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Plugins > Waves: H-Delay > Flashcards

Waves: H-Delay Flashcards

1
Q

From___a echo, ___b delay, and ____c sync with ____d , to____e,
_____f ,______g, and more, H-Delay delivers real old school effects, controlled by a
super intuitive interface.

A

slap back , pingpong, tempo, filtering, flanging, phasing

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2
Q

Tape Delay Effect – Certain vintage tape delays offered an option to change the delay
time by changing the tape’s _____. This produced a pitch change, as the already
recorded part was now played at a different speed. The pitch returns to normal when the
recorded piece in the new speed reached the playback head. We have emulated this
behavior in the Delay time control.

A

motor speed

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3
Q

Tape Delay Effect – Certain vintage tape delays offered an option to change the delay
time by changing the tape’s motor speed. This produced a _____, as the already
recorded part was now played at a different speed.

A

pitch change

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4
Q

Tape Delay Effect –
The pitch returns to normal when the
recorded piece in the new speed reached ……. We have emulated this
behavior in the Delay time control.

A

the playback head

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5
Q

_______ – Using a Low Frequency Oscillator (LFO) and triangle waveform to
control the delay time,_________ produces effects ranging from flanging and
chorus to frequency modulation.

A

Delay Modulation

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6
Q

Delay Modulation –. Oscillation time can be set using either an ____ value or a
________,

A

Hz or BPM multiple

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7
Q

Delay Modulation –. _______can be set using either an Hz value or a
BPM multiple, a note value, e.g. 1/4 note, 1/8 note, 1/16 note, etc.

A

Oscillation time

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8
Q

_____ – A stereo effect that sounds like the input signal is bouncing between
the left and right output channels,

A

Ping Pong Delay

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9
Q

Ping Pong Delay is achieved by using two delay lines

that feed_______, rather than feeding _______ as in normal__________

A

one another, rather than feeding themselves as in normal stereo delay mode.

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10
Q

Ping Pong Delay :

This effect requires a Feedback value greater than ____

A

1

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11
Q

LoFi – In early digital delay devices, the sample rate was often reduced to allow greater
delay values using the same memory chip, causing reduced frequency range.

A

LoFi

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12
Q

LoFi – In early digital delay devices, the sample rate was often reduced to allow greater
delay values using the same memory chip, causing reduced frequency range. In LoFi
mode, H-Delay emulates this behavior, while the ____ remains the same.

A

delay time range

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13
Q

LoFi – In early digital delay devices, the sample rate was often reduced to allow greater
_______ using ___________, causing ________.

A

greater delay values using the same memory chip, causing reduced frequency range.

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14
Q

______ – Choose between 4 _______ Modes which correspond to sound qualities which
are usually associated with and perceived as ______ sound.

A

Analog

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15
Q

Analog – Choose between 4 Analog Modes which correspond to ________ which
are usually associated with and perceived as analog sound.

A

sound qualities

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16
Q

______ – H-Delay includes a MIDI node which opens upon instantiation of the
plug-in. To enable______ of H-Delay, assign a MIDI track to the node. All H-Delay
controls (excluding Output Meter) support standard MIDI Learn procedures.

A

MIDI Control

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17
Q

MIDI Control – H-Delay includes a MIDI node which opens upon instantiation of the
plug-in. To enable MIDI control of H-Delay, assign a _______ to the node.

A

MIDI track to the node

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18
Q

All H-Delay

controls (excluding Output Meter) support standard MIDI ______ .

A

Learn procedures

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19
Q

1.4 Components:
WaveShell technology enables us to split Waves processors into smaller plug-ins: which
we call components:

A

smaller plug-ins: which

we call components

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20
Q

1.4 Components:
Having a choice of components for a particular processor gives
you the flexibility to choose ….

A

a configuration suitable for your material.

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21
Q

1.4 Components::

H- Delay is available in ___ channel configurations:

A

3

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22
Q 
1.4 Components::
H- Delay is available in 3 channel configurations: 
a)
b)
c)
A
  • H-Delay Mono
  • H-Delay Stereo
  • H-Delay M>S
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23
Q

• H-Delay Mono is (___-to-______)

A

(mono-to-mono)

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24
Q

• H-Delay Stereo is (______-to-______

A

(stereo-to-stereo)

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25
Q

• H-Delay M>S is (______-to-______)

A

(mono-to-stereo)

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26
Q

Chapter 2 – Quickstart Guide
ƒ When H-Delay is placed on an auxiliary track and fed using track sends, set the
Mix control to______, and balance your _______ using the host mixer.

A

set the

Mix control to 100, and balance your wet/dry mix using the host mixer.

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27
Q

Chapter 2 – Quickstart Guide
When H-Delay is used as an insert effect, use H-Delay’s ______ to set the
wet/dry mix.

A

Mix control

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28
Q

Chapter 2 – Quickstart Guide
ƒ First roughly set the_______ wanted, using the big Delay knob, time display, or
the Tap Pad.

