Visual Perception Flashcards

1
Q

Preattentive processing

A

Preattentive processing of visual information is performed automatically on the entire visual field
- quickly, effortlessly and in parallel
- without focusing on visual attention

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2
Q

When is visual information processing is called preattentive?

A

Visual information processing is called preattentive, when information is gained in less than 200-250ms
- less time than would be needed to move the eyes
- using peripheral vision

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3
Q

In human vision, preattentive processing is the mechanism that lets us notice events in…

A

Visual periphery (perimeter of a circler)
- Drawing our attention
- Directing foveal vision

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4
Q

In visual design, we can apply knowledge of preattentive processing to

A
  • to direct attention to critical information
  • to convey information “at a glance”
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5
Q

Preattentive features (Pop-out features)

A

Preattentive features (also called out pop out features) are visual properties that can be perceived without focused attention

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6
Q

Pop-out features

A
  • Some features pop out more than others
    • Motion, Colour
  • Some features convey quantitative information “at a glance”, e.g.
    1. How long
    2. How big
    3. At which position
    4. In which direction
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7
Q

Preattentive Processing - Key Points

A
  • Preattentive processing supports the exploration and discovery of information in the visual field
    • Highly parallel processing in the visual
      periphery
    • Faster than we can move our eyes for
      focused attention
  • Preattentive processing is fundamental to information visualization
    • Pop-up features can be used to convey
      information efficiently
    • Without focused attention
    • Without cognitive effort
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8
Q

Gestalt Perception

A
  • Human vision is biased to perceive structure
    • Whole shapes, figures and objects
  • Gestalt
    • Pattern, configuration
    • Essence or shape of an entity’s complete form
    • A unified whole
  • Given a visual image, the human brain chooses
    • The simplest interpretation
    • WIth the most symmetry
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9
Q

Gestalt Principles in Design

A
  • Gestalt principles that are found in design guidelines
  • In Gestalt perception, there are further principles
    1. common fate
    2. Symmetry
    3. Figure/ground
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10
Q

Perception of relationships

A
  • Principles of Proximity, Similarity, Enclosure, Connection are about perception of groups and relationships
    • Effective communicate of what belongs together
    • User interface layout
    • Information visualization
    • Visual structure of documents
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11
Q

Perception of objects

A

Principles of closure, continuity and symmetry are about the perception of objects as a whole – resolving ambiguity in what we see.

  • Closure: seeing the whole even when only parts are visible
  • Continuity: seeing the whole even if partly occluded
  • Symmetry: choose an interpretation that has the highest symmetry
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12
Q

Perception of figure/ground

A

The principle of figure/ground is about what we perceive to be in the foreground (the figure) versus the background (ground)

  • The brain simplifies a visual scene by deciding what is in the foreground
  • Important as the figure gets the primary attention
  • Separation supported by strong contrast
    • Light/dark, Crisp/blurry, Saturated/grey
  • Smaller, crisper, brighter objects perceived in front
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13
Q

Visual Structure

A
  • Visual structure helps scan and understand information more quickly
    • The two screens have the same amount and density of information
    • But spacing and grouping of characters supports faster search
  • Structure and representation matter
    • Same information
    • Less cognitive effort
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14
Q

Gestalt and Structure - Key Points

A

Gestalt principles describe how we see structure in all of the visual stimuli that we receive

  • Perception of the whole even if it is not complete; of groups and relationships; and of foreground versus background
  • In design, Gestalt principles guide the layout of user interfaces and information, to effectively communicate structure
  • Visual structure, hierarchy and spacing reduce effort and time for visual search
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15
Q

Visual Encoding

A

How do we perceive data in information visualisation?

  • Visual encodings make use of different perceptual channels for representing data
    • Length, Area, Position, Colour, Shape, …
  • Some encodings are more effective than others
    e.g., length > area for comparing size
  • Depending on the type of data
    • Quantitative, ordinal, categorical
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16
Q

Coding information in Position

A
  • Position in an image is a highly expressive channel
  • Encoding quantitative variables
  1. A, B, C are distinguishable
  2. B is between A and C
  3. BC is more than twice as long as AB
17
Q

Coding information in Colour and Value

A
  • Value (lightness) is perceived as ordered
    • Encoding ordinal variables
    • OK for continuous variables
  • Color (hue) is perceived as unordered
    • Encode nominal variables (categories)
18
Q

Effectiveness Ranking by Data Type

A
  • Effectiveness of visual encodings
  • Consider different types of data visualization
  • How is data encoded visually?
  • What are the channels for conveying magnitude?
  • What are the channels for conveying identity
19
Q

Visual Encoding - Key Points

A
  • Perception of data depends on how the data is visually encoded
  • Visualisations make use of different perceptual channels to represent data
    • Visual properties that support perception of magnitudes or categories
  • Visual encodings vary in their effectiveness (and expresiveness)
    a. How quickly information can be perceived
    b. How accurately