(unpaired) Aikido Vocabulary L-Z Flashcards
MA AI
Proper distancing and timing
MAE
Front
MAE UKEMI
Forward break falls
MARUI
Circular, round; a principle in AIKIDO techniques
MASAKATSU
True victory/truth victorious
METSUBUSHI
Blinding the eyes. A strike to the eyes with the back of the fist, or a substance to throw in someone’s eyes. Note to be confused with the company MITSUBISHI.
MIGI
Right
MISOGI
Purification of the mind and body
MOCHI
To grasp or carry with the hands. Also TORI.
MOKUSO
Literally silent thought; quiet contemplation.
MUDANSHA
Students without black belt ranks.
MUNE
Chest
MUNE-DORI/MOCHI
Chest grasp, grasped lapel
MUNE-ZUKI
Punch or thrust to the base of the breastbone
NAGARE
Flowing. KI NO NAGARE means stream of spirit. See also RYU.
NAGE
To throw or the thrower (person who is doing the technique, TORI or SHITE).
NANAME
Diagonal or oblique
NIDO
Two times
NIDO MAWARI
2 times pivot
NIDO-ZUKI
2 time thrust
NIKYO
Second teaching. KOTE MAWASHI or wrist turn. Also called NIKAJO
NUKI TSUKE
Drawing the sword
O SENSEI
“Great teacher”
OBI
Sash or belt
OMOTE
Surface or front. Also called SHOMEN.
ONAJIKU
In the same way
ONEGAI SHIMASU
Please, in this context “I welcome you to train with me”. Polite and formal.
OSAE
Pressing, pushing. To immobilize/control.
OSAE WAZA
Pinning techniques
OTAGAI (NI) REI
Blow (to) each other
OTOSHI
Drop or let fall.
OYO
Application
RANDORI
Free style practice; all out training.
REI
Bow
REIHO/REIGI
Etiquette
RENRAKU
Connection, communication.
RENSHU
Practice, exercise. REN here means train, and SHU means learn.
RENZOKU
Continuation
RIAI
The interrelationship of principles. RIAI refers to the similarities in body movement, distancing, and timing involved in meeting an opponent; whether one is armed or empty handed. In a larger sense, RIAI also refers to the similarities in principles and goals of all the Japanese ways.
ROKUDAN
Sixth degree black belt in martial arts ranking systems
RYO
Both
RYOKATA-DORI/MOCHI
Both shoulders grasped
RYOTE
Both partner’s wrists grasped
RYU (NAGARE)
A school or tradition, martial art or otherwise.
SABAKI
Handling. ASHI SABAKI is handling the feet or footwork.
SAMURAI
Retainer. In Japanese, BUSHI is more commonly used to mean a member of the warrior class.
SANDAN
Third degree black belt in martial arts ranking system. Third rank or grade.
SANKYO
Third teaching. KOTE HINERI or wrist twist. Also called SANKAJO.
SANKAKU
Triangle
SATORI
Enlightenment; spiritual awakening or realization. Term common in ZEN BUDDHISM.
SATSUJINKEN
The sword that kills people
SAYA
Scabbard
SAYU UNDO
Left/right exercise
SEIRETSU
Line up
SEIZA
Position when seated on one’s heels. Also used as a command.
SEMPAI
Senior. The SEMPAI/KOHAI relationship is particularly important in Japanese culture and permeates all areas of life. Japanese are always conscious of whether people they meet are above or below them in social status in regards to their seniority.
SEMPAI (NI) REI
Bow (to) senior
SENSEI
Teacher/instructor. Originally meant first born, compare with DESHI.
SENSEI (NI) REI
Bow (to) teacher
SEPPUKU
Ritual suicide by self-disembowelment
SHIAI
Contest; match; competition. Competition does not exist in AIKIDO except for most TOMIKI RYU AIKIDO, a few KI Society groups.
SHICHIDAN
Seventh rank or grade. Seventh degree black belt in martial arts ranking system.
SHIDOIN
A formal title meaning approximately ‘instructor’. The middle of three instructor levels instituted by the AIKIKAI HOMBU DOJO in the mid 1970’s; corresponds approximately to fourth and fifth degree black belts. The three instructor levels in ascending order are FUKUSHIDOIN, SHIDOIN and SHIHAN.
SHIHAN
A formal title approximately meaning model instructor. The highest of the three instructor levels instituted by the AIKIKAI HOMBU DOJO in the mid 1970’s. Corresponds approximately to sixth degree black belt and above.
SHIHO NAGE
Four direction throw. Technique where SHITE passes under UKE’s arm, pivots 180 degrees, and throws. This technique originally included a pin with the arm barred in SHIHO NAGE position to complete.
SHIKAKU
Dead angle, blind spot. A position relative to one’s partner where it is difficult for them to continue their attack.
SHIKKO
Knee walking. A form of walking pivoting on the knees from SEIZA which improves balance and hip stability, preparing the student for executing SUWARI WAZA.
SHIME
A choke or lock, for example HIJI-JIME is an elbow lock.
SHINAI
The mock weapon used in modern sport KENDO. The SHINAI is made of split lengths of bamboo tied together.
SHINKEN
The live or sharpened steel sword
SHINKEN SHOBU
Literally real swords, victory or defeat
SHINKOK YU
Deep breathing
SHINTO
“The way of the gods.” The indigenous religion of Japan.