A

ƒ First roughly set the delay time wanted, using the big Delay knob, time display, or
the Tap Pad. In MS Sync mode, Delay Time is set manually (in milliseconds); in
Host and BPM modes, Delay Time corresponds to BPM note values.

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29
Q

Chapter 2 – Quickstart Guide
In MS Sync mode, Delay Time is set _____ (in _________); in
Host and BPM modes, Delay Time corresponds to____ values.

A

In MS Sync mode, Delay Time is set manually (in milliseconds); in
Host and BPM modes, Delay Time corresponds to BPM note values.

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30
Q

Chapter 2 – Quickstart Guide
ƒ When using the Tap Pad, Delay Time is set as the interval between the ______
clicks on the pad. In Host and BPM Sync modes, the Delay Time will be
quantized to the ——- value.

A

last two

nearest note

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31
Q

Chapter 2 – Quickstart Guide
In_____mode, H-Delay displays your host application’s current BPM. To
manually change the tempo, switch to ____ mode.

A

Host

BPM

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32
Q

Chapter 2 – Quickstart Guide

For a “bouncing” stereo effect, press the_____ button.

A

Ping Pong

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33
Q

Chapter 2 – Quickstart Guide

At settings of 1 to 100, Feedback controls the amount of _______

A

delay repetition decay;

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34
Q

Chapter 2 – Quickstart Guide

At settings of__ to ____, Feedback controls the amount of delay repetition decay;

A

1 to 100

35
Q

Chapter 2 – Quickstart Guide
At settings of 1 to 100, Feedback controls the amount of delay repetition decay;
at settings of 100 to 200, it controls the _______. Depending on
the _____ it can get very loud, very quickly.

A

delay repetition build-up

delay setting,

36
Q

Chapter 2 – Quickstart Guide
At settings of 1 to 100, Feedback controls the amount of delay repetition decay;
at settings of ___to___ it controls the delay repetition build-up. Depending on
the delay setting, it can get very loud, very quickly.

A

100 to 200,

37
Q

Chapter 2 – Quickstart Guide

For more of a vintage, low fidelity sound, press the ___ button.

A

LoFi

38
Q

Chapter 2 – Quickstart Guide
Set the HP and LP Filters as needed. Use the ______ to move both filters
simultaneously, like a _____

A

link control

band-pass filter.

39
Q

ƒChapter 2 – Quickstart Guide
Experiment with different modulation speed and depth settings until you achieve
the desired effect. For example, a_____ delay setting with _____modulation can
create a great flanging effect.

A

For example, a short delay setting with slow modulation can

create a great flanging effect.

40
Q

ƒChapter 2 – Quickstart Guide:
Experiment with different modulation speed and depth settings until you achieve
the desired effect.
For example, a short delay setting with slow modulation can
create a great______ effect.

A

flanging

41
Q

ƒChapter 2 – Quickstart Guide:

Use the Analog control to alter the _____ of the H-Delay effect.

A

sonic character

42
Q

ƒChapter 2 – Quickstart Guide:

Use the Output and Mix controls to set _____

A

proper output levels.

43
Q

ƒChapter 2 – Quickstart Guide:

Use the ___and____controls to set proper output levels.

A

Output and Mix

44
Q

Chapter 3 – Interface and Controls
3.2 H-Delay Controls :
In addition to support of all Digidesign control surfaces, H-Delay includes a ________
which opens upon instantiation of the plug-in. To enable MIDI control of H-Delay, assign
a ______ to the node. All H-Delay controls (excluding Output Meter) support standard
____ procedures. (Apple Logic has its own MIDI functionality which is supported
by H-Delay.)

A

MIDI node
MIDI track
MIDI Learn

45
Q

3.2 H-Delay Controls :

Delay: it……

A

controls the delay time.

46
Q

3.2 H-Delay Controls :

______: controls the delay time.

A

Delay

47
Q

3.2 H-Delay Controls :Delay:

Range: ___ to ____ms or__________

A

1 to 3500 ms or BPM multiple

48
Q

3.2 H-Delay Controls :Delay:

Default: _____ note (Host sync)

A

1/8D

49
Q

3.2 H-Delay Controls:Time and BPM Display:
shows the delay time value, in ____ mode, displayed in milliseconds; in Host and BPM Sync modes, displayed in note units.

A

MS Sync

50
Q

3.2 H-Delay Controls:Time and BPM Display:

Values are set using the mouse as well as the __control.

A

Delay control

51
Q 
3.2 H-Delay Controls:Time and BPM Display:
 When switching from MS mode to 
BPM mode (or vice versa), the display will show the
A

nearest approximate value.

52
Q

3.2 H-Delay Controls:Time and BPM Display:

shows the delay time value, in MS Sync mode, displayed in milliseconds; in ____and___ modes, displayed in note units.

