Year of Wonders Flashcards

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1
Q

Anna remembers the time when Puritans were in power:

A

‘it was their sermons we grew up listening to in a church bare of adornment, their notions of what was heathenish that hushed the Sabbath and quieted the church bells’.

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2
Q

Anna describes her Puritan upbringing

A

‘dark and light. That was how i had been taught to see the world. The Puritans… held that all actions and thoughts could be only one of two natures: godly and right, or Satanic and evil’. Anys falls into this grey area.

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3
Q

Anna and Elinor try to do what they feel is right by support Merry Wickford and her mine:

A

Elinor says, ‘after all we’ve gone through to get justice for this child, Anna, I intend to be there to see that justice done’.

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4
Q

Duality of good and evil in Mompellion’s voice

A

‘it was a voice full of light and dark. Light not only as it glimmers, but also as it glares. Dark not only as it brings fear, but also as it gives rest and shade.’ Gives insight into his character as capable of doing both good and destructive behaviours.

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5
Q

Mompellion uses morality to threaten the people of Eyam into staying in the town:

A

‘For loneliness awaits those who flee…The shunning that has ever been the leper’s lot’.

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6
Q

Colonel Bradford remarks that Mompellion’s judgement has been clouded by his sense of duty to religion:

A

‘you do ill in making your congregation feel righteous in staying here’.

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7
Q

Religion and medicine are often at odds in pre-Enlightenment era societies as a result of anticipating God’s will. Mr Stanley chastises Mem Gowdie for her herbal knowledge as she…

A

‘defied God’s will in telling folk that they could prevent illness with her teas and sachets’.

‘Sickness was sent by God to test and chastise those souls He would save.’

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8
Q

Anys is progressive, places her faith in medicine instead of religious beliefs:

A

‘A good infusion would have served George better than the empty mutterings of a priest’

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9
Q

Anna eventually echoes this scientific sentiment:

A

‘more thought as to how the Plague spread…then we might have come nearer to saving lives’.

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10
Q

Mompellion shows religious tolerance as he names Anteros after a Pagan idol

A

‘even Puritans should recall that pagans, too, are children of God and their stories part of His creation’

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11
Q

Differences in the societies of Salem and Eyam. In Salem people are considered inherently sinful and their lives center around redeeming themself through their good Christian character.

A

In Eyam Mompellion heralds a more tolerant view where all people are born innocent and have the capacity to do good, but are lead astray by external forces: ‘We all began as naked children, playing in the mud’.

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12
Q

Tolerance in Eyam is evidenced by Thomas Stanley, the Puritan preacher, being able to stay in the town

A

‘Quitely the older man was making clear his full support of the younger’.

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13
Q

If society is more tolerant in the first place, times of crisis can bring people together. Brooks hints at what might have happened if more tolerance was shown

A

‘for Mr Stanley had commenced to attend Mr Mompellion’s services ever since the Sunday Oath and..the Bilings family and some others from among the nonconformists had begun to come as well’.

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14
Q

Religion is intended to be inherently positive, but individuals distort it for their own means. Mompellin’s sermon allows Anna to forget her grief, it is a positive force in this case:

A

‘He had not..mentioned the Plague, and I realised…I had not thought of it, who had thought of nothing else in many weeks’.

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15
Q

Religion gives hope, after Mompellion’s sermon:

A

‘the faces that had been so gant and careworn now seemed warm and alive’.

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16
Q

Christian idea of redemption explored when Jakob Merill laments the loss of his wife, blaming his neglect and dismissal of her, feels he deserves his loss of her:

A

‘I felt it was His wrath on me for my neglect. And i knew i deserved it.’ Mompellion tries to comfort him by suggesting lust is inalienable to all people: ‘If we slip and fall, He understands our weakness’

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17
Q

Mompellion bring it upon himself to ensure Elinor is atoned for her sins. Brooks encourages readers to ask whether an individual should have this much power, or know God’s will to this extent?

A

‘because lust caused the sin, I deemed that she should atone by living…with her lusts unrequited’.

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18
Q

Initially started off as an austere girl,

A

‘Puritan in her ways, thinking that laughter and fun are ungodly’.

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19
Q

Jane Martin is afflicted with immense feelings of loneliness and as a result

A

‘she had shrugged off her Sadd colours and her tight-lipped ways’.

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20
Q

Anna’s change in faith is catalyst by her survivor guilt - failure to understand her losses.

A

‘Why was I not one of the many in the chamber of Death?’

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21
Q

Anna’s experience with death weakens her belief in God’s will

A

‘why should this good woman lie here, in such extremity, when a man like my father lived to waste his reason in drunkenness’.

