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aikido vocabulary > Aikido Vocabulary A-Z randomized #1 > Flashcards

Aikido Vocabulary A-Z randomized #1 Flashcards

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1
Q

AGATSU

A

victory over your egoism

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2
Q

victory over your egoism

A

AGATSU

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3
Q

AI

A

harmony or unification

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4
Q

harmony or unification

A

AI

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5
Q

AI HANMI

A

when both practitioners have the same foot forward

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6
Q

when both practitioners have the same foot forward

A

AI HANMI

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7
Q

AI NUKE

A

mutual escape

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8
Q

mutual escape

A

AI NUKE

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9
Q

AI UCHI

A

mutual kill

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10
Q

mutual kill

A

AI UCHI

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11
Q

AIKI

A

blending or harmonizing of KI

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12
Q

blending or harmonizing of KI

A

AIKI

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13
Q

AIKIDO

A

the way of harmony with ki

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14
Q

the way of harmony with ki

A

AIKIDO

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15
Q

AIKIDOKA

A

The practitioner of AIKIDO.

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16
Q

The practitioner of AIKIDO.

A

AIKIDOKA

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17
Q

AIKIOTOSHI

A

Entering deeply and picking up UKE’s side leg.

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18
Q

Entering deeply and picking up UKE’s side leg.

A

AIKIOTOSHI

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19
Q

ASHI

A

foot or leg

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20
Q

foot or leg

A

ASHI

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21
Q

ASHIKUBI

A

ankle

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22
Q

ankle

A

ASHIKUBI

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23
Q

ASHI SABAKI

A

footwork

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24
Q

footwork

A

ASHI SABAKI

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25
Q

ATEMI

A

strike or blow to the body

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26
Q

strike or blow to the body

A

ATEMI

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27
Q

AYA

A

See KOSA.

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28
Q

AYUMI ASHI

A

walking step - back foot slides up and becomes front foot

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29
Q

walking step - back foot slides up and becomes front foot

A

AYUMI ASHI

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30
Q

BANGO HAJIME

A

begin counting

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31
Q

begin counting

A

BANGO HAJIME

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32
Q

BO

A

wooden staff - esp 6’ or greater in length

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33
Q

wooden staff - esp 6’ or greater in length

A

BO

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34
Q

BOKKEN

A

The wooden practice sword used as a substitute a steel blade in SUBURI practice. The BOKKEN matches in weight and shape the approximate dimensions of a real sword. Depending upon its exact size or construction, BOKKEN may also be called BOKUTO, SUBURITO, KAISUBURITO, HAKUSUBURITO, or JIGEN SUBURITO.

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35
Q

The wooden practice sword used as a substitute a steel blade in SUBURI practice. The BOKKEN matches in weight and shape the approximate dimensions of a real sword. Depending upon its exact size or construction, BOKKEN may also be called BOKUTO, SUBURITO, KAISUBURITO, HAKUSUBURITO, or JIGEN SUBURITO.

A

BOKKEN

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36
Q

BOKKEN MOTOE

A

Put back the BOKKEN.

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37
Q

Put back the BOKKEN.

A

BOKKEN MOTOE

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38
Q

BOKKEN YOI

A

Wield the BOKKEN.

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39
Q

Wield the BOKKEN.

A

BOKKEN YOI

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40
Q

BUDO

A

Martial way.

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41
Q

Martial way.

A

BUDO

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42
Q

BUKI WAZA

A

Weapon techniques.

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43
Q

Weapon techniques.

A

BUKI WAZA

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44
Q

BUSHIDO

A

The way of the warrior, a code of conduct.

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45
Q

The way of the warrior, a code of conduct.

A

BUSHIDO

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46
Q

CHINKON KISHIN

A

Calm the spirit and return to the divine, a centering exercise.

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47
Q

Calm the spirit and return to the divine, a centering exercise.

A

CHINKON KISHIN

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48
Q

CHOKU-ZUKI

A

Straight punch.

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49
Q

Straight punch.

A

CHOKU-ZUKI

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50
Q

CHOKUSEN

A

Straight line, direct CHOKUSEN NO IRIMI means direct entry.

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51
Q

Straight line, direct CHOKUSEN NO IRIMI means direct entry.

A

CHOKUSEN

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52
Q

CHUDAN

A

Middle level/position.

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53
Q

Middle level/position.

