Y12 Mock exam Flashcards

simplified flashcards from what teachers have hinted will be on the mock

1
Q

media language theories

what is steve neale’s theory?

A

GENRE THEORY

Steve Neale’s theory is that genres are examples of repetition and difference. He states that in order for a film to be a certain genre it must comply with that genres stereotypes and rules in order to classified in that genre.

He suggests that genres are dominated by repetition (conventions) but are also marked by difference, variation and change. He suggests the idea that genres change, develop and vary as they borrow from and overlap with one another. According to Neale, genres are constructed through repetition of similar features, but also marked by change and difference to keep the audience interested

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2
Q

media language theories

what is roland barthes theory, include the codes

A

SEMIOTICS
He suggests that texts communicate their meanings through a process of signification.
He developed five codes which are the signifiers that perform different functions in texts:
action code = refers to any action or event that indicates that something else will happen.
enigma code = some form of info is withheld from the audience, creating an enigma. the story is not fully explained and mysteries are created to keep the audience guessing.
semantic code = refers to the connotations within the story that give additional meaning beyond literal descriptions.
symbolic code = acts at a wider level of the semantic code . symbolism is used within the text to represent broader ideas or qualities eg. pathetic fallacy
cultural code = refers to an external body of knowledge eg. cultural, scientific, historical or political, which add meaning to the text.

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3
Q

media language theories

What is Tzvetan Todorov’s theory

A

NARRATOLOGY

Todorov suggests that all narratives share a basic structure that involves a movement from one state of equilibrium to another. He suggests that these two states of equilibrium are separated by a period of imbalance or disequilibrium which needs to be resolved. The way in which narratives are resolved can have a particular ideological significance.

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4
Q

media language theories

What is Claude Levi-Strauss’s theory

A

STRUCTURALISM

The majority of narratives in media forms such as books and film contain opposing main characters. These binary opposites help to thicken the plot and further the narrative; and introduce contrast.

Levi-Strauss suggests that meaning is created, and narrative progresses through a set of binary oppositions; pairs of opposites that create conflict within a narrative.

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5
Q

representation theories - gender

What is David Gauntlett’s theory

A

IDENTITY THEORY

Gauntlett suggests that the media provide us with tools or resources that we use to construct our own identities. He suggests that in the past the media tended to convey singular, straightforward messages about ideal types of male and female identities, however, the media today offer us a more diverse range of stars, icons, and characters from whom we may pick and mix ideas

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6
Q

representation theories - gender

What is Laura mulvey’s theory
Include, scopophilia and objectification

A

THE MALE GAZE THEORY

The male gaze theory suggests that women are objectified, in film particularly, because heterosexual men are in control of the camera.
According to this theory women are considered the passive gender - to be looked at, and men are considered the active gender - to do the looking.

scopophilia
The notion of looking but from a heightened sexual perspective. Often involves a direct gaze. Many media texts will emphasise and focus on specific attributes of the female body.
objectification
Where women are made to be seen as objects. This is achieved through the use of close ups and extreme close ups of the body.

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7
Q

representation theories - gender

What is liesbet van zoonen’s theory?

A

FEMINIST THEORY 1

Van Zoonen argues that gender is constructed and that its meaning varies dependent on cultural and historical context. She suggests that masculinity as well as femininity is constructed – and that the codes used to construct men ‘as a spectacle’ are different.

  • The idea that gender is constructed through discourse and its meaning varies according to cultural and historical context.
  • The idea that the display of women’s bodies as objects to be looked at is a core element of western patriarchal culture.
  • The idea that in mainstream culture the visual and narrative codes that are used to construct the male body as a spectacle differ from those used to objectify the female body.
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8
Q

representation theories - gender

What is bell hooks’ theory?

A

FEMINIST THEORY 2

bell hooks argues that inequality is not just related to one’s gender, and an intersectional approach must be taken to fully understand inequality.