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22
Q

Anna slows moves away from the dichotomous view of religion which necessitates deferring occurrences into discrete categories:

A

‘why should this thing be either a test of faith sent by God or the evil working of the Devil in the world’.

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23
Q

Kate Talbot resorting to Aphra’s charms in a time of despair while questioning faith:

A
  • I bought this charm because that with I do believe in has failed me’.
  • ‘People here are so desperate and credulous that they listen to these midnight whisperings and pay their last mite for these worthless amulets’.
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24
Q

Aphra’s character arc shows that her demise begins with the death of Josiah Bont and the loss of her children

A

‘much rage and some madness - and a surfeit of grief’

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25
Q

Aphra resorts to alternative forms of religion

A

‘the sign she made at the end of it did not resemble the sign of the cross’.

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26
Q

When the Wickford’s mine was ransacked…l

A

The men ‘felt their loyalty had to lie with David Burton, one of their own’.

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27
Q

Fear creates intolerance and brings out the worst aspects of humanity. Maggie Campwell’s treatment by the neighbouring town.

A

‘They started chanting: ‘out! Out! Out!’

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28
Q

The plague is a natural force which does not discriminate who it attacks, much like the accusations in TC eventually reaching all different classes of people.

A

‘wealth and connection are no shield against the Plague’.

29
Q

Loss and failure to come to terms with it is a motivation for mass hysteria. Brad Hamilton is part of the mob and Anna sees

A

‘his face was distorted by drink and grief’ and ‘he’d buried his son John that day’. pg 89 Contrast with Anna who deals with her grief in a productive way.

30
Q

In Eyam political instability was an underlying factor for mass hysteria to emanate. See historical contexts:

A

‘it had been a strange thing for us, to have our small village suddenly thrust into the high matters of king and parliament’.

31
Q

Anger can also fuel a mob, as the crowd is incensed at the injustice of Josiah Bont’s actions:

A

‘the crowd was thickening now as yarn gathers itself on a spindle’.

32
Q

Aphra’s sentencing was fuelled by mass hysteria:

A

‘our hurts so raw and our fear so great that we would lash out at anyone, especially someone who had acted as evilly as Aphra’. pg 242 ‘simple folks seeking simple justice’.

33
Q

Anna acknowledges the power of knowledge to do good when used selflessly:

A

‘knowledge is not itself evil, it is only the use to which one puts it that may imperil the soul’. Foreshadows later events and disastrous consequences of misinformation

34
Q

Alienation of outsiders demonstrated by David Burton claiming ore from the Wickford mine

A

I wondered if people would have felt it more nearly if the Wickfords had been members of our church’.

35
Q

Geographical isolation is described by Anna:

A

‘Like most in this village I had no occasion to travel further than the market town seven miles distant. Our closest city, Chesterfield lies twice as far and I never had cause to journey there’. Sense of seclusion allows for fear and suspicion to manifest. pg 25

36
Q

Isolation breeds hysteria:

A

‘let the boundaries of this village become our whole world.’

37
Q

Anna does not want to learn about herb lore from Elinor as she

A

‘knew how easy it is for widow to be turned witch in the common mind, and the firs cause generally is that she meddles somehow in medicinals’.

38
Q

Anys is ostracised from an early age because she is different, showing how intolerant the society is. Yet she shows courage when

A

‘she returned every stare and never flinched from the pointed fingers’

39
Q

The death of Anys and Mem highlight how ignorance was the precursor for their demise:

A

‘with the two of them went the pain part of the physick we relied upon’.

40
Q

John Gordon engages in corporal mortification as a flagellant which has repercussions on his wife:

A

their belief is that by grievous self punishment they can allay God’s wrath’.

41
Q

Lib Hancock sees Anys resuscitating Mem as proof that she is a witch:

A

‘Anys Gowdie’s raised the dead!’

42
Q

The Bradfords abdicate responsibility and leave the town, favouring their desire for self preservation. Anna says to Miss Bradford:

A

‘there were many people here with needs this past year, needs that you and your family were in a position to have satisfied. And yet you were not..here’

43
Q

Anna is envious of Elinor and Mompellion:

A

‘why should they have each other when I had no one?’

44
Q

Mem Gowdie shows a lack of self interest as she acts out of empathy and a desire to do good. Shows how delusional the town are in causing her death:

A

‘Mem helped us as she could for pence or payment in kind as each of us was set to manage it, while the surgeons would not stir without the clank of shillings to line their pockets’.