A

CHUDAN

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54
Q

CHUSHIN

A

Center.

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55
Q

Center.

A

CHUSHIN

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56
Q

DAI

A

Order or number as in DAI-ICHI meaning first or number one.

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57
Q

Order or number as in DAI-ICHI meaning first or number one.

A

DAI

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58
Q

DAN

A

Level, black belt rank.

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59
Q

Level, black belt rank.

A

DAN

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60
Q

DESHI

A

Student or disciple. Originally meant younger brother, compare with SENSEI.

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61
Q

Student or disciple. Originally meant younger brother, compare with SENSEI.

A

DESHI

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62
Q

DO (MICHI)

A

A road, path or way. Refers to any several disciplines designed to train the practitioner in technical skills which have as their ultimate goal the perfection of the character/spirit.

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63
Q

A road, path or way. Refers to any several disciplines designed to train the practitioner in technical skills which have as their ultimate goal the perfection of the character/spirit.

A

DO (MICHI)

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64
Q

DOHAI

A

One’s equal. Contrast with SEMPAI and KOHAI.

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65
Q

One’s equal. Contrast with SEMPAI and KOHAI.

A

DOHAI

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66
Q

DOJO

A

Literally the place of the way.

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67
Q

Literally the place of the way.

A

DOJO

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68
Q

DOJOCHO

A

The head of the DOJO.

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69
Q

The head of the DOJO.

A

DOJOCHO

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70
Q

DOMO ARIGATO GOZAIMASHITA

A

Thank you very much for what you have done. DOMO ARIGATO GOZAIMASU is thank you very much for what you are doing/are going to do. Polite and formal.

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71
Q

Thank you very much for what you have done. DOMO ARIGATO GOZAIMASU is thank you very much for what you are doing/are going to do. Polite and formal.

A

DOMO ARIGATO GOZAIMASHITA

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72
Q

DOSA

A

A movement.

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73
Q

A movement.

A

DOSA

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74
Q

DOSHU

A

Head of the way.

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75
Q

Head of the way.

A

DOSHU

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76
Q

EMPI UCHI

A

Elbow striking.

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77
Q

Elbow striking.

A

EMPI UCHI

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78
Q

ERI

A

Collar.

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79
Q

Collar.

A

ERI

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80
Q

ERI-DORI/MOCHI

A

Collar grab.

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81
Q

Collar grab.

A

ERI-DORI/MOCHI

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82
Q

FUKUSHIDOIN

A

Assistant instructor.

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83
Q

Assistant instructor.

A

FUKUSHIDOIN

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84
Q

FUKUSO TOTONOETE

A

Fix your uniform.

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85
Q

Fix your uniform.

A

FUKUSO TOTONOETE

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86
Q

FUMIKOMI

A

“Stepping in” with the back foot.

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87
Q

“Stepping in” with the back foot.

A

FUMIKOMI

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88
Q

FUTARI

A

Two person/people.

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89
Q

Two person/people.

A

FUTARI

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90
Q

GAESHI (KAESHI)

A

Reversal/outward turning movement.

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91
Q

Reversal/outward turning movement.

A

GAESHI (KAESHI)

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92
Q

GAMMEN

A

Face.

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93
Q

Face.

A

GAMMEN

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94
Q

GEDAN

A

Lower level/position.

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95
Q

Lower level/position.

A

GEDAN

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96
Q

GERI (KERI)

A

Kicking.

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97
Q

Kicking.

A

GERI (KERI)

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98
Q

GI (KI)

A

Properly KEIKOGI or training costume, DOGI or SHITAGI meaning undergarments, or KIMONO meaning traditional Japanese style clothing.

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99
Q

Properly KEIKOGI or training costume, DOGI or SHITAGI meaning undergarments, or KIMONO meaning traditional Japanese style clothing.

A

GI (KI)

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100
Q

GIRI (KIRI)

A

Cutting.

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101
Q

Cutting.

A

GIRI (KIRI)

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102
Q

GOKYO

A

Fifth teaching. UDE NOBASHI or arm stretch. Also called GOKAJO.

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103
Q

Fifth teaching. UDE NOBASHI or arm stretch. Also called GOKAJO.

A

GOKYO

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104
Q

GYAKU

A

Reverse.

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105
Q

Reverse.

