Component/paper 2 - media forms and products in depth Flashcards

topics covered - TV (black mirror and the returned), magazines (vogue, attitude, and the big issue), online media (zoella)

1
Q

black mirror

Give context of the show black mirror

A
  • created by Charlie Brooker and Annabelle Jones.
  • anthology TV show, with each episode acting as a standalone TV movie
  • dystopian sci-fi
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2
Q

black mirror - San Junipero

Who is it written and directed by?

A

Written by Charlie Brooker
Directed by Owen Harris

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3
Q

black mirror - San Junipero

What is the main plot points?

A
  • Yorkie and Kelly meet at a bar and dance then go to Kelly’s place
  • weeks pass and yorkie cannot find Kelly
  • Kelly and yorkie argue then make up
  • Kelly sees yorkie in the hospital
  • Kelly and yorkie get married
  • yorkie dies, then they fight and Kelly tries to die
  • they both make up and Kelly joins/passes over for Yorkie
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4
Q

black mirror - San Junipero

What music is used in the show that foreshadows the plot

A

Heaven is a place on earth - Belinda Carlisle
Living in a box - by living in a box

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5
Q

black mirror - San Junipero

What audience pleasures can be taken from the show

A

Yorkie and Kelly’s relationship please the LGBTQ community. The audience may find pleasure in a happier ending and positive representation.

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6
Q

black mirror - San Junipero

What uses and gratifications are relevant to San Junipero

A

Entertainment- viewers watch programmes for enjoyment

Personal identity - viewers can recognise a person or product, role models that reflect similar values to themselves and mimic or copy some of their characteristics

Escapism - computer games and action films let viewers escape their real lives and imagine themselves in those situations

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7
Q

black mirror - San Junipero

How can the show be seen as postmodern?
Use Baudrillard’s theory

A

The level of technology is futuristic and is available to acquire and produce San Junipero
This shows they are using technology for a good thing

Baudrillard:
San Junipero is no longer possible to distinguish between reality and simulation. Both sides have collapsed.

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8
Q

black mirror - San Junipero

Recap yourself on the annotations on heaven is a place on earth and living in a box

A
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9
Q

black mirror - San Junipero

What do the songs heaven is a place on earth and living in a box suggest about the world of S-J?

A
  • They suggest that SJ is endless and goes on forever. It’s like escaping the real world
  • it also suggests that living in SJ is like a box because there is restrictions on where and what you can do because it is not real
  • SJ is like a ‘heaven’ but out into real life. It is accessible on earth and is where dead people stay
  • shows the state Yorkie is in, paralysed, and how trapped she is but loves saves her
  • the world is alive in SJ where everyone is alive and partying. Juxtaposes the reality in which everyone is dead or dying
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10
Q

black mirror - San Junipero

Using Todorov’s theory of the narrative stage, link this process to San junipero’s plot

A

Equilibrium: Kelly and yorkie meet in SJ

Disruption: Kelly becomes absent and disappears. Yorkie becomes desperate to find her and gets obsessed

Recognition: Kelly finds out Yorkie is quadriplegic and will die, so she need to get married to go to SJ. Kelly says she has cancer

Repair disruption: Kelly and Yorkie decide to get married in real life

New equilibrium: Kelly and Yorkie both decide to stay in SJ together and be with each other

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11
Q

black mirror - San Junipero visual codes

What does the clothing (visual codes) of Yorkie look like? What does it suggest?

A
  • neutral colours = less attention to her
  • glasses are not real and used as a distraction and a way she hides her insecurities.
  • body language = hands and legs close together meaning she is shy and closed off
  • basic plain clothing comparing to Kelly
  • collared shirt, not revealing, dressed to seem modest with no makeup. Sensible choice
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12
Q

black mirror - San Junipero visual codes

What does the clothing (visual codes) of Kelly look like? What does it suggest?

A
  • sequinned bright outfits to stand out and be more confident
  • her stance is more open and confident
  • hair, makeup and lots of jewellery = lots of effort
  • trendy clothing eg leather trousers for lots of attention.
  • confident about her body with skin tight clothes
  • less modest, more party wear
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13
Q

online media - Zoella’s blog study

How often is it updated? What order are the posts in?