A

Host and BPM Sync

53
Q

3.2 H-Delay Controls:Time and BPM Display:

Range: ______ to ___ ms or _____

A

1 to 3500 or BPM multiple

54
Q

3.2 H-Delay Controls:

_____:determines whether delay time is set according to host tempo or manually.

A

Sync

55
Q

3.2 H-Delay Controls:
Sync:
_ (syncs to the host application BPM setting)
___ (syncs to a manual user setting)
__ (allows manual setting, in milliseconds)
Default: ___

A

ƒ Host
ƒ BPM
ƒ MS
Host

56
Q

______controls the amount of delay modulation applied.
Range___to___
Default: ___

A

Depth Range: 0 to 100

Default: 0

57
Q

_____ sets the modulation LFO cycle rate. In BPM or Host Sync mode, the rate value
is set according to a ____; in MS Sync mode, the rate value is expressed in____
Range: ___to_____ Hz or _______ (note values)
Default: _____

A

Rate
multiplier of the BPM
Hz.

Range: 0.1 to 6000 Hz or BPM multiples (note values)

Default: 0.1

58
Q

ping pong delay:
Range: ___
Default: ___

A

On/Off

Off

59
Q

Ping Pong Delay : Please note: Using_____ on one channel in Ping Pong mode may cause
some audio cancellation when using mono input sources

A

Phase Reverse

60
Q

Ping Pong Delay : Please note: Using Phase Reverse on one channel in Ping Pong mode may cause some _____ when using mono input sources

A

audio cancellation

61
Q

Ping Pong Delay : Please note: Using Phase Reverse on one channel in Ping Pong mode may cause
some audio cancellation when using ______sources

A

mono input

62
Q

Ping Pong activates/de-activates the ping pong delay effect ____, ___-to ___ components only).

A

Stereo

Mono to stereo

63
Q

_____ controls the amount of delay feedback.

A

Feedback

64
Q

Feedback:
At settings of ___to____, Feedback
controls the amount of delay repetition decay; at settings of 100 to 200, it controls
the delay repetition build-up (which can be used as an “endless” loop.) Depending
on the delay setting, it can get very loud, very quickly.

A

1 to 100

65
Q

Feedback:
At settings of 1 to 100, Feedback
controls the amount of ______at settings of 100 to 200, it controls
the delay repetition build-up (which can be used as an “endless” loop.) Depending
on the delay setting, it can get very loud, very quickly.

A

delay repetition decay;

66
Q

Feedback:
; at settings of_____to_____, it controls
the delay repetition build-up (which can be used as an “endless” loop.) Depending
on the delay setting, it can get very loud, very quickly.

A

100 to 200

67
Q

Feedback:
;at settings of 100 to 200, it controls
the ________ (which can be used as an “endless” loop.) Depending
on the delay setting, it can get very loud, very quickly.

A

delay repetition build-up

68
Q

Feedback:

delay repetition build-up (can be used as an _____)

A

“endless” loop.

69
Q

Feedback:
Range: ___to____%
Default:____%

A

Range: 0 to 200%
Default: 60%

70
Q

______sets the phase of each delay line. (________components only).

A

Phase Reverse L/R

Stereo, Mono-to-Stereo

71
Q

Phase Reverse L/R:
Range:
Default:

A

On/Off

Off

72
Q

Phase Reverse L/R sets the phase of each delay line.

Please note: Phase Reverse controls are linked in ______mode.

A

Mono-to-Stereo

73
Q

____ controls the frequency range of the low pass filter.
Range: ______to____,____
Default: _____

A

LP Filter
20 Hz to 20 kHz, Off
Off

74
Q

______controls the frequency range of the high pass filter.
Range: ___, ___to_____
Default: ___

A

HP Filter
Off,20 Hz to 20 kHz
Off

75
Q

______moves both HP and LP Filters by the same value, causing them to act as
Band Pass Filter.
Range:___to____
Please note: _____

A

Filter Link

20 Hz to 20 kHz

Automation for Link movement requires Write Automation-enabling both the HP and LP filters.

76
Q

Filter Link :moves both HP and LP Filters by the same value, causing them to act as
____

A

Band Pass Filter.

77
Q

______controls the amount of dry (unprocessed) vs. wet (processed) signal.
Range: ____
Default: _____

A

Dry/Wet Mix
0 to 100
100

78
Q

Analog toggles between _______modes
Range: __
Default: ___

A

analog character modes.
Off, Modes 1 to 4
Mode 2

79
Q

LoFi activates/de-activates the LoFi effect.
Range: ___
Default: __

A

On/Off

Off

80
Q

______ controls the output level.
Range: ____
Default:____

A

Output
+/-18 dB
0

81
Q

___ displays the output level.

Range:

A

Output Meter

0 to -48 dBFS

82
Q

_____controls the delay time by clicking.

A

Tap Pad

83
Q

Tap Pad Delay Time is set as the interval between the ______ . In Host and BPM Sync modes, the Delay
Time will be quantized to the nearest note value.

A

last two clicks on the pad.

84
Q

Tap Pad : In Host and BPM Sync modes, the Delay Time will be

A

quantized to the nearest note value.

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