Waves: H-Delay Flashcards
From___a echo, ___b delay, and ____c sync with ____d , to____e,
_____f ,______g, and more, H-Delay delivers real old school effects, controlled by a
super intuitive interface.
slap back , pingpong, tempo, filtering, flanging, phasing
Tape Delay Effect – Certain vintage tape delays offered an option to change the delay
time by changing the tape’s _____. This produced a pitch change, as the already
recorded part was now played at a different speed. The pitch returns to normal when the
recorded piece in the new speed reached the playback head. We have emulated this
behavior in the Delay time control.
motor speed
Tape Delay Effect – Certain vintage tape delays offered an option to change the delay
time by changing the tape’s motor speed. This produced a _____, as the already
recorded part was now played at a different speed.
pitch change
Tape Delay Effect –
The pitch returns to normal when the
recorded piece in the new speed reached ……. We have emulated this
behavior in the Delay time control.
the playback head
_______ – Using a Low Frequency Oscillator (LFO) and triangle waveform to
control the delay time,_________ produces effects ranging from flanging and
chorus to frequency modulation.
Delay Modulation
Delay Modulation –. Oscillation time can be set using either an ____ value or a
________,
Hz or BPM multiple
Delay Modulation –. _______can be set using either an Hz value or a
BPM multiple, a note value, e.g. 1/4 note, 1/8 note, 1/16 note, etc.
Oscillation time
_____ – A stereo effect that sounds like the input signal is bouncing between
the left and right output channels,
Ping Pong Delay
Ping Pong Delay is achieved by using two delay lines
that feed_______, rather than feeding _______ as in normal__________
one another, rather than feeding themselves as in normal stereo delay mode.
Ping Pong Delay :
This effect requires a Feedback value greater than ____
1
LoFi – In early digital delay devices, the sample rate was often reduced to allow greater
delay values using the same memory chip, causing reduced frequency range.
LoFi
LoFi – In early digital delay devices, the sample rate was often reduced to allow greater
delay values using the same memory chip, causing reduced frequency range. In LoFi
mode, H-Delay emulates this behavior, while the ____ remains the same.
delay time range
LoFi – In early digital delay devices, the sample rate was often reduced to allow greater
_______ using ___________, causing ________.
greater delay values using the same memory chip, causing reduced frequency range.
______ – Choose between 4 _______ Modes which correspond to sound qualities which
are usually associated with and perceived as ______ sound.
Analog
Analog – Choose between 4 Analog Modes which correspond to ________ which
are usually associated with and perceived as analog sound.
sound qualities
______ – H-Delay includes a MIDI node which opens upon instantiation of the
plug-in. To enable______ of H-Delay, assign a MIDI track to the node. All H-Delay
controls (excluding Output Meter) support standard MIDI Learn procedures.
MIDI Control
MIDI Control – H-Delay includes a MIDI node which opens upon instantiation of the
plug-in. To enable MIDI control of H-Delay, assign a _______ to the node.
MIDI track to the node
All H-Delay
controls (excluding Output Meter) support standard MIDI ______ .
Learn procedures
1.4 Components:
WaveShell technology enables us to split Waves processors into smaller plug-ins: which
we call components:
smaller plug-ins: which
we call components
1.4 Components:
Having a choice of components for a particular processor gives
you the flexibility to choose ….
a configuration suitable for your material.
1.4 Components::
H- Delay is available in ___ channel configurations:
3
1.4 Components:: H- Delay is available in 3 channel configurations: a) b) c)
- H-Delay Mono
- H-Delay Stereo
- H-Delay M>S
• H-Delay Mono is (___-to-______)
(mono-to-mono)
• H-Delay Stereo is (______-to-______
(stereo-to-stereo)
• H-Delay M>S is (______-to-______)
(mono-to-stereo)
Chapter 2 – Quickstart Guide
When H-Delay is placed on an auxiliary track and fed using track sends, set the
Mix control to______, and balance your _______ using the host mixer.
set the
Mix control to 100, and balance your wet/dry mix using the host mixer.
Chapter 2 – Quickstart Guide
When H-Delay is used as an insert effect, use H-Delay’s ______ to set the
wet/dry mix.
Mix control
Chapter 2 – Quickstart Guide
First roughly set the_______ wanted, using the big Delay knob, time display, or
the Tap Pad.