A

It Is regularly updated. Entries are posted in reverse chronological order – most recent appears first.

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14
Q

online media - Zoella study

what is the context of Zoella?

A
  • Zoe Elizabeth Sugg was born 28th of March 1990 and lives in Brighton
  • She was 19 when she created her blog in 2009
  • she was named the first digital ambassador for mind, the mental health charity and has spoken about her own anxieties
  • She is a successful author , releasing 3 books
  • She has her own Zoella beauty range
  • she is a relationship with Alfie Deyes
  • Her main YouTube channel Zoella has been abandoned
  • Zoella’s blog is a website featuring regular posts and links to her YouTube channel and social media pages including Facebook, Twitter and Instagram
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15
Q

online media - Zoella’s blog study

What is the content?

A

Lifestyle

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16
Q

online media - Zoella’s blog study

What is the tone of writing? What kind of language is used?

A

Usually quite a personal, conversational tone.
Written in first person.
Language is informal and chatty

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17
Q

online media - Zoella’s blog study

What are the codes and conventions of blogs?

A

Hyperlinks, lots of pictures, first person, short paragraphs, regularly updated

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18
Q

online media - Zoella study

Apply Gauntlett to Zoella

A
  • The media provides us with resources in the form of stories. Gauntlett suggests we use media products such as these to “ frame our experiences and to bring order to the stream of stuff that goes on in our lives”
  • In this way, the stories that circulate the media ‘ provide an opportunity for individuals to think about the kind of person they want to be’
  • By Zoella and other bloggers/vloggers, sharing their personal stories and experiences online, they are providing fans for means of imposing order and meaning on the stuff that they experience in their own day-to-day life
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19
Q

online media - Zoella study

Zoella has constructed herself as a feminist. How and why has she done this?

A

Zoella has constructed herself as a feminist which might help her appeal to her young female audience demographic. One of her main blog posts entitled ‘ who run the world’ is an inter textual link to Beyoncé’s, arguably feminist, song. Beyoncé is an advocate for feminism so for using these lyrics, Zoella subsequently construct herself as a feminist

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20
Q

online media - Zoella study

Name three way that blogger and vloggers can market themselves and attract their desired target audience

A
  • targeting through content
  • Targeting through marketing and distribution
  • Collaboration videos to broaden appeal
  • Conventions – meet and greets
  • Move towards traditional media (for marketing)
  • Interaction and participation (subscribe, likes, comments, UGC)
  • Audiences actively involved in media production
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21
Q

online media - Zoella study

How does gatekeeping apply to Zoella?

A

Zoella filters her content by editing her videos to only show positive moments

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22
Q

online media - Zoella study

Name two theorists we can apply to Zoella and briefly explain how

A

Stuart Hall
- Zoe produces her own representation for the way she speaks and acts in her posts. She presents herself as a stereotypically hegemonically attractive woman. She reinforces certain expectations on how women should look.

Gauntlett
- Audiences may take inspiration from Zoella’s existence

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23
Q

online media

What is the difference between demographics and psychographics?

A

Demographics
- A common and traditional method of audience profiling.
- This defines the adult population largely by the work that they do

Psychographics
- A way of describing an audience by looking at their behaviour, interests and personality traits

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24
Q

online media - Zoella study

Take a break from flashcards. Watch one of Mrs Fishers videos on Zoella

A

Sorry not sorry

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25
Q

online media - Zoella study

Name 2 appearances by Zoe Sugg in mainstream culture that indicate her status as a ‘cultural icon’

A
  • Madame Tussaud’s have Zoe and Alfie as figures.
  • Mental health ambassador (mind)
  • first non musical personality in Band-Aid 30s Christmas record
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26
Q

online media

What is the primary way that online media personalities make money

A

Through advertisements/sponsorships, and YouTube partner program – ad revenue

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27
Q

online media

List 2 ways that YouTube attempts to regulate its content

A
  • guidelines a user must follow
  • age restriction on every video
  • Demonetisation – a video doesn’t follow guidelines and gets removed or won’t make ad revenue
  • Users can flag inappropriate videos/content
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28
Q

online media

How has the Internet impacted media industries?