45
Q

Bradfords leaving has immense social repercussions on the community, who relied on them:

A

‘they just mean to leave us here to die, and in the streets, for none of us has a place to go to’.

46
Q

Colonel Bradford is a misogynist who abuses his wife:

A

‘he seemed to take a perverse amusement in belittling his wife’. His narrow-mindedness foreshadows his abdication.

47
Q

Women seem to have roles only in the domestic sphere:

A

‘To my stepmother Aphra, I was always a pair of hands before I was a person, someone to toil after her babies’

48
Q

John Gordon’s extreme response to Anys’ accusation shows how women have no voice or opportunity to defend themselves.

A

‘Before she could answer, he smashed his fist into her face’

49
Q

Josiah Bont humiliates Anna and threatens her:

A

‘someone fetch me a branks to muzzle this scold’.

50
Q

Constantly physically abused her as a child, and Aphra only interfered when it threatened her marriage prospects. Importance placed on marriage over safety and self determination:

A

‘for we’ll never marry her off in you mar her there’.

51
Q

Anys reclaims some power by fuelling the madness and causing as much damage to her attackers as possible:

A

‘I have not lain with home alone…I have seen your wives lie with him’.
‘Anys Gowdie fought you with the only weapon she had to hand - your own ugly thoughts and evil doubting of one another’.

52
Q

Women are at their strongest when they support each other in times of need. Elinor comforts Anna after the loss of her children:

A

‘She did not upbraid me for my grieving but shared in it with me, and so calmed my weeping and my rage’.

53
Q

Anna’s independence empowers her and comes about as a result of accepting new roles during a period of crisis

A

‘one of them was the timid girl who had worked for the Bradfords in a state of dread, fearing their hard looks and their harsh words. The other was Anna Firth, a woman who had faced more terrors than many warriors’.

54
Q

Anna and Elinor delivering Mary Daniels baby:

A

‘in that season of death we celebrate a life’, in the face of her own grief: ‘[I] return to my own cottage, silent and empty’.

55
Q

Anna overcomes her needs for the greater good. She sought the poppy for herself, but chooses to dedicate herself to healing others:

A

‘this loss of self was not selfish oblivion. From this study and its applications might come much good’.

56
Q

Her work does good for the community:

A

‘there were some satisfactions in this work, bringing as it did comfort, ease, and the healings of small hurts’

57
Q

Mompellion recognises that Anna’s grief did not impede her,

A

‘for you grieve and yet you live, and are useful, and bring life to others’.

58
Q

Anys provides an indispensable service to the town, shows a women transcending limitations and retaining autonomy. Anna says:

A

‘no matter how freely they might besmirch her character…there were few women who would do without her in the birthing room’.

59
Q

Aphra resent’s Anys’ progressiveness and independence, yet is covertly envious of it. Feelings of jealousy:

A

‘In her heart Aphra had never ceased to pine for the kind of power a woman like Anys might wield’

60
Q

Anys views marriage as circumscribing one’s freedom:

A

‘I have something very few women can claim: my freedom. I will not lightly surrender it.’

61
Q

Revelation that Anys slept with George Viccars fuels the madness of the mob, highlighting extremely negative attitudes towards female sexuality:

A

‘cries of whore and jade and fornicator were coming now from every twisted mouth.’

62
Q

Elinor has internalised societal expectations of women to the point where she feels compelled to harm herself:

A

‘I was desperate, and I was deranged…I violated my own body with a fire iron’.

63
Q

Mompellion’s chastisement of Jane Martin is intended to make her feel guilty:

A

‘she has taken the pure vessel of her body and filled it with corruption’ while Albion Samweys is dismissed. Women forced to take full responsibility for pursuing sexuality.

64
Q

Elinor is able to educate Anna through her support:

A

‘because of her I had had a teacher and was not ignorant and unlettered still.’

65
Q

Shift against authority seen as people turn against Mompellion:

A

he was simply the bitter emblem and embodiment of their darkest days’.

66
Q

Anna doubts Mompellion at the end:

A

‘trusted him to tell us what was right and good to do. Now two-thirds of those faces were gone’.

67
Q

The plague is a natural force which breaks down preconceived notions of social hierarchy. Miss Bradford is affronted at Anna’s assertiveness, does not recognise all she has been through.

A

‘She was not accustomed to sharing a doorway with servants…Well, times had changed in the Bradford’s absence and the sooner she accustomed herself to the inconveniences of the new era the better’.

68
Q

Anna’s changing perception of apples reflects her own changing life. When visiting Kate Talbot’s sickly cottage:

A

‘the smell of rotten apples filled the house. That scent, once beloved, now was so married in my mind with sickrooms’.