  • feminism is a struggle to end sexist/patriarchal oppression and the ideology of domination
  • feminism is a political commitment rather than a lifestyle choice
  • race and class, as well as sex determine the extent to which individuals are exploited, discriminated against or oppressed.
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9
Q

representation theories - gender

What is Judith butler’s theory?

A

GENDER PERFORMATIVITY

Gender is a performance; it’s what you do at particular times, rather than a universal who you are.
We are not just acting it like in a play but rather actively constructing it as we act it out. If we don’t follow our ‘roles’ gender will not exist.

females and males are often portrayed in the way ‘society’ wants them to. We rarely see women in sporting magazines and men in makeup magazines. This not only stops from normalising men and women to be any way they want but also shows no representation to the people who are brave enough to go against society and give support to those who want to also act in any way they want.

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10
Q

representation theories - gender

What is Naomi wolf’s theory?

A

BEAUTY MYTH/STANDARDS
“To live in a culture in which women are routinely naked where men aren’t is to learn inequality in little ways all day long.”
As well the objectification of women, the imagery being used is considered to be unattainable…
Wolf argues in The Beauty Myth’ that media images present society with a ‘beauty myth’ which communicates an ideological message that women should treat their bodies as a ‘project in constant need of improvement.’

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11
Q

representation theories - gender

What is Jackson katz’s theory?

A

VIOLENT MASCULINITY

Jackson Katz critiques the effect of media representations of masculinity on young males and their perception of what it is to be ‘a man’. He discusses this notion of a Violent Masculine Representation in his documentary.

“One of the most important places they learn it is the powerful and pervasive media system which provides a steady stream of images that define manhood as connected with dominance, power and control.”.

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12
Q

representation theories - gender

What is the new man/metro sexuality theory?

A

New Man: This was a term introduced to describe a new breed of men. These men rejected sexist attitudes, were in touch with their ‘feminine side’ and were therefore not afraid to be sensitive. These men were also seen in more domestic roles.
Men, as well as women are given aspirational and unrealistic role models to emulate. Men too, have to be concerned about their weight and body image and buy into an unattainable lifestyle through the representations presented to them.

Metrosexual = Describes a man who is meticulous about grooming and appearance
Typically spends a significant amount of time and money shopping as part of this

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13
Q

ethnicity theories

What is Alvarado’s theory?

A

RACIAL REPRESENTATIONS

Alvarado noted that there are 4 themes in racial representations in the media. These are as:
Exotic
Ethnic groups are seen as exotic or being the other’ and are represented as being strange or unusual.

Dangerous
Minorities are sometimes represented as a threat to society. The news and other media may present these groups as taking advantage of a society.

Humorous
In the 70s, race was a major vehicle for comedy. Programmes removed the ‘threat’ of different races by making them the butt of the jokes.

Pitied
Representation of ethnic groups may also be as deprived groups or victims of natural disasters like famine, floods and sometimes conflicts. Images of children are often used to gain sympathy.

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14
Q

ethnicity theories

What is Paul Gilroy’s theory?

A

POSTCOLONIAL THEORY

The idea that colonial discourses continue to inform contemporary attitudes to race and ethnicity in the postcolonial era (after the end of WW2.)
The idea that civilisationism constructs racial hierarchies and sets up binary oppositions based on notions of otherness or ‘difference’. It create a notion of ‘Us versus Them’.

Colonial refers to any country which is owned by another Empire.

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15
Q

ethnicity theories

What is Stuart Halls theory?
(Representation)

A

REPRESENTATION THEORY

Stuart Hall’s theory of representation argues that within a media text, there will oftentimes not be a true representation of events, people, places, or history.

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16
Q

audience theories

What is Albert bandura’s theory?

A

MEDIA EFFECTS

Psychologist, Albert Bandura theorised that the media can implant ideas in the mind of the audience directly (much akin to Hypodermic Needle). He says that audiences acquire attitudes, emotional responses and new styles of conduct and behaviour through modelling that which they see in the media. Bandura asserts that media representations of transgressive behaviour, such as violence or physical aggression, can lead audience members to imitate those forms of behaviour.