A
  • disrupted the power structures that traditionally operate within the media (Curran and Seaton)
  • democratised the media by enabling ‘ ordinary’ uses to create and distribute their own content, removing traditional gatekeepers and allowing for greater levels of democracy (web 2.0)
  • For example, all a Vlogger needs is a digital camera or WebCam and access to the Internet to produce content
  • Growth of UGC
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29
Q

online media

What is a multichannel network?

A

This refers to companies that work with hundreds or thousands of YouTube creators under one umbrella.
These networks provide creators of production, promotion and marketing services in exchange for a fairly large percentage of ad revenues

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30
Q

online media - Zoella study

In 2018, what did Zoe and Alfie launch?

A

In 2018 Zoe and Alfie launch their own creative agency called A-Z creatives.
This will allow them to manage themselves and other talent outside of the framework of the larger conglomerates

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31
Q

online media - ad formats

A
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32
Q

Online media

What is an advantage of advertising?

A
  • advantage of online media over traditional mass media forms is that advertising can be targeted to match the tastes and interests of individual users based on their personal browsing histories and information gathered about them whenever they go online (cookies!)
  • googles AdSense programme uses algorithms to place targeted ads on the websites of those who sign up to use the service
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33
Q

black mirror - San Junipero

Briefly explain Steve neal’s theory of genre, using SJ to support your response

A

Genre - Steve neale
The idea that genre may be dominated by repetition but are also marked by difference, variation, and change.
————
(The genre in SJ is dystopian sci-fi)
- lesbian couple + sci-fi, differs from the usual sci-fi genre
- love story + sci-fi, differs from the usual theme of BM
- positive ending + sci-fi, differs from the usual BM ending

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34
Q

black mirror - San Junipero

Consider the narrative and characters of the episode and briefly explain how gender is represented in SJ

A

Any other valid points not included below can also be accepted
Kelly
Alpha female, wanted and desired by many whereas Yorkie is the opposite

Greg
Man in nurses role - positively challenges stereotypes. Lonely character which influences his portrayal

Wes
Desires Kelly, stereotypical man.

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35
Q

black mirror - San Junipero

Consider the narrative and characters of the episode and briefly explain how sexuality and relationships are represented in SJ

A
  • cage fighting and dancing, clothing worn in Quagmire, all either sexual or dramatic. This creates a unique setting in the narrative that contrasts the 80’s and its common sexualities
  • Kelly and wes’ relationship is traditionally seen as heterosexual, but Kelly has more control which is different for the 80’s
  • Kelly and Yorkie’s relationship is quite emotional and dramatic, with a bisexual female lead.
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36
Q

black mirror - San Junipero

How are the genre conventions socially and historically relative, dynamic and can be used in a hybrid way

A
  • the same sex romance reflects the changes to social norms that have taken place in the late 20th and 21st centuries
  • the romance has a happy ending - a departure from films and TV featuring LGBTQ+ characters, where often the characters are punished for their sexuality with a tragic finale.
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37
Q

black mirror - San Junipero

Identify Bell Hooks feminist theory and link it with SJ

A
  • bell hooks identifies patriarchal power as a major problem in society. She says patriarchy victimises both women and men, forcing them into stereotypical roles, and punishing them if they do not conform to these roles.
  • San Junipero challenges this view by portraying a ‘heaven on earth’ where the female LGBTQ+ characters are free to interact, flirt, have sex and fall in love without the disapproval or persecution of patriarchal society.
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38
Q

black mirror - San Junipero

Identify David Gauntlett’s identity theory and link it with SJ

A
  • Gauntlett asserts that audiences actively borrow from media texts to help construct their identity: “a narrative of the self”. These are not stable, they are fluid, depending on the media text and characters being consumed.
  • Long form multi-protagonist dramas offer audiences a range of different characters for audiences to identify with. Black Mirror departs from this, as each of the episodes is self-contained, usually focusing on one or two main characters.
  • Nonetheless, San Junipero has been widely acclaimed by critics and by the LGBTQ+ community for showing a healthy, optimistic portrayal of a same-sex relationship, the result of which has had a very positive effect on queer viewers’ sexual identity. Kelly’s shift from a heterosexual marriage (and motherhood) to a LGBTQ+ relationship with Yorkie also suggests a fluid nature to sexuality.
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39
Q

