week 10 Flashcards

witchcraft

1
Q

It plays its part in every activity of Azande life

A
  • In agricultural, fishing, and hunting pursuits;
  • In domestic life of homesteads as well as in communal life of
    district and court;
  • It is an important theme of mental life in which it forms the
    background of a vast panorama of oracles and magic;
  • Its influence is plainly stamped on law and morals, etiquette and
    religion; it is prominent in technology and language;
    There is no niche or corner of Azande culture
    into which it does not twist itself
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2
Q

The Azande + witchcraft

A

The concept of witchcraft provides the
Azande with a natural philosophy by
which the relations between people and
unfortunate events are explained and a
ready and stereotyped means of reacting
to such events.

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3
Q

Witches use physic power to:

A

Injure
Kill
Damage
Cause sickness

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4
Q

Sorcerers use physic power to

A

Injure
Kill
Damage
Cause sickness

but with rites, spells and potions

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5
Q

An act of witchcraft is a ___ act

A

psychic

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6
Q

what did the azande think of witches

A

AZANDE believe that some people are witches and can injure them in virtue of an inherent quality.

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7
Q

what do Oracles and witch-doctors do

A

Provide people with recourse against witches and sorcerers

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8
Q

Oracles ask for

A

divine guidance to determine if witchcraft or sorcerers were involved

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9
Q

Witch doctors can

A

heal the effects of witches

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10
Q

(rationality of witchcraft beliefs) Evans-Pritchard argues that within the Azande cultural context

A

witchcraft beliefs are logical and internally
consistent. He emphasizes how Azande
understand witchcraft in terms of cause
and effect, with witches believed to act
according to specific motives and
intentions

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11
Q

(in social function of witchcraft beliefs) Evans-Pritchard argues that

A

Evans-Pritchard illustrates the social
functions of witchcraft beliefs within
Azande society. Witchcraft accusations
are often used to explain personal
misfortunes or conflicts within the
community. These serve as a means of
social control, regulating behaviour and
maintaining social order.

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12
Q

Evans-Pritchard’s Critique of Colonialism

A

His work addresses misinterpretations of
indigenous belief systems. He argues
against the dismissal of witchcraft beliefs
as primitive superstition and instead
advocates for a relativistic (i.e., emic) and
contextualized understanding of Azande
ritual practices

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13
Q

Witchcraft and Colonial Policies in Kenya and colonial authority

A

Ultimately, colonial officials reviewed witchcraft
policy and admitted to the importance of local
expertise by permitting locals to assess witchcraft cases and acknowledged the confliction of British law with the attitudes of Kenyans

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14
Q

Witchcraft and Democracy

A

Ethnographic insights into the lived experiences of individuals accused of witchcraft, as well as the social and political contexts in which these
accusations occur. Considers the role of witchcraft accusations in resolving disputes, exerting social control, and expressing grievances within communities

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15
Q

Jeanne Favret-Saada

A
  • fieldwork in Bocage region (western france) in 1960s/70s
  • shows how witchcraft accusations and rituals are embedded in social fabric and cultural logic of community
  • highlights how words, rumours, and gossip play a central role in witchcraft accusations
  • challenged the conventional understanding of witchcraft as purely irrational or superstitious
  • reveals that witchcraft is connected to broader social, political and economic realities in rural communities
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16
Q

when did the salem witch trials happen

A

1692 - 1693

17
Q

Malefizhaus (Bamburg, Germany) was used for

A

or imprisonment, torture and interrogation of witches (1627). Built 1626, destroyed 1635. 1,200 witches executed during those nine years (one every three days)

18
Q

In Woman, Church, and State (1893)
argued

A

the church was responsible for women’s oppression throughout history. Argued that witches persecuted in the Early Modern period were pagan priestesses adhering to an ancient
religion venerating a Great Goddess

19
Q

Wicca (The Craft)

A

Neo-pagan movement that arises with first wave Feminism inthe first part of the 1900s. A founding text, “The Book of Shadows” was compiled in the 1940s

20
Q

what are the 3 characteristics of Wicca (the craft)

A

1.) Nature-Centric Beliefs: sacredness of the Earth,
2.) Polytheistic and Pantheistic: diverse array of deities
3.) Emphasis on Personal Experience and Empowerment:

21
Q

what are the main parts of each wave feminism and reclaiming witchcraft

A

1st wave = Wicca (The Craft)

2nd wave = B. Ehrenreich + D. English 1973 work

3rd wave = There has also been a rise in identification with spirituality outside religion, whether through what Davie (1994) calls ‘believing without belonging’ or through a
‘progressive spirituality’ (Lynch, 2007) that sees the earth as sacred and works for social change across and beyond institutional religion

22
Q

Barbara Ehrenreich and Deirdre English In 1973 published

A

work in which they asserted that the women persecuted had been the healers and midwives.
suppressed this to undermine
women and support the development of male
medical practitioners.

Witch hunts were a form of social control

Caliban and the Witch provides a historical and theoretical analysis of the relationship between capitalism, patriarchy, and the persecution of women, showing that gender oppression was intertwined with the development of capitalist economies

23
Q

Vodou magic refers to

A

the magical and ritual practices associated with Haitian Vodou

24
Q

Haiti brief history

A
  • Indigenous people are the Taíno
  • First successful revolution led by enslaved people in 1791 (The Haitian Revolution 1791-1804). The revolutionary Toussaint Louverture (1743-1803) successfully overthrew French owners
25
Vodou is
Vodou is a dynamic and diverse spiritual tradition that encompasses a wide range of practices Some common practices and concepts associated with Vodou magic include: - Spellcasting - Divination - Spiritual Cleansing - Protection and Warding - Sacrifice and Offerings: - Spirit Possession
26
Vodou practitioners have a developed sense of the relationship between
humans, spirits and the natural world
27
There are three spiritual components associated with the physical being (vodou)
1.) Mét-tét, or “Master of the Head”, a loa, that enters the individual at some point in early life 2.) The [pet]it-bon-ange, or “little angel,” is a person’s consciousness and ego. When the body dies, the ti-bonanj stays nearby for a while and then moves on to heaven 3.) The gros-bon-ange, or “big angel,” comes from the ancestral spirits and is returned to the underworld after death, until recalled
28
The gros-bon-ange is thought to be
eternal and unchanging, representing the core essence of a person, influencing a person's life path and spiritual journey
29
(Haitian) A year and a day following the death of a person, the family undertakes to reclaim the
gros-bon-ange from the waters of the abyss below the earth and to lodge it in a govi where it may hence forth be invoked and consulted in the event of illness or other difficulties and so may participate in all the decisions that normally unite the members of the family in counsel. Out of the mouth of that jar issue the counsels and wisdoms by which the deceased continues to aid and advance his descendants
30
A "vevè" is
a symbolic diagram or pattern and used in rituals and ceremonies to invoke and communicate with specific spirits, also known as lwa (loa).
31
Voudoun possession
under certain conditions, the loa may temporarily displace the gros-bon-ange of a living person and become the animating force of that physical body. This we know as “possession”.
32
Zombies
the body without a soul, matter without morality
33
Vodou dolls
Dolls may play a role in some Vodou rituals as symbolic representations of spirits or individuals, but they are used for protection, healing, or spiritual communication European Witchcraft: In medieval Europe, practitioners of witchcraft were often accused of using poppets or effigies in malevolent spells to harm their enemies Popular Culture: The depiction of Voodoo dolls as instruments of harm gained prominence in popular culture through literature, films, and other media.
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