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17
Q

audience theories

What is the two step flow theory?

A

This theory asserts that information from the media moves in two distinct stages: First, the media will influence opinion leaders who in turn will influence the masses (through their existing
‘fanbase.)
Opinion Leaders are those who may affect the way in which an audience interprets the media. They have the power to influence the audience to think a certain way about a certain story or event.

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18
Q

audience theories

What is Stuart hall’s theory?
(Reception)

A

Hall proposed that audiences reception to and interpretation of messages encoded within media texts was dependent on their individual, social and cultural experiences at a given time.
This is often referred to as situated culture: the ‘situation’ of the audience at the time of consuming a media text.

Other factors which affect the way in which an audience responds to a media text include: gender, age, ethnicity, culture

Audience responses to positioning:

Dominant/Preferred Reading/Position:
This is when the audience uncritically accepts the preferred or intended meaning of the text

Negotiated Reading/Position:
The most common reading. Where an audience will accept some parts) of the reading and reject others. This usually occurs when an audience has specific knowledge about a topic being covered.

Oppositional Reading/Position:
The audience rejects the message of the text and outlines their reason for opposition.
This may be related to the culture, age or gender, amongst other factors.

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19
Q

audience theories

What is Henry Jenkins theory?

A

FANDOM THEORY

According to Henry Jenkins, fans are devoted followers of media texts who actively engage with the products to construct their own meanings and interpretations beyond the original message

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20
Q

audience theories

What is Clay Shirky’s theory?

A

END OF AUDIENCE THEORY

Shirky argues that audiences are no longer passive due to the way social media operates. Technology has changed our behaviour; instead of just consuming media passively, we also contribute to it. In his argument, no audience is passive ( we wont watch things and let them wash over us not really taking thing in). He believes audiences are now more active, wanting to interact with the media (wanting to interact and share and to like and comment, because of technology.)

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21
Q

industry theories

What is Curran and seaton’s theory?

A

POWER AND MEDIA INDUSTRIES

  • The idea that the media is controlled by a small number of companies primarily driven by the logic of profit and
    power.
  • Media concentration generally limits or inhibits variety, creativity and quality.
  • More socially diverse patterns of ownership help to create the conditions for more varied and adventurous media platforms.
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22
Q

industry theories

What is livingstone and lunt’s theory?

A

REGULATION

Changes and improvements in media technologies and in how digital media is produced, distributed, and marketed, have made media more difficult to regulate using traditional approaches.

  • The idea that there is an underlying struggle in recent regulation policy between the need to further the interests of citizens (by offering protection from harmful or offensive material) and the need to further the interests of consumers (by ensuring choice, value for money and market competition).
  • The idea that the increasing power of global media corporations, together with the rise of convergent media technologies and transformations in the production, distribution and marketing of digital media, have placed traditional approaches to media regulation at risk.
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23
Q

industry theories

What is David hesmondhalgh’s theory?

A

CULTURAL INDUSTRIES

  • The idea that cultural industry companies try to minimise risk and maximise audiences through vertical and horizontal integration, and by formatting their cultural products (e.g. through the use of stars, genres and serials).
  • The idea that the largest companies or conglomerates now operate across a number of different industries.
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24
Q

DEF

What is normalisation

A

The more you are told something the more normal it begins to feel

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25
Q

DEF

What is dominant ideology

A

Ideas of the dominant groups within society - most wide held view

It is the mainstream beliefs

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26
Q

DEF

What is residual ideology

A

Beliefs that come from older generations and are not as common

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27
Q

THEORY

What is Gerbner’s theory
Include its link to advertising

A

cultivation theory
The more we see the same representations and messages the more we believe they are true. This is because they are becoming normalised.

