Week 7 - Selfing: how to create yourself Flashcards

1
Q

What is the ‘Free Hugs’ campaign

A
  • The ‘free hugs’ campaign indicates that we have some agency in initiating social interactions and creating a context for meaningful behaviour.
  • The relationship between individuals and society is bidirectional.
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2
Q

Sociological Social Psychology

A

Triplet (1898)
- Social Facilitation
- Experimental studies
- No political stance

Le Bon (1895)
- Crowd behaviour
- Observational studies
- Political issue - The ‘Crowd’ is dangerous

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3
Q

1950s (and since)

A
  • Dominance of the experimental paradigm in social psychology (Psychological Social Psychology PSP)

And especially

  • Dominance of North American Psychology
    (Allport, Asch, Festinger, Milgram, Zimbardo…)
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4
Q

PSP - gives us a lot of ideas

A

Obedience, conformity, social comparison, attribution, attitudes

BUT

  • Our behaviour exist in a wider social context
  • The lab and survey are also social situations in which we adapt our behaviour
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5
Q

Sociological Social Psychology (SSP)

A
  • SSP – brings a focus on how social structures, social
    relations and social contexts shape our thoughts and
    behaviour.

From this…

  • Social psychology should study real world activity and
    the symbolic process which give meaning to interaction and identity.

(Language is a symbolic process with a constructive role - How people understand themselves and how they constitute others – link to qualitative methods).

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6
Q

The importance of interaction for identity construction

A
  • SSP Roots in the work of Cooley The Looking Glass Self
  • SSP Roots in the work of Mead Symbolic noInteractionism
  • People give meaning to things and behaviour – we live in a symbolic world
  • The meaning of things is created through
    interaction in historical and cultural contexts
  • People manage the self and social life by acting
    on the interpretations of meanings as they encounter and
    experience life
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7
Q

The Looking Glass Self

A
  • The way we think about ourselves is linked with our identity(ies) created in interaction.

Cooley (1902…)
- Social emotions such as pride, shame make no sense without the idea of other people.

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8
Q

SSP Roots - The Chicago School and Symbolic Interactionism

A
  • Chicago School - US first sociological dept. – Early 1900s Mead lectures
    (Mead – studied @Leipzig (Wundt) Labelled self as a ‘social behaviorist’)
  • Herbert Blumer (younger lecturer, 1937) coined
    ‘Symbolic Interactionism’ from Mead’s work
  • Methodological innovation
    ▪ Interest in ‘normal’ everyday behavior (Lot’s
    of statistical analysis of social data – BUT also
    interpretive methods – see 5 mins prep sheet)
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9
Q

Mead build upon Cooley’s ideas

A

Mead - the self has 2 parts:
- Subjective & Objective (I and Me)
- The I – the spontaneous and creative self, not (entirely) influenced by the sociocultural context

  • The Me - the internalised influence of social conventions and contexts which shape the self-concept and behaviour (e.g. age, gender, home, university, work, family, friends etc.)
  • (? Multiple Me’s – Multiple Identities
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10
Q

Social Interaction and Shared meanings

A
  • Social life is formed through patterned interactions among individuals
  • (On-going negotiation among people creates temporary, shared meanings - But relatively enduring ideas create a wider social context)
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11
Q

Key Poiknts of Interaction and Identities so far

A
  • By internalizing social conventions, we are able to manage social life, have a sense of belonging, and we enhance social cohesion.
  • Learning acceptable behaviours, values, and expectations shapes how we present ourselves, how we relate to others – and how others relate to us.
  • Our identities are formed through this aligning of the individual self-concept with broader sociocultural constructions.
  • Sometimes this alignment with sociocultural constructions is problematic Is there a link with humanistic psychology and conditions of worth?
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12
Q

Dramaturgical Approach to the SELF

A

Goffman (1956…)
- Interaction and the metaphor of drama
- Self-presentation – how do we ‘show’ ourselves to the world?

Front stage / Backstage and Offstage:
Preperation, performance, social scripts, roles, scenery, props, audience

(Through everyday drama we give meaning to ourselves, to others and
our/their situation)

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13
Q

Creating youself

A

For SSP the self is relational and includes the idea of change and transformation

  • Individuals make conscious choices about behaviour based upon their interpretation of situations (like where to stand in a queue or how to be a student)
  • As we begin ‘think’ about ourselves with ideas ‘gathered’ in interaction we construct identities and become reflexive individuals (Giddens 1991)
  • The reflexive self is a PROCESS not a structure
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14
Q

From Goffman – we’re not just
following scripts – we improvise

A
  • Role-taking – through our reflexive awareness - we know
    what role to take
  • Role giving – others in interactions give us roles & we
    give roles to others

-** Role-making** –we can create and test roles

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15
Q
A
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