black mirror - San Junipero

Identify Henry jenkin’s fandom theory and link it with SJ

A
  • Jenkins asserts that fandom is a deeply personal and creative relationship with media products.
    He believes that genre films and TV in particular can unite marginalised people, and even be appropriated for political purposes (e.g. the use of the three-finger salute from The Hunger Games by Hong Kong democratic protestors).
  • As an anthology show - with standalone episodes instead of a multi-strand, ongoing narrative - it is less likely that audiences would identify with a particular character and their ongoing arc.
  • Having said that, San Junipero has created a passionate fan group, especially amongst LGBTQ+ audiences. There are regular posts from fans on Twitter and other social media, even many years after the episode was first released. Many have created fan art and
    ‘femslash-fiction’ that honour the characters and extends their story beyond the original narrative: in the virtual world of San Junipero anything is possible, and fans have imagined Yorkie and Kelly in other historical settings or interacting with LGBTQ+ characters from other films/TV.
  • The spin-off webisodes in Poland and South America were written and directed by YouTubers, who could be considered
    ‘prosumers’ - fans who have created their own professional standard versions of the show’s themes, distributed via each creator’s YouTube channel. However, these were still commissioned by Netflix, with the intention of using them to market the series in these territories.
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40
Q

magazines - vogue

What were the values and beliefs of a vogue reader in the 1960’s. Give reference to the set vogue booklet

A

The 1960’s was a time of great change and women became more independent. In the article, however, women were described to never be independent and even if they had kept something private for some time, eventually the affairs would be public. The article states that “married women have to bring their husbands in some how” showing a patriarchal tendency of the time. Before the 1960’s women were seen as a man’s “trophy” and the women belonged to the man; this shows a male dominated society.

41
Q

magazines - vogue

Who created and publishes Vogue magazine

A

Conde Nast

42
Q

magazines - vogue set product booklet

Analyse the cover of Sophia Loren

A

Sophia Loren was a very famous actress in the 60’s. The front cover is a close up of her that makes her seem important, powerful, exotic, and like a role model. The exotic nature of her image may reflect stair hall’s ideas about the use of Middle Eastern stereotypes, representing ethnic minorities as “other”

43
Q

magazines - vogue set product booklet

Analyse the money article, what it suggests

A

The inclusion of an article that gives basic definitions of financial terms might suggest that women don’t understand economics and investments, this may represent the new changes in the 60s of women gaining a little independence from their husbands and fathers, but not completely- the article copy suggests that women still are reliant on their husbands in many ways and unable to keep finances secret.

44
Q

magazines - vogue set product booklet

Analyse the Cutex advert, what it suggests

A

The Cutex advert denotes a woman with bare shoulders suggesting nudity, “bare essentials”, “barely decent”. The shade names have connotations of nudity, suggesting that showing flesh and being sexualised is important for women. “Are you woman enough to wear them?” the rhetorical question suggests that femininity is linked to nakedness and sexual appeal.
Very reflective of the way women were, and often still are, represented.

45
Q

magazines - vogue set product booklet

Analyse the imperial leather advert, what it suggests

A

The Imperial Leather advert- the image on this advert clearly reflects the stereotype that women are maternal and domestic. Her body language and facial expression show women as emotional, caring and loving.
Because it’s speaking about soap and the softness of your skin, it represents women as needing to be soft and gentle, which may mean delicate or weak.

46
Q

magazines - vogue set product booklet

Analyse the picnic articles/photos and what they suggest

A
  • The picnic articles and fashion pages show women holding children, nurturing them-they’re passive, not doing anything, just lounging around in those photos. It feels quite romantic but also shows women not taking any actions. The passivity of the women in many articles fails to reflect the growing power of some women in the 60s,
    such as feminists.
  • This may be because feminism was still considered a new and alternative ideas whereas Vogue was aimed at a mainstream market. May also reflect the fact that richer women were under less financial pressure to go out and work, so many of them did lead lives more centred around leisure and family life.
47
Q

magazines - vogue set product booklet

What does the use of young women as mothers in the picnic photos reflect

A

The use of images of young women as mothers refiects the historical context as women in the 60s were typically expected to marry young and start families. Moder women’s magazines aimed at those age 20-35 often choose not to feature content about children, as many women now are able to have careers first, and have children in their 30s or later.