Advertising developed significantly during the 1950’s and this theory - developed in early 1970s, explains some of the ways in which audiences may be influenced by media texts such as adverts. The tide advert aims to cultivate the ideas that: this is the brand leader - nothing else washes to the same standard, it’s a desirable product for women.

The more women saw TIDE advert the more they thought if they bought it they will be powerful like Rosie

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28
Q

THEORY

What is Stuart hall’s reception theory
Include its link to advertising

A

reception theory
How the audience receives texts and interpret it.
Key words - encoding, decoding;
The text is encoded by the producer and decoded by the reader and there may be major differences between two different readings of the same code:

Preferred reading - what the producer wants the audience to think
Oppositional reading - when audiences take a different reading of the product
Negotiated reading - where two sides are in the middle ^^

For example the preferred reading of the tide advert is/was that women needed the product to make them happier and pretty. However an oppositional reading of this now would be that it’s sexist and women are self made.

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29
Q

DEF

What is non diegetic and diegetic sound

A

Non diegetic sound is sound added on eg. Song or voiceover

Diegetic sounds is what we see on the screen that’s from the video

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30
Q

THEORY

What is the ‘uses and gratification theory’ and give the reasons and descriptions

A

Suggests there are certain reasons why an audience responds to different media texts.
reason - entertainment and diversion:
description
Audiences consume media texts to escape from their everyday lives. They choose entertaining texts that allow them to divert their attention from the real world.
reason - information and education:
description
Some media texts are consumed by audiences when they want to be informed and educated. Newspapers and news programmes educate and inform and help an audience to find out what is happening in the world
reason - social interaction:
description
Some media texts like the X factor can provoke interaction with the audience. Social media can now spark an immediate reaction and get people talking while the action is still happening.
reason - personal indentity:
description:
Some audiences like to watch or read media texts because they can compare their life experiences with those represented in it. Audience pleasure comes from empathising and identifying with characters or content represented in them.

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31
Q

DEF

Define endorsement

A

Advertisers often use celebrities to endorse products such as David Beckham promoting adidas. These types of ads can be much more expensive to produce. However, ordinary people are often used to endorse everyday goods like washing up liquid

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32
Q

DEF

Divine hard sell and soft sell

A

Hard sell:
A short loud and concise - telling you the price of the product and why you need it with as little info as possible
Soft sell:
Promotes the product with an associated lifestyle or mysterious story. This may have the audience wondering what the product is rich until the final image.

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33
Q

DEF

What is the mode of address

A

How the advert as a media text speaks to us. This could be by a celeb speaking to us directly

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34
Q

DEF

What is tokenism

A

The practise of doing something only to prevent criticism and give the appearance that people are being treated fairly.

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35
Q

THEORY

What is Roland Barthes theory
Link to advertising

A

(Semiotics)

According to Barthes, anything in culture can be a sign and send a specific message.

Barthes semantic code could be applied to the use of hearts above the main image. The hearts and the woman’s gesture codes have connotations of love and relationships. It’s connoted that this is what women want as well as having a clean home.

Connotation - the associated meaning and what the term signifies
Eg. 🩷 = love and romance
Denotation - the literal meaning and what the item is
Eg. 🩷 = heart

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36
Q

DEF

what is compassion fatigue

A

can be caused by a long ad with multiple examples of suffering. too much guilt can be counterproductive and make audiences not want to donate due to the consistent invase feelings of guilt and pity. eg. water aid ad

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37
Q

define contrapuntal sound

A

these are sounds that are used in deliberate contrast to the action that is being shown on the screen

38
Q

define synchronous sound

A

is audio that lines up precisely with whats happening on the screen

39
Q

define overlapping sound

A

sound including dialogue that overlaps from the scene in which it begins into the next scene.

