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Art History & Appreciation > Week 6: Art of Renaissance and Baroque Europe > Flashcards

Week 6: Art of Renaissance and Baroque Europe Flashcards

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1
Q

Altarpiece

A

an artwork that is placed behind an altar in a church (See Chapter 3.6, page 465)

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2
Q

Arches

A

structures, usually curved, that span an opening (See Chapter 3.6, page 471)

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3
Q

Atmospheric perspective

A

use of shades of color and clarity to create the illusion of depth. Closer objects have warmer tones and clear outlines, while objects set further away are cooler and become hazy (See Chapter 3.6, page 463)

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4
Q

Balance

A

a principle of art in which elements are used to create a symmetrical or asymmetrical sense of visual weight in an artwork (See Chapter 3.6, page 476)

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5
Q

Baroque

A

European artistic and architectural style of the late sixteenth to early eighteenth century, characterized by extravagance and emotional intensity (See Chapter 3.6, page 461)

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6
Q

Chiaroscuro

A

the use of light and dark in a painting to create the impression of volume (See Chapter 3.6, page 463)

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7
Q

Column

A

freestanding pillar, usually circular in section (See Chapter 3.6, page 473)

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8
Q

Composition

A

the overall design or organization of a work (See Chapter 3.6, page 463)

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9
Q

Continuous narrative

A

when different parts of a story are shown within the same visual space (See Chapter 3.6, page 464)

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10
Q

Contrapposto

A

a pose in sculpture in which the upper part of the body twists in one direction and the lower part in another (See Chapter 3.6, page 464)

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11
Q

Deposition

A

a scene showing the removal of Christ’s body from the cross (See Chapter 3.6, page 471)

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12
Q

Dissonance

A

a lack of harmony (See Chapter 3.6, page 47)

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13
Q

Dome

A

an evenly curved vault forming the ceiling or roof of a building (See Chapter 3.6, page 462)

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14
Q

Enlightenment

A

an intellectual movement in eighteenth-century Europe that argued for science, reason, and individualism. Challenging received ideas passed down by tradition, the Enlightenment also promoted the notion of equal rights for all men (See Chapter 3.6, page 486)

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15
Q

Facade

A

any side of a building, usually the front or entrance (See Chapter 3.6, page 473)

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16
Q

Focal point

A

the area in a composition to which the eye returns most naturally (See Chapter 3.6, page 463)

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17
Q

Foreground

A

the part of a work depicted as nearest to the viewer (See Chapter 3.6, page 483)

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18
Q

Fresco

A

a technique in which the artist paints onto freshly applied plaster. From the Italian fresco, “fresh” (See Chapter 3.6, page 461)

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19
Q

Genre

A

in painting, scenes that depict everyday life (See Chapter 3.6, page 479)

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20
Q

Geometric

A

predictable and mathematical (See Chapter 3.6, page 479)

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21
Q

Glazing

A

in oil painting, adding a transparent layer of paint to achieve a richness in texture, volume, and form (See Chapter 3.6, page 464)

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22
Q

Hemispherical

A

having half the form of a spherical shape divided into identical, symmetrical parts (See Chapter 3.6, page 473)

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23
Q

Humanism, humanist

A

the study of such subjects as history, philosophy, languages, and literature, particularly in relation to those of ancient Greece and Rome (See Chapter 3.6, page 460)

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24
Q

Iconoclasm

A

the destruction of images or artworks, often out of religious belief (See Chapter 3.6, page 474)

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25
Q

Iconographic analysis

A

the study of art by interpreting symbols, themes, and subject matter as sources of meaning (See Chapter 3.6, page 467)

26
Q

Ideal

A

more beautiful, harmonious, or perfect than reality; or exists as an idea (See Chapter 3.6, page 461)

27
Q

Implied line

A

a line not actually drawn but suggested by elements in the work (See Chapter 3.6, page 483)

28
Q

In the round

A

a freestanding sculpted work that can be viewed from all sides (See Chapter 3.6, page 481)

29
Q

Linear perspective

A

a system using converging imaginary sight lines to create the illusion of depth (See Chapter 3.6, page 462)