SHITE
Person executing the technique or throw. The defender, also called TOR or NAGE. Literally “doing hand”.
SHODAN
Beginner level. First degree black belt.
SHOMEN
Front face. Also called OMOTE.
SHOMEN (NI) REI
Bow (to) front of DOJO.
SHOMEN UCHI
Front strike to the head. MENUCHI for short.
SHOSHIN
Beginner’s mind each time you are UKE or NAGE.
SHUGYO
Austere training
SHUTO (TEGATANA)
Hand blade, cut with edge of arm
SUKASHI WAZA
Techniques performed without allowing the attacker to complete a grab or initiate a strike.
SODE
Sleeve
SOKE
Head of family or house; used in martial arts to refer to the individual who is the blood successor/founder of a martial art tradition.
SOTAI DOSA
Movement with partner
SOTO
Outside
SUBURI
Basic striking or thrusting with a JO or BOKKEN
SUBURITO
A heavy BOKKEN for use in SUBURI practice
SUIGETSU
Literally water moon, refers to the solar plexus in the middle of the chest below the breastbone.
SUKI
An opening or gap where one is vulnerable to attack
SUMI
Corner
SUMI OTOSHI
Corner drop. A throwing technique where UKE is unbalanced diagonally backwards by the extended hand or SHITE.
SURI ASHI
Sliding steps
SUWARI
Sitting
SUWARI WAZA
Seated techniques
TACHI
A type of Japanese long sword intended to be worn edge down
TACHI REI
Standing bow
TACHI-DORI
Long sword taking
TACHI WAZA
Standing techniques
TAI (KARADA)
Body
TAI ATARI
Striking with one’s body, entering and blocking
TAI NO HENKO/ TAI NO TENKAN
Evasive body movements/turning
TAI SABAKI
Body movement. Step, turn 180 degrees, step back. Also called IRIMI TENKAN.
TAIJUTSU
Body arts; i.e. unarmed practice
TANDEN
Literally cinnabar field. The spot in the center of the abdomen where one’s center of balance is when standing. Short for SEIKA TANDEN.
TANDOKU DOSA
Solo exercise
TANINZU-DORI
Training against multiple attackers
TANTO
A dagger or knife
TANTAMI
Straw mat
TE
Hand
TEGATANA
“Hand-sword”; since AIKIDO techniques are based on sword movements, the hand with the fingers spread should function as a sword, the little finger edge of the hand, blade-side. Sometimes called SHUTO.
TEGATANA ATE
Strike with the hand-blade
TEGATANA MICHIBIKI
Leading/guiding with the hand-blade
TEGATANA YOKE
Knife hand block
TEKUBI
“Hand neck” wrist
TEKUBI MAWASHI
Wrist circling
TENCHI
Heaven and earth. TENCHI NAGE : “heaven and earth throw”.
TENKAI
Pivot
TENKAN
Turning movement, especially turning the body 180 degrees
TENSHIN
Body turn, a movement where NAGE retreats 45 degrees away from the attack.
TORI
Taking/grasping or the person who is throwing. Another name for SHITE or NAGE. May also be pronounced – DORI.
TORIFUNE
“Taking a boat.” Rowing exercise for breathing and posture. Also called FUNAKOGI.
TOSHU
Bare hands
TOSHU WAZA
Technique without weapons
TSUBA
Hand guard for the sword/BOKKEN
TSUKA
Handle of the sword/BOKKEN
TSUKI
A punch or thrust. May also be pronounced ZUKI
UCHI (1)
“Inside”; movement inside UKE’s arm
UCHI (2)
Hitting or striking
UCHI DESHI
Inner disciple. A live in student, a student who lives in the DOJO and acts as a 24 hour trainee/attendant.
UDE
Arm
UDE-GARAMI
Arm entanglement
UDE OSAE
Arm control, another name for IKKYO
UDEKIME NAGE
Arm-bar throw, type of KOKYU NAGE where UKE’s arm acts as a lever arm
UESHIBA KISSHOMARU
The third son of the found of AIKIDO and second AIKIDO DOSHU
UESHIBA MORIHEI
The founder of AIKIDO
UESHIBA MORITERU
he grandson of the founder and current AIKIDO DOSHU
UKE
One who receives, the person being thrown or the partner who receives the technique
UKEMI
“Receiving with the body”. Break falls; controlling the fall when thrown. MAE UKEMI is a forward roll or fall, USHIRO UKEMI is a back roll or fall
UNDO
Exercise or drill
URA
Reverse side or back
USHIRO
Backwards or behind
USHIRO UKEMI
Back rolls or falls
USHIRO WAZA
Rear techniques, techniques applied when one is attacked from the rear
WAKI-GAMAE
Sword pointed down and back
WAKIZASHI
Short sword
WAZA
Techique
YAME
Stop or finish. A command.
YOKE
Avoidance, block
YOKO
Side or horizontal
YOKOMEN UCHI
Side blow to the head
YONKYO
Fourth teaching. TEKUBI OSAE or wrist pin. Also YONKAJO
YUBI
Fingers or toes
YUDANSHA
Person holding black belt rank
ZANSHIN
Balance and aware state. It is the “following through” of a technique. One is connected to the UKE even after the throw in an unbroken flow of KI, simultaneously ready to receive any new attack. A moment of settling and stillness at the completion of the technique while remaining attentive and balanced.
ZORI
Sandals worn off the mat to help keep the mat clean