40
Q

newspapers

Define tabloid

A

Refers to the dimensions of the newspaper: a tabloid is smaller and more compact in size than a broadsheet. Also refers to a newspaper the content of which focuses on lighter news eg. Celebrity gossip

41
Q

newspapers

Define broadsheet

A

Describes a quality newspaper that publishes more serious news

42
Q

newspapers

What is news corps

A

News corps is the biggest player in the newspaper (conglomerate) of which news uk is a subsidiary of. It’s owned by Rupert Murdoch
His media empire includes, the sun, the times, and more.

43
Q

newspapers

Who is the daily mirror owned by

A

Reach plc

44
Q

newspapers

Define circulation

A

A count of how many copies of a particular publication are distributed

45
Q

newspapers

Define colloquialism

A

Used to establish an informal communication with the audience

46
Q

Black Panther - FILM

What are the 7 codes and conventions

A
  • genre conventions
  • narrative conventions
  • character conventions
  • visual style conventions
  • intertextuality
  • soundtrack conventions
  • cinematographic techniques
47
Q

film poster conventions - what to look for when analysing film posters

Name atleast 5 of the 11 conventions

A
  1. Genre indications - images and copy on the poster provide clues about the genre
  2. Visual codes - clothing, colour, gesture, expression gives clues about genre and narrative
  3. Iconography - objects, background and setting to set genre
  4. Promise of pleasure - words and phrases that may be used to suggest how the audience will feel whilst experiencing the film
  5. Star billing - the positioning of the image of the actors or their names to give narrative clues
  6. Stars - which actors involved give clues
  7. Tag line - memorable phrases associated with the film
  8. Images
  9. Language and mode of address
  10. Mark of quality - film company shown to show the quality of the film
  11. Expert criticism
48
Q

newspapers

What are the 3 aspects of mediation to look out for

A
  1. Selection
    What has been included, or, what has been left out! You would consider why they have chosen that image, those words and left out the bigger picture.
  2. Organisation
    Consider the placement in the mid-en-scene. How much of this is realistic? Is there sense of narrative? Could this have been created to reduce the connotations of the audience?
  3. Focus
    The audience encouraged to focus on specific aspects of a text - what are they in the one you are viewing? Tabloids scream tension, large facial image catches the eye - this is not a coincidence it has been designed this way.
49
Q

newspapers

Name 5 of the 12 news values

A
  1. Negativity (bad news is always rated above positive positive stories)
  2. Closeness to home (audiences relate more stories that are close to them)
  3. Recency
  4. Currency - opposite of the above and runs for a long time eg. Kidnapping
  5. Continuity - events that are likely to have a continuing impact eg. War
  6. Uniqueness.
  7. Simplicity.
  8. Personality.
  9. Expected/predictability.
  10. Elite nations or people.
  11. Exclusivity
  12. Size.
50
Q

newspapers

What are news values

A

A conceptual framework used within journalism to describe the gatekeeping practices of the mainstream news media

What does this mean?
Stories are more likely to become news if they fit some of their set criteria

51
Q

newspapers

What are the ABC rankings

A

A, B and C1 are the highest three social grades in the most commonly used classification. Media companies frequently use the proportion of their audience in these grades as a measure of the affluence of their audience — and therefore the attractiveness of the audience to advertisers.

ABC1 has high income and education

52
Q

music videos

What are the 3 types of music videos? Describe them

A
  1. Performative
    feature a solo artist or a band performing to the camera
  2. Narrative
    tells a story, logically or sequentially through a chain of events that are put together to run parallel to each other
  3. Thematic
    uses a theme based on the genre or the song’s meaning
53
Q

music videos

Define synergy

A

When brands work together for mutual promotion

54
Q

music videos

Define royalties

A

Money earned when others use your song

55
Q

music videos

Define persona

A

The character or image portrayed by an artist

56
Q

music videos

Define product placement

A

The act of paying to have your product used in a film or video

57
Q

music videos

What is a close up shot

A

Only a portion of the body is seen in the frame

58
Q

music videos

What is a medium/mid shot

A

Half of the subject is in the frame

59
Q

music videos

What is an extreme (close up) shot

A

Portion of a subject is seen closer eg. An eye

60
Q

music videos

What is a long shot

A

Full person is within the frame

61
Q

music videos

What is an establishing shot

A

Done to establish the place/scenery - loads of people in shot

62
Q

music videos - Beyoncé study

Give context on who Beyoncé is etc.

