week 8 Medieval Theatre Flashcards

1
Q

Mystery Plays

A
  • Religious vernacular drams of biblical tales
  • outdoors
  • guilds in northern England
  • confraternities on the Continent
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1
Q

Vernacular Drama

A
  • language of the people
  • no longer Latin from the Middle Ages
  • The shift from Latin to Vernacular language made theatre more accessible to ordinary people
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2
Q

Morality Plays

A
  • Medieval dramatic form
  • allegorical characters
  • moral lessons
  • PROFESSIONAL PERFORMERS
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3
Q

Cycle Plays

A
  • series of interconnected plays
  • depict ENTIRE biblical narrative
  • performed by pageant wagons
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4
Q

Guilds

A
  • Associations of Craftsmen & Merchants
  • In medieval towns where mystery plays
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5
Q

Folk Drama

A
  • Secular theatre
  • comedic and secular theatre
  • PROFESSIONAL players at courts
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6
Q

Pageant Wagon

A
  • mobile stage
  • MYSTERY PLAYS
  • travelled through towns during festivals
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7
Q

Adam de la Halle

A
  • French playwright
  • secular dramas
  • “The Play of Robin and Marion”
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8
Q

Liturgical Drama

A
  • early religious plays
  • LATIN
  • church settings
  • dramatized biblical events
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9
Q

High Middle Ages

A
  • Folk drama and Farce flourish
  • CAUSES the employment of professional performers at royal courts
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10
Q

Confraternities

A
  • religious brotherhoods
  • mystery plays
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11
Q

relationship between secular and religious dram

A
  • secular theatre influenced religious plays
  • religious plays influence secular theatre

ELEMENTS OF BOTH APPEAR IN CYCLE PLAYS

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12
Q

Significance of the Renaissance

A
  • an era of transition from medieval to modern theatre
  • emphasis on humanism
  • revival of classical texts
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13
Q

Pantomimed Tableaux

A
  • Silent scenes
  • exaggerated gestures
  • often used in street pageants to honour visiting monarchs
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14
Q

Commedia dell’arte

A
  • improvisational theatre
  • Italy origin during Renassance
  • Stock Characters and scenarios
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15
Q

Middle Ages

A

Medieval theatre flourished before the transition into the Renaissance

16
Q

Liturgical Drama

A
  • LATIN
  • CHURCH SETTINGS
  • RELIGIOUS SERVICES

*eventually evolved into more elaborate productions outside church settings

17
Q

Mystery or Cycle Plays

A
  • DRAMATIZED BIBLICAL PLAYS
  • “Creation” to the “Last judgement”

OUTDOORS
VERNACULAR - for broad audience

Ex. The Second Shephards’ Play
- Wakefield Cycle

18
Q

Morality Plays

A
  • moral life of individuals
  • allegorical

PERSONIFICATIONS OF VIRTUES AND VICES

Ex. Everyman
- themes of death and salvation

19
Q

Hrosvitha of Gandersheim

A

FIRST KNOWN FEMALE PLAYWRIGHT

  • Christian plays
  • Latin
  • modelled after Roman playwright Terence
    Ex. Dulcitius and Paphnutius
20
Q

Pageant Wagons

A
  • Movable stages
  • Cycle plays

Two-story wagons
multiple locations during festivals

21
Q

Feast of Corpus Christi

A
  • religious festival
  • late spring
  • MOST POPULAR OCCASION FOR CYCLE PLAYS
  • stage for connecting biblical stories to Christian teachings on salvation
22
Q

The Second Shepherds’ Play

A

WAKEFIELD CYCLE (Towneley Cycle)

Humourous and religious drama
- shepherds visit newborn Christ, juxtaposing comic elements with holy narrative

23
Q

Anachronism in Mystery Plays

A
  • representation of historical characters
  • events in medieval context

Ex. OLD TESTAMENT FIGURES depicted as medieval Christian serfs in Cycle plays

24
Q

Episodic Structure

A

A type of dramatic structure featuring a series of loosely connected events or episodes.

Ex. The Second Shepherds’ Play where comic and serious elements intertwine.

25
Q

Byzantine Theatre

A
  • Theatre of the Eastern Roman Empire

*Popular entertainment similar to Roman Mime and gladiatorial contests

CONTRIBUTED TO
- Preservation of classical Greek drama manuscripts, which later influenced the Renaissance.

26
Q

Feudalism

A

Political and Social system in Medieval Europe

Social classes
- LORDS
- VASSALS
- SERFS

*INFLUENCED SOCIAL HIERARCHY within Medieval dramas, such as Cycle Plays

27
Q

Gothic Architecture

A
  • Church Architecture
  • larger spaces + higher ceilings
    *INFLUENCED WHERE LITURGICAL DRAMAS WERE PERFORMED
  • Pointed arches
  • buttressed walls
28
Q

Jean Bouchet

A

French pageant master
- organized large-scale theatrical productions

Outlined duties of
- overseeing scenery
- rehearsing actors