colors that cannot be created by mixing other colors.

A

primary colors

Red, blue, and yellow. These are the “anchors” of the color wheel.

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6
Q

Colors created by mixing two primary colors.

A

secondary colors

Orange, green, and violet. These colors are located between their primary components on the color wheel and opposite the primary color they do not include.

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7
Q

Colors created by mixing a primary color with a secondary color.

A

tertiary colors

Yellow-orange, red-orange, red-violet, blue-violet, blue-green, yellow-green.

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8
Q

Colors that are opposite each other on the color wheel.

A

complementary colors

Every primary and secondary color as a complementary color.

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9
Q

Mixing two ____ will create brown.

A

complementary colors

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10
Q

In micropigmentation, complementary colors are used to ____ each other.

A

neutralize

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11
Q

___ is the warmest primary color.

A

red

Adding red to a color makes it warmer, and colors that are close to red on the color wheel are warm.

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12
Q

____ is the coolest primary color.

A

blue

Adding blue to a color makes it cooler, and colors that are close to blue on the color wheel are cool.

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13
Q

____ is generally considered a warm color, but it has both cool and warm properties.

A

yellow

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14
Q

Having spots or patches of different colors.

A

variegated

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15
Q

All skin has ____ of colors such as yellow, red, and even blue, providing either a warm or cool complexion.

A

undertones

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16
Q

Sallow, peaches and cream, rosy, and some olive complexions are considered ____.

A

warm

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17
Q

Transparent, translucent, and some olive complexions are considered ____.

A

cool

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18
Q

Sallow complexions have ____ undertones.

A

yellow

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19
Q

Peaches and cream complexions have ____, ____, or ____ undertones.

A

yellow-orange, orange, red-orange

20
Q

Rosy complexions have ____ undertones.

A

red

21
Q

Warm olive complexions may have ____ or ____ undertones.

A

yellow-green, green

22
Q

Transparent complexions may have ____, ____, or ____ undertones.

A

red-violet, violet, blue-violet

23
Q

Translucent complexions may have ____ undertones.

A

blue

24
Q

Cool olive complexions may have ____ undertones.

A

blue-green

25
Q

Assessing skin tones should be done in ____ light.

A

natural

Either in front of a window or under artificial lights designed to imitate natural light. Never under fluorescent or halogen light.

26
Q

Examining the client’s skin for warm or cool undertones should be done on makeup free skin without the distraction of ____ or ____.

A

hair, clothing

27
Q

Can be partially seen through, such as sheer fabric, but not colorless.

A

translucent

28
Q

Pigment + ____ = final color

A

client’s skin tone

29
Q

Movement of pigment molecules away from the original application area.

A

migration

30
Q

Cannot be seen through.

A

opaque

31
Q

Can be completely seen through.

A

transparent

32
Q

Always buy your pigments from a reputable manufacturer. Pigments should come in tamper-proof packaging and should be marked with ____.

A

an expiration date

33
Q

What are three important rules for mixing colors?

A
  1. Do not mix different brands
  2. Always note the exact formula used in your documentation
  3. Never add white
34
Q

Adding black to a pigment will darken it, but it will also affect the ___, making a grayed/muddied color instead of a clear darker color.

A

hue

35
Q

The strongest hue.

A

blue

36
Q

The weakest hue.

A

yellow

37
Q

What are two tricks for determining if a pigment color is warm or cool?

A
  • water the pigment down (in a glass or on paper) to see the undertones
  • mix the pigment with a primary color — if it turns muddy/brown/grayish you know you’ve added a complementary color and can determine where it falls on the color wheel
38
Q

Use a complementary color to ____ or “cancel out” the client’s skin tone to reach the final desired hue.

A

neutralize

39
Q

Use caution when trying to neutralize warm tones in a client’s lips as most lips have ____ tones even if the client’s complexion is warm.

A

cool

40
Q

When layering transparent and translucent colors, start with the ____ color first.

A

darker

41
Q

Opaque pigment must be used carefully because they do not ____.

A

blend into the skin

42
Q

White pigment is especially hard to remove and can turn ____ when exposed to lasers.

A

black

43
Q

Spreading of the pigment beyond the original application area.

A

migration

44
Q

The main ways to maximize pigment retention are proper ____ and ____.

A

application and after-care

45
Q

Pigment colors that fade the fastest.

A

yellows and oranges

46
Q

Pigment colors that last the longest.

A

black and blue

47
Q

What are three things that speed pigment fading or can alter the appearance?

A
  • sunlight
  • acids
  • lasers