A
  • born 4th Sep 1981
  • Michael Jackson is her musical influence
  • shot to fame as the lead singer of Destiny’s child in 1997
  • DC split in 2006
  • currently signed to Columbia records owned by Sony
  • 22 Grammy awards
  • married to Jay Z with 3 children
63
Q

music videos - Beyoncé, Formation study

Give context to Formation

A
  • released the day before Beyoncé performed at the Super Bowl final in feb 2017
  • genre = bounce
64
Q

music videos - Beyoncé, Formation study

Formation is made in the genre ‘bounce’. Give information and context about this genre

A
  • originated in New Orleans housing projects and neighbourhood during the late 1980’s
  • in 2000, bounce experienced an emergence of openly gay rappers who began to shatter the myth of homophobia within the hip hop culture.
  • hurricane Katrina (August 2005) served as the biggest mechanism to spread bounce music due to many artists dispersing and performing in other major cities.
65
Q

music videos - Beyoncé, Formation study

How do Alvarado and Levi Strauss’ theories apply to formation

A

Alvarado
Voiceover = humorous
Dancing shown = exotic
Police scenes and hurricane Katrina = dangerous
Beyoncé in all black and jewellery = dangerous

Levi Strauss
- Black and white
- rich and poor
- power and powerless
- privileged and under privileged
- young and old
- violence and peace
- light and dark

66
Q

music videos - Beyoncé, Formation study

In the video, what links are there to slavery

A
  • location is reminiscent of a plantation Manor or house with slave owners would reside. In the video it has been blackified
  • the image of plantation owners photographed outside their homes and greeting their slaves is juxtaposed by the imagery that Beyoncé cultivates in her video
  • she is wearing black which could symbolise her ethnicity
67
Q

music videos - RIPTIDE case study

Give context of the artist and who the video was directed by

A

VANCE JOY
- Australian singer- songwriter signed to Atlantic records
- his music can be categorised as fitting into the indie folk-pop genre

Directed by Dimitri Basil and Laura Gorun and has had over 500 million views on YouTube

68
Q

music videos - RIPTIDE case study

What style is the music video edited in? What does the editing do for the audience?

A

Montage.
It invites them to interpret the video their own way

69
Q

music videos - RIPTIDE case study

How does the music video subvert the music video stereotypes?

A

The lyrics are overtly represented in the music video “I was scared of dentists and the dark” shot of female looking “scared” with a metal contraption in her mouth that suggests she is at the dentist’s chair followed by a shot of a light swinging in a darkened room.

70
Q

music videos - RIPTIDE case study

How does the colour green connote money and envy?

A

According to Roland Barthes
“constructed meanings can come to seem self-evident” the colour green could be said to have achieved Barthes’ status of a myth through naturalisation which might allow for complicated readings of the image.

71
Q

music videos - RIPTIDE case study

What could “all my friends are turning green” mean?

A

That the “friends” are envious or that friends in other bands have
“sold out” by giving into money

72
Q

music videos - RIPTIDE case study

Is the representation of woman subverted or reinforced?

A

It could be said that it does both.
For a reformed audience who would have the oppositional viewpoint and want to challenge the representation it would subvert it. However a mainstream audience may not try to analyse the semiotics and it could reinforce the representation of women

73
Q

music videos - RIPTIDE case study

Given an example of women’s bodies being represented as an object to be watched

A

One shot where a woman with her back to the camera undresses out of her swimming costume. And throughout the video there are many shots of disembodied isolated sections of women’s bodies such as bare feet running away - Van Zoonen theory

74
Q

music videos - RIPTIDE case study

How are Camera angles used to represent women?