First roughly set the delay time wanted, using the big Delay knob, time display, or
the Tap Pad. In MS Sync mode, Delay Time is set manually (in milliseconds); in
Host and BPM modes, Delay Time corresponds to BPM note values.
Chapter 2 – Quickstart Guide
In MS Sync mode, Delay Time is set _____ (in _________); in
Host and BPM modes, Delay Time corresponds to____ values.
In MS Sync mode, Delay Time is set manually (in milliseconds); in
Host and BPM modes, Delay Time corresponds to BPM note values.
Chapter 2 – Quickstart Guide
When using the Tap Pad, Delay Time is set as the interval between the ______
clicks on the pad. In Host and BPM Sync modes, the Delay Time will be
quantized to the ——- value.
last two
nearest note
Chapter 2 – Quickstart Guide
In_____mode, H-Delay displays your host application’s current BPM. To
manually change the tempo, switch to ____ mode.
Host
BPM
Chapter 2 – Quickstart Guide
For a “bouncing” stereo effect, press the_____ button.
Ping Pong
Chapter 2 – Quickstart Guide
At settings of 1 to 100, Feedback controls the amount of _______
delay repetition decay;
Chapter 2 – Quickstart Guide
At settings of__ to ____, Feedback controls the amount of delay repetition decay;
1 to 100
Chapter 2 – Quickstart Guide
At settings of 1 to 100, Feedback controls the amount of delay repetition decay;
at settings of 100 to 200, it controls the _______. Depending on
the _____ it can get very loud, very quickly.
delay repetition build-up
delay setting,
Chapter 2 – Quickstart Guide
At settings of 1 to 100, Feedback controls the amount of delay repetition decay;
at settings of ___to___ it controls the delay repetition build-up. Depending on
the delay setting, it can get very loud, very quickly.
100 to 200,
Chapter 2 – Quickstart Guide
For more of a vintage, low fidelity sound, press the ___ button.
LoFi
Chapter 2 – Quickstart Guide
Set the HP and LP Filters as needed. Use the ______ to move both filters
simultaneously, like a _____
link control
band-pass filter.
Chapter 2 – Quickstart Guide
Experiment with different modulation speed and depth settings until you achieve
the desired effect. For example, a_____ delay setting with _____modulation can
create a great flanging effect.
For example, a short delay setting with slow modulation can
create a great flanging effect.
Chapter 2 – Quickstart Guide:
Experiment with different modulation speed and depth settings until you achieve
the desired effect.
For example, a short delay setting with slow modulation can
create a great______ effect.
flanging
Chapter 2 – Quickstart Guide:
Use the Analog control to alter the _____ of the H-Delay effect.
sonic character
Chapter 2 – Quickstart Guide:
Use the Output and Mix controls to set _____
proper output levels.
Chapter 2 – Quickstart Guide:
Use the ___and____controls to set proper output levels.
Output and Mix
Chapter 3 – Interface and Controls
3.2 H-Delay Controls :
In addition to support of all Digidesign control surfaces, H-Delay includes a ________
which opens upon instantiation of the plug-in. To enable MIDI control of H-Delay, assign
a ______ to the node. All H-Delay controls (excluding Output Meter) support standard
____ procedures. (Apple Logic has its own MIDI functionality which is supported
by H-Delay.)
MIDI node
MIDI track
MIDI Learn
3.2 H-Delay Controls :
Delay: it……
controls the delay time.
3.2 H-Delay Controls :
______: controls the delay time.
Delay
3.2 H-Delay Controls :Delay:
Range: ___ to ____ms or__________
1 to 3500 ms or BPM multiple
3.2 H-Delay Controls :Delay:
Default: _____ note (Host sync)
1/8D
3.2 H-Delay Controls:Time and BPM Display:
shows the delay time value, in ____ mode, displayed in milliseconds; in Host and BPM Sync modes, displayed in note units.
MS Sync
3.2 H-Delay Controls:Time and BPM Display:
Values are set using the mouse as well as the __control.
Delay control
3.2 H-Delay Controls:Time and BPM Display: When switching from MS mode to BPM mode (or vice versa), the display will show the
nearest approximate value.
3.2 H-Delay Controls:Time and BPM Display:
shows the delay time value, in MS Sync mode, displayed in milliseconds; in ____and___ modes, displayed in note units.