48
Q

magazines - vogue set product booklet

What are the class representations in the booklet

A

There’s quite complex language going on because the magazine is targeted toward middle-to-upper classes with an assumed advanced lexis. The costume, specifically the on the picnic spread, is very formal. In the article’s copy, they talk about lords and ladies, famous artworks, etc, representing upper-class “cultured” women. These upper class people are featured as a utopia, idealised and being aspirational role models.

49
Q

magazines - vogue set product booklet

What are the ethnicity representations in the booklet

A
  • White models are often pictured in jewels and expensive clothes, representing them as high status.
  • White ethnic appearance is normalised, with darker ethnicities being underrepresented in the range of “nude toned” Cutex products - the colour ranges of lipstick and other makeup in the magazine is clearly representing lighter skin tones and not darker tones. - - The lack of minority models, and makeup aimed at darker skinned readers, reflects the less inclusive nature of Britain in the 60s.
  • There are representations for black
    Egyptian men in the fashion pages but their positions show them as marginalised; they’re in the background of the shots, out of focus, and are seen as working and doing deals, whereas the white woman is dancing and enjoying leisure time, this idea that the black men are poorer.
  • This marginalisation of ethnic minorities creates a post colonialist view of ethnicity, with them being seen as “staff”, or less important than the white models.
  • The white man’s suit, tie, watch and writing suggest wealth, status and a Westernised view of “professionalism”.
50
Q

the returned

How does Todorov’s Narrative Theory apply to The Returned?

A

The structure of Episode One is non-linear, as the narrative is fragmented by flashbacks to the crash at the beginning and the end of the episode.
Equilibrium - the bereaved community have adjusted to lives without their loved ones.
Disruption - return of the dead.
Recognition - tragic consequences, including Mr Costa’s suicide.
No resolution, the cliffhanger returns to the initial crash - CIRCULAR ENDING!

51
Q

the returned

How do the locations in The Returned create meaning?

A

The locations have become synonymous with the programme. The houses are isolated, the roads are long and empty and everything is surrounded by mist and darkness. A sense of claustrophobia is reinforced by the darkness and the framing. The use of windows holds a thematic significance, as several characters watch out of them, adding to the sense of unease. Tension is built through the binary oppositions between the domestic setting and the outdoor natural forest. A sense of irony is created through Camille’s room, which is used as a shrine by her parents but is deemed normal to her.

52
Q

the returned

How does Neale’s Genre Theory apply to The Returned?

A

The Returned borrows from the supernatural thriller, zombie, fantasy and drama genres. The supernatural thriller has a recogniseable group of elements that would be easy to market, but difference is essential to appeal to an audience so therefore The Returned focuses minimally on the gore and horror of zombie dramas but more upon the psychological impact, evident as those who return defy zombie stereotypes, presented as outwardly normal in dress, establishes the idea of the uncanny! Borrows from the 1930s Poetic Realism movement, sense of doom echoed in the tone!

53
Q

the returned

How does performance create meaning in The Returned?

A

Claire’s shocked and confused expression is a binary opposite to Camille’s apparent normality and lack of memory, which would also be shared by the audience.

54
Q

the returned

How does cinematography create meaning in The Returned?

A

The close-ups used establish tension, evident in the first meeting between Camille and Lena. Framing also creates the impression that Claire accepts Camille’s return, whilst Jerome and Pierre are more hesitant, foreshadowing the tension between the group. Long shots are used to create a sense of vulnerability and isolation, including Lucy alone in the subway and Victor outside of Julie’s apartment.

55
Q

the returned

How does sound create meaning in The Returned?

A

The audio track when Camille returns is disconcerting and immediately established the sinister mood, contrasting the normal act of Camille returning home. Her panicked breathing is unsettling, and the conventional audio code of thunder signifies her fear and unease. Camille and Lena’s scream when they see each other again accurately express their grief, loss and confusion. All of the undead continue to question the strangeness of their situations.

56
Q

the returned

How are women presented in The Returned?