A

High angles to make them seem smaller and low key lighting to make them seem fearful

75
Q

music videos - RIPTIDE case study

What do the long takes do to the audience?

A

Make them uncomfortable
suggesting that the victimisation of women is not desirable and should make them be able to question it.

76
Q

music videos - RIPTIDE case study

How are the victimised representations subverted?

A

Some women manage to escape
therefore acting as their own
hero’s creating a more powerful,
independent representation

77
Q

music videos - RIPTIDE case study

How does Wes Anderson’s style connect with the riptide music video?

A

Exaggerated, bold, colorful outfits being worn, Story is crafted to tell a chronologically ordered story with lyrics, colour is reminiscent to styles in the ’40s, elements in frame carefully considered and chosen using different rules such as direct approach and rule of thirds as well as close ups, panning etc.., editing with different cut styles and similar frames in places, music style is folk and indie pop which is similar to Wes Anderson.

78
Q

video games

What are console exclusive titles

A

The console maker will pay the developer for exclusive rights to the game to offset the developers loss of potential profit

79
Q

video games Assassins Creed III study

How can Hesmondhalgh’s theory be applied to Assassins creed?

A
  • This game is already part of a dedicated fan base which means there is no risk
  • Ubisoft can keep bringing out more versions to maximise their profit
  • Pre audience
80
Q

video games Assassins Creed III study

Who was assassins creed released by?

A

Sony

81
Q

video games Assassins Creed III study

Who are the developers and publishers of Assassins Creed?

A

Ubisoft

82
Q

video games Assassins Creed III study

When did Assassins creed begin?

A

2007

83
Q

video games Assassins Creed III study

What is a ‘AAA’ game?

A

A title that is developed by a large studio which if funded by a huge budget

84
Q

video games Assassins Creed III study

how can Curran and Seaton’s theory be applied to Assassins Creed?

A
  • Ubisoft are a AAA game company
  • Profit by releasing sequels (Franchise)
  • Limiting creativity by being a franchise
85
Q

video games Assassins Creed III study

What is the regulation of Assassins’ Creed?

A

18

86
Q

video games Assassins Creed III study

How is Assassins’ creed
Liberation different from the normal franchise?

A

The protagonist/Main character of the game is a women which is mixed race.
- This changes targeted and preferred audience

87
Q

video games Assassins Creed III study

How can Henry Jenkins fandom theory be applied to Assassins Creed?

A

The creation of fan edits and social media pages creates more of a targeted audiences which increase numbers.

88
Q

video games Assassins Creed III study

What platforms did
Assassins creed release on?

A
  • PlayStation
  • ХВОХ
  • Nintendo
  • Steam
  • PSVITA
89
Q

video games Assassins Creed III study

What is Media synergy?
How is media synergy used in Assassins Creed?

A
  • The impact of using a cross-media approach to engage the target audience.

This is used as they released
- Board games
- Movies
- Video games
- Mobile games

90
Q

video games Assassins Creed III study

How can Blumler and Katz
Uses and gratification theory be applied to Assassin’s Creed?

A

This can be applied as Assassins Creed follows some game specific uses and gratifications which can include Role play, Problem solving, Narrative, Exploration and Engagement in real-world problematic behaviour. Role play can be seen in AC as the audience is playing as the character in the game and acting out their story.
Exploration can be seen in AC as it includes open world landscapes and the gameplay is a open world simulation. Problem solving is seen throughout the AC as there are multiple objectives and challenges to complete such as the boss fight with Basim.

91
Q

video games Assassins Creed III study

What are some game specific uses and gratifications used in Assassins Creed?

A
  • Role play
  • Narrative
  • Exploration
  • Problem solving
  • Engagement in real world problematic behaviour
92
Q

video games

What is textual poaching

A

This is when audiences take a media product and remake or rework it to create their own meaning

Examples of textual poaching an audience might do is fan made videos, fan reviews, fan art, fanfiction et cetera