30
Q

Mannerism

A

from Italian di maniera, meaning charm, grace, playfulness; mid- to late sixteenth-century style of painting, usually with elongated human figures elevating grace as an ideal (See Chapter 3.6, page 471)

31
Q

Mass

A

a volume that has, or gives the illusion of having, weight, density, and bulk (See Chapter 3.6, page 461)

32
Q

Medieval

A

relating to the Middle Ages; roughly, between the fall of the Roman empire and the start of the Renaissance (See Chapter 3.6, page 463)

33
Q

Medium (plural media)

A

the material on or from which an artist chooses to make a work of art (See Chapter 3.6, page 474)

34
Q

Modeling

A

the representation of three-dimensional objects in two dimensions so that they appear solid (See Chapter 3.6, page 473)

35
Q

Narrative

A

an artwork that tells a story (See Chapter 3.6, page 463)

36
Q

Naturalism

A

a very realistic or lifelike style of making images (See Chapter 3.6, page 461)

37
Q

Oil paint

A

paint made of pigment suspended in oil (See Chapter 3.6, page 460)

38
Q

Outline

A

the outermost line or implied line of an object or figure, by which it is defined or bounded (See Chapter 3.6, page 472)

39
Q

Patron

A

an organization or individual who sponsors the creation of works of art (See Chapter 3.6, page 461)

40
Q

Pedestal

A

a base upon which a statue or column rests (See Chapter 3.6, page 468)

41
Q

Pediment

A

the triangular space, situated above the row of columns, on the facade of a building in the Classical style (See Chapter 3.6, page 473)

42
Q

Perspective

A

the creation of the illusion of depth in a two-dimensional image by using mathematical principles (See Chapter 3.6, page 461)

43
Q

Picture plane

A

the transparent division between the space depicted by the artist and the real space in which the viewer is placed (See Chapter 3.6, page 482)

44
Q

Proportion

A

the relationship in size between a work’s individual parts and the whole (See Chapter 3.6, page 473)

45
Q

Quatrefoil

A

a symmetrical framework that has four lobes or leaves (See Chapter 3.6, page 461)

46
Q

Renaissance

A

a period of culture and artistic change in Europe from the fourteenth to the seventeenth century (See Chapter 3.6, page 460)

47
Q

Scale

A

the size of an object or artwork relative to another object or artwork, or to a system of measurement (See Chapter 3.6, page 463)

48
Q

Sfumato

A

in painting, the application of layers of translucent paint to create a hazy or smoky appearance and unify the composition (See Chapter 3.6, page 468)

49
Q

Sitter

A

person who poses, or “sits,” for an artist to paint, sculpt, or photograph (See Chapter 3.6, page 468)

50
Q

Subject matter, subject

A

the person, object, or space depicted in a work of art (See Chapter 3.6, page 460)

51
Q

Symbolism

A

using images or symbols in an artwork to convey meaning; often obvious when the work was made, but requiring research for modern viewers to understand (See Chapter 3.6, page 464)

52
Q

Symmetrical balance

A

an image or shape that looks exactly (or nearly exactly) the same on both sides when cut in half (See Chapter 3.6, page 473)

53
Q

Symmetry

A

the correspondence in size, form, and arrangement of items on opposite sides of a plane, line, or point that creates direct visual balance (See Chapter 3.6, page 476)

54
Q

Tempera

A

fast-drying painting medium made from pigment mixed with water-soluble binder, such as egg yolk (See Chapter 3.6, page 464)

55
Q

Tenebrism

A

dramatic use of intense darkness and light to heighten the impact of a painting (See Chapter 3.6, page 477)

56
Q

Texture

A

the surface quality of a work, for example fine/coarse, detailed/lacking in detail (See Chapter 3.6, page 464)

57
Q

Three-dimensional

A

having height, width, and depth (See Chapter 3.6, page 461)

58
Q

Vault

A

an arch-like structure supporting a ceiling or roof (See Chapter 3.6, page 471)

59
Q

Volume

A

the space filled or enclosed by a three-dimensional figure or object (See Chapter 3.6, page 461)

60
Q

Woodblock

A

a relief print process where the image is carved into a block of wood (See Chapter 3.6, page 475)

Art History & Appreciation (12 decks)

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