A

Claire and Julie fulfill feminine roles are carers, both not questioning their situations but embracing their duties. Adele also reflects stereotypical feminine qualities, as she is hysterical assuming she has seen the ghost of Simon. However, Camille is active and resourceful, finding her way home, breaking the passive female stereotype. Lucy is an object of the male gaze, whilst Lena is not over-sexualised although holding a sexual nature, through her translucent behaviour in the bar. However, she too is vulnerable, walking alone home from a remote part of the village.

57
Q

the returned

How are men represented in The Returned?

A

The men are seen as dominant and are in control of the community, most notably Pierre, who is shot from a low angle at the meeting to illustrate his power and role as the leader. However, Jerome and Simon challenge typical masculine representation and are emotional and vulnerable.

58
Q

the returned

How does Hall’s Representation Theory apply to The Returned?

A

A social commentary on global migration is reflected, invoking a discourse around the Syrian migration into France. The returned are feared by the French, reflects the French’s fear of migration and it’s impact on their community. The “other” are associated with unnatural events, including the receding of the dam waters.

59
Q

the returned

How does bell hooks’ Feminist Theory apply to The Returned?

A

A patriarchal system can be seen in The Returned, as men are placed in dominant positions, displaying masculine character traits including rational, efficient, and unemotional. Claire is placed in a maternal and nurturing role and does not rationally question the return of Camille. Lucy is on display for the gratification of men (Male Gaze) and is seen as disposable, murdered by a man.

60
Q

the returned

How does Van Zoonen’s Feminist Theory apply to The Returned?

A

There is little cultural change illustrated by the gender roles. The women are associated with domesticity, nurturing and only appealing to men. They are emotional and passive in the narrative. The patriarchal diegesis is reinforced, men are constructed through the intradiegetic gaze.

61
Q

the returned

How does Livingstone and Lunt’s Regulation Theory apply to The Returned?

A

Channel 4 is a PSB, offering a consumer and a citizen-based model, ensuring a diverse range of programmes that challenge the status quo and “represents unheard voices”. The Returned was scheduled late at night (9pm, after the watershed) to protect citizens from potentially offensive material. However, it is difficult to regulate the product thanks to Channel 4’s operation in a global market, and their distribution across platfoems.

62
Q

the returned

How does Hesmondhalgh’s Cultural Industries Theory apply to The Returned?

A

Horizontal integration - The Returned was bought by Canal+ who out-bought rivals and re-established control.
Vertical Integration - The Returned was produced and distributed by Canal+. The Returned contains minimal risk as the product presents familiarity with genre conventions. The Returned has an enigmatic narrative but also contains code and conventions of the supernatural thriller genre.

63
Q

the returned

How does Hall’s Reception Theory apply to The Returned?

A

Preferred Reading - some French audiences will be attracted to the narrative referencing of migration and those with cultural capital will be aware of the influence of Poetic Realism.
Negotiated Reading - They were persuaded to watch by opinion leaders (TWO STEP FLOW), and would enjoy the narrative enigmas but may dislike the slow pace and the use of subtitles.
Oppositional Reading - audiences view the product as an unsuccessful re-working of old ideas, and may dislike the lack of violence and gore associated with the zombie genre.

64
Q

the returned

when was the first broadcast of the returned

A

It was first broadcast on Channel 4 at 9pm in June 2013

65
Q

the returned

who created the returned

A

Fabrice Gobert

66
Q

the returned

who produces the returned

A

Haut et Court

67
Q

the returned

when was the returned originally shown

A

on the Canal+ network in November 2012

68
Q

the returned

what was the returned inspired by

A

the French film Les Revenants (2004)

69
Q

the returned

what do mirrors portray in the returned

A

mirrors feature in this first episode as ways of replicating the world but also fabricating reality

70
Q

the big issue

what is the genre?

A

independent / current affairs / entertainment

71
Q

the big issue

who is it published by?

A

Dennis + the big issue

72
Q

the big issue

set edition date?

A

17-23 october 2016

73
Q

the big issue

circulation?

A

82,000 and rising

74
Q

the big issue

analyse the front cover - main sections

A

layout + design - poster like (attention)
party connotations
high grade paper
headlines + cover lines

75
Q

the big issue

what are the 3 adverts called?