Host and BPM Sync
3.2 H-Delay Controls:Time and BPM Display:
Range: ______ to ___ ms or _____
1 to 3500 or BPM multiple
3.2 H-Delay Controls:
_____:determines whether delay time is set according to host tempo or manually.
Sync
3.2 H-Delay Controls:
Sync:
_ (syncs to the host application BPM setting)
___ (syncs to a manual user setting)
__ (allows manual setting, in milliseconds)
Default: ___
Host
BPM
MS
Host
______controls the amount of delay modulation applied.
Range___to___
Default: ___
Depth Range: 0 to 100
Default: 0
_____ sets the modulation LFO cycle rate. In BPM or Host Sync mode, the rate value
is set according to a ____; in MS Sync mode, the rate value is expressed in____
Range: ___to_____ Hz or _______ (note values)
Default: _____
Rate
multiplier of the BPM
Hz.
Range: 0.1 to 6000 Hz or BPM multiples (note values)
Default: 0.1
ping pong delay:
Range: ___
Default: ___
On/Off
Off
Ping Pong Delay : Please note: Using_____ on one channel in Ping Pong mode may cause
some audio cancellation when using mono input sources
Phase Reverse
Ping Pong Delay : Please note: Using Phase Reverse on one channel in Ping Pong mode may cause some _____ when using mono input sources
audio cancellation
Ping Pong Delay : Please note: Using Phase Reverse on one channel in Ping Pong mode may cause
some audio cancellation when using ______sources
mono input
Ping Pong activates/de-activates the ping pong delay effect ____, ___-to ___ components only).
Stereo
Mono to stereo
_____ controls the amount of delay feedback.
Feedback
Feedback:
At settings of ___to____, Feedback
controls the amount of delay repetition decay; at settings of 100 to 200, it controls
the delay repetition build-up (which can be used as an “endless” loop.) Depending
on the delay setting, it can get very loud, very quickly.
1 to 100
Feedback:
At settings of 1 to 100, Feedback
controls the amount of ______at settings of 100 to 200, it controls
the delay repetition build-up (which can be used as an “endless” loop.) Depending
on the delay setting, it can get very loud, very quickly.
delay repetition decay;
Feedback:
; at settings of_____to_____, it controls
the delay repetition build-up (which can be used as an “endless” loop.) Depending
on the delay setting, it can get very loud, very quickly.
100 to 200
Feedback:
;at settings of 100 to 200, it controls
the ________ (which can be used as an “endless” loop.) Depending
on the delay setting, it can get very loud, very quickly.
delay repetition build-up
Feedback:
delay repetition build-up (can be used as an _____)
“endless” loop.
Feedback:
Range: ___to____%
Default:____%
Range: 0 to 200%
Default: 60%
______sets the phase of each delay line. (________components only).
Phase Reverse L/R
Stereo, Mono-to-Stereo
Phase Reverse L/R:
Range:
Default:
On/Off
Off
Phase Reverse L/R sets the phase of each delay line.
Please note: Phase Reverse controls are linked in ______mode.
Mono-to-Stereo
____ controls the frequency range of the low pass filter.
Range: ______to____,____
Default: _____
LP Filter
20 Hz to 20 kHz, Off
Off
______controls the frequency range of the high pass filter.
Range: ___, ___to_____
Default: ___
HP Filter
Off,20 Hz to 20 kHz
Off
______moves both HP and LP Filters by the same value, causing them to act as
Band Pass Filter.
Range:___to____
Please note: _____
Filter Link
20 Hz to 20 kHz
Automation for Link movement requires Write Automation-enabling both the HP and LP filters.
Filter Link :moves both HP and LP Filters by the same value, causing them to act as
____
Band Pass Filter.
______controls the amount of dry (unprocessed) vs. wet (processed) signal.
Range: ____
Default: _____
Dry/Wet Mix
0 to 100
100
Analog toggles between _______modes
Range: __
Default: ___
analog character modes.
Off, Modes 1 to 4
Mode 2
LoFi activates/de-activates the LoFi effect.
Range: ___
Default: __
On/Off
Off
______ controls the output level.
Range: ____
Default:____
Output
+/-18 dB
0
___ displays the output level.
Range:
Output Meter
0 to -48 dBFS
_____controls the delay time by clicking.
Tap Pad
Tap Pad Delay Time is set as the interval between the ______ . In Host and BPM Sync modes, the Delay
Time will be quantized to the nearest note value.
last two clicks on the pad.
Tap Pad : In Host and BPM Sync modes, the Delay Time will be
quantized to the nearest note value.
