24. Bauhaus and de Stijul Flashcards

1
Q

__________ was the architect invited by Gropius to give the keynote speech at the Bauhaus Week of 1923?

A

Oud

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2
Q

Name two abstract painters who played a major role in the aesthetic change in the Bauhaus curriculum:

A
  1. Mondrian

2. Van Doesburg

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3
Q

What typeface/font was used in Bauhaus publications after the arrival of Moholy-Nagy?

A

Sans Serif

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4
Q

What two avant-garde artists were credited by Larson as being somewhat responsible for the change in its teaching ideology/pedagogy from Expressionism to Abstract formalism?

A

Mondrian and van Doesburg

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5
Q

van Doesburg’s term fro the new way he composed space as a continuous, but non-linear flow of space was ____________.

A

Neo-Plasticism

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6
Q

“Towards a Plastic Architecture” was written by ____________.

A

Van Doesburg

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7
Q

What was the difference in how Wright approached the design of his interiors and how van Doesburg designed his interiors?

A

Wright: continuous flow of space

van Doesburg: copied Wright’s forms but didn’t understand reason for them

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8
Q

Neo-Plasticism is a term associated with what movement?

A

De Stijl

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9
Q

The De Stijl movement received much of its initial impetus from the non-objective paintings by:

A

Mondrian

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10
Q

Describe the spatial sequence implied in the paintings by Van Doesburg:

A

continuous free flowing space defined by non-touching planes

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11
Q

Name a De Stijl painter:

A

Mondrian

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12
Q

The Red-Blue Chair was designed by __________________.

A

Rietveld

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13
Q

The Schröder House was designed by _____________.

A

Rietveld

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14
Q

Describe the changes made in the first-year design at the Bauhaus made when Maholy-Nagy replaced Itten as the teacher.

A

moved from expressionist to machinist style

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15
Q

What was the major design difference between Mies’ Concrete and Brick Country House projects?

A

Concrete: separate bays, voids in space between

Brick Country: continuous planes/space, voids cut out

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16
Q

The German term that describes the spirit of Mies’ Concrete Office Building of 1923 was ______________________.

A

Neue Sachlickkeit

17
Q

The objective of the Vorkurs (foundation course) at the Bauhaus was __________.

A

give everyone a foundation in design, get everyone on same level

18
Q

The German term that describes the spirit of Mies’ Concrete Office Building of 1923 was:

A

Neue Sachlichkeit

19
Q

What architectural theoretician was responsible for the shift in design theory away from Expressionism at the Weimar Bauhaus?

A

Maholy-Nagy

20
Q

Marcel Breuer is best known for the design of the ____________ chair while working at the Bauhaus.

A

Wassily

21
Q

The ‘Wassily’ chair was designed by __________.

A

Breuer

22
Q

The Dutch architect known for his sachlich housing projects was ___________.

A

Oud

23
Q

___________ was the leading theoretician of the De Stijl movement.

A

van Doesburg

24
Q

The architect in overall charge of planning the 1927 Weissenhof Siedlung was ____________.

A

Mies

25
Q

____________ was the major building type that brought the International Style to the forefront of German design in the 1920s.

A

apartment housing

26
Q

When Walter Gropius assembled his faculty for the Bauhaus School, he drew many of them from which field of expertise?

A

painting

27
Q

___________ was the director of the trade/design school in Weimar when its name was changed to the Staatliches Bauhaus.

A

Gropius

28
Q

The event most responsible for the philosophical switch at the Bauhaus from Expressionism to “The New Architecture” was ______________.

A

Maholy-Nagy replacing Itten

29
Q

Define Neue Sachlichkeit.

A

realism and functionalism with no need of art

30
Q

Describe Mies’ spatial order in his designs of 1923-1929.

A

asymmetry and defining space through arrangement of free standing planes within rectilinear order

31
Q

The Karl Liebknecht and Rosa Luxemburg Monument was designed by ____________.

A

Mies