A
  • chain of hope - Gauntlet - women offering care + protection
  • redmolotov
  • south down duvets
76
Q

the big issue

what percentage of big issue readers are top earners (AB)

A

42%

77
Q

the big issue

Who are they?

A

British street magazine brand, run by street vendors (homeless) who gain profit from their sales. Vendor buys for £1.50 sold on for £3

78
Q

the big issue

what is their audience

A
  • ABC1 (72%)
  • AB (43%)
  • middle class
79
Q

the big issue

what is Their moto

A

A hand up not a hand out

80
Q

the big issue

When was it founded?

A

1991

81
Q

the big issue

What do they challenge?

A

Perceptions of homelessness

82
Q

the big issue

Political stance?

A

Liberal left wing
Socially conscious

83
Q

the big issue

IPSO founded in…

A

2014 due to phone hack scandal between 2005-2007 - the leveson inquiry

84
Q

the big issue

what is the main image represented like

A

The cover is not explicitly gender coded- blue and yellow color palette does not connote masculinity or femininity. Design is reminiscent of musicals or Hollywood

85
Q

films

what is chiaroscuro lighting

A

a technique that explores the interplay of light and shadow, can create a dramatic and visually compelling images in film and art

86
Q

attitude magazine

what is attitude magazine. include audience and ideologies

A

this is an online magazine. the audience is diverse, but mainly targeted to gay males. they do this through the majority of articles being males coming out or LGBTQ+ news. the ideologies in the magazine are challeneged. this is because it is meant to be a diverse magazine but it is not very inclusive, mainly talking about gay men and individuals.

87
Q

attitude magazine

what is a pastiche

A

Means to combine, multiple elements. In postmodernist media this can be an homage to or a parody of past styles. It can often reference pop culture as part of the narrative.

88
Q

magazines

whats a fractured narrative

A

Some drama contains many stories and moves between them. This is called a fractured narrative. The BBC soap opera, EastEnders is an excellent example where various scenes play out between different characters with the action cutting between them.

89
Q

magazines

whats a homage

A

a homage is a respectful tribute or nod to another work, often by mimicking its style or referencing its iconic elements.

90
Q

what is the simulacra

A

the fake version of reality

91
Q

what are the 3 industry theorist questions that can come up

A

livingstone and lunt
hesmondhalgh
curran and seaton
now watch a video on each or do a mindmap on one

92
Q

SJ

Define dystopia

A

A world or society that is as bad or dysfunctional as can be imagined - a world full of crime, violence or oppression

93
Q

SJ

Define utopia

A

An ideal or perfect world

94
Q

Give examples of the iconography of science-fiction

A
  • futuristic costumes
  • Futuristic weapons
  • Futuristic transport
  • Iconography of outer space
  • Futuristic worlds that feature high-tech environments
  • Science labs
  • Robots
  • Aliens
95
Q

What are enigma codes?

A

Enigma codes are the questions or mysteries that are narrative set up in order to make the audience continue watching. Roland Barthes refers to this as the hermeneutic code

96
Q

Give social, cultural and historical context that you can apply to magazines

A
  • The rise of consumerism during the 1950s and 1960s: as wartime mortality gave away to a new era of economic prosperity, women’s magazines were seen to enter a new phase
  • The 1960s as a time of sexual revolution: the 1960s were seen by many to herald a new era of female liberation. One of the most significant factors in this regard was the introduction of the contraceptive pill in the early part of the decade.
  • **The 1960s as a cultural revolution: **the so-called ‘ swinging sixties’ saw the emergence of neutrons in music, fashion and films. Britain was very much at the centre of the cultural revolution.
97
Q

What is the NRS social grade classification system?

A

A way of categorising audiences:
A = higher managerial, administrative unprofessional
B = intermediate managerial, administrative and professional
C1 = supervisor, clerical and junior managerial, administrative and professional
C2 = skilled manual workers
D = semi-skilled and unskilled manual workers
E = state pensioners, casual and lowest grade workers, unemployed with state benefits only

98
Q

What is Web 2.0

A

A new phase in the Internet development, categorised by interactivity, user participation, connection and collaboration