Week 9: Appeals and Execution Flashcards

1
Q

What is the ‘big idea’?

A

A central or unifying idea around which a campaign is built.

A central message that can be co-ordinated across all marketing communications activities and media platforms over time.

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2
Q

What are the two types of advertising appeals?

A
  • Informational (rational appeals)
  • primarily process cognitively
  • focus on practical, functional, utilitarian benefits or reasons
  • Transformational (emotional appeals)
  • primarily processed emotionally
  • focus on social or psychological needs
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3
Q

What are 9 rational appeals?

A
  • Comfort
  • convenience
  • economy
  • health
  • quality
  • dependability
  • durability
  • performance
  • efficiency
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4
Q

What are 10 social-based feelings that underpin emotional appeals?

A
  • acceptance
  • approval
  • affiliation / belonging
  • embarrassment
  • involvement
  • recognition
  • rejection
  • respect
  • status
  • sophistication
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5
Q

What is the underlying logic behind fear appeals?

A

Fear will stimulate audience involvement with a message and thereby promote acceptance of the message arguments.

Appeals to consumers’ fears by identifying the negative consequences of either:

(1) not using the advertised product or
(2) engaging in unsafe behaviour (such as drinking and driving, smoking, and using drugs)

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6
Q

What are the 3 appeal strength levels that describe the relationship between fear levels and message acceptance?

A

Low - not noticed

High - ignored

Moderate - works best

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7
Q

Humour appeal is used in what % of ads?

A

30% of TV and radio ads

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8
Q

What are 3 advantages of humour appeals?

A
  • piques interest
  • increases recall and comprehension
  • elevates mood
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9
Q

What are 3 problems with humous appeals?

A
  • can be offensive

* overpower message (e,g, Dumb Ways to Die?)

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10
Q

What is creative execution?

A

The way the advertising appeal (and big idea) are presented.

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11
Q

What are the 10 executional techniques?

A
  • straight sell
  • scientific/technical
  • demonstration
  • comparison
  • testimonial/endorsement
  • slice of life
  • animation
  • imagery
  • dramatisation
  • humour
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12
Q

What are creative tactics?

A

The verbal and visual elements of the ad

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13
Q

What is the role of an art director?

A
  • responsible for creating visual impact
  • makes decisions about all elements of the ad including headline, subheads, copy, slogan, brand name, logo, etc
  • considers the visualisation of the Big Idea
  • trained in graphic design, art, photography
  • usually design the ad but don’t do the finished product
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14
Q

What are the 4 creative tactics for print?

A
  • Headline - words that introduce the ad
  • Visual elements - images, including product display
  • Body copy - main sales message
  • Layout - the arrangement of the elements
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15
Q

What is a copywriter?

A

Someone writing a message that sells a product/concept or service.

An ideas person, coming up with concepts that can be visual, interactive and sometimes that don’t even use words.

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16
Q

What are 7 copywriter difficulties?

A
  • restriction of time and space
  • budgetary restraints
  • advertisements must get results
  • no voluntary readers or listeners
  • no ready-made audience
  • diverse kind of writing
  • clients who think their audience is less intelligent than they are
17
Q

What are creative tactics for video and digital ads?

A

Visuals

  • presenters and setting
  • technical - lighting, etc

Audio

  • jingles
  • voiceovers

Interactivity

  • advergames
  • click-throughs
18
Q

What are the 9 guidelines for evaluating creative output?

A

Is it consistent with brand’s marketing objectives?

Is it consistent with brand’s advertising objectives?

Is it consistent with creative strategy and objectives?

Does it communicate what it’s supposed to?

Is approach appropriate to target audience?

Does it communicate a clear, convincing message?

Does the execution overwhelm the message?

Is it appropriate to the media environment?

Is the advertisement truthful and tasteful?