A

GYAKU

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106
Q

GYAKU HANMI

A

When both practitioners assume opposite stances (one right, the other left).

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107
Q

When both practitioners assume opposite stances (one right, the other left).

A

GYAKU HANMI

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108
Q

GYAKU MAWASHI

A

Circling in the opposite direction.

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109
Q

Circling in the opposite direction.

A

GYAKU MAWASHI

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110
Q

HAI

A

Yes (formal). E is informal, HA is polite. HE means no but sounds harsh, so CHIGAIMASU meaning “is different” (formal) is often used.

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111
Q

Yes (formal). E is informal, HA is polite. HE means no but sounds harsh, so CHIGAIMASU meaning “is different” (formal) is often used.

A

HAI

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112
Q

HAJIME

A

Begin.

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113
Q

Begin.

A

HAJIME

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114
Q

HAKAMA

A

There are many types. The pleated, split skirt worn in AIKIDO and KENDO are known as JOBA HAKAMA or chaps.

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115
Q

There are many types. The pleated, split skirt worn in AIKIDO and KENDO are known as JOBA HAKAMA or chaps.

A

HAKAMA

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116
Q

HANMI

A

Half forward stance, thus HIDARI HANMI is a left oblique stance. AIKIDO uses SANKAKUTAI NO HANMI, a triangular stance in which the heels are in line and the feet form a rough right angle. A type of KAMAE.

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117
Q

Half forward stance, thus HIDARI HANMI is a left oblique stance. AIKIDO uses SANKAKUTAI NO HANMI, a triangular stance in which the heels are in line and the feet form a rough right angle. A type of KAMAE.

A

HANMI

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118
Q

HANMI HANDACHI

A

Position with SHITE sitting; UKE standing.

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119
Q

Position with SHITE sitting; UKE standing.

A

HANMI HANDACHI

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120
Q

HAPPO

A

8 sides, as in HAPPO GIRI (8 direction cutting with the sword).

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121
Q

8 sides, as in HAPPO GIRI (8 direction cutting with the sword).

A

HAPPO

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122
Q

HARA

A

Belly or abdomen. One’s center of mass is located in their SHITA HARA or lower gut when standing upright.

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123
Q

Belly or abdomen. One’s center of mass is located in their SHITA HARA or lower gut when standing upright.

A

HARA

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124
Q

HASSO NO KAMAE

A

“Eight phase stance” with either JO or sword at side of head.

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125
Q

“Eight phase stance” with either JO or sword at side of head.

A

HASSO NO KAMAE

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126
Q

HENKA WAZA

A

Varied technique; beginning one technique and changing to another in mid-execution.

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127
Q

Varied technique; beginning one technique and changing to another in mid-execution.

A

HENKA WAZA

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128
Q

HIDARI

A

Left.

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129
Q

Left.

A

HIDARI

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130
Q

HIJI

A

Elbow.

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131
Q

Elbow.

A

HIJI

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132
Q

HIJI-GIRI

A

Elbow cut.

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133
Q

Elbow cut.

A

HIJI-GIRI

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134
Q

HIJI-DORI/MOCHI

A

Elbow grasp.

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135
Q

Elbow grasp.

A

HIJI-DORI/MOCHI

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136
Q

HIJI OSAE

A

Pressing on the elbow; elbow control.

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137
Q

Pressing on the elbow; elbow control.

A

HIJI OSAE

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138
Q

HIJI-JIME

A

Elbow lock.

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139
Q

Elbow lock.

A

HIJI-JIME

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140
Q

HIKI ASHI

A

Step back.

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141
Q

Step back.

A

HIKI ASHI

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142
Q

HIRIKI NO YOSEI

A

Elbow power cultivation.

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143
Q

Elbow power cultivation.

A

HIRIKI NO YOSEI

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144
Q

HITORI WAZA

A

One person technique, “invisible partner practice”.

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145
Q

One person technique, “invisible partner practice”.

A

HITORI WAZA

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146
Q

HIYAKU

A

Jump.

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147
Q

Jump.

A

HIYAKU

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148
Q

HIYAKU UKEMI

A

Jumping break fall.

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149
Q

Jumping break fall.

A

HIYAKU UKEMI

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150
Q

HIZA

A

Knee.

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151
Q

Knee.

A

HIZA

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152
Q

ICHI NI TSUITE

A

Everyone to their place.

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153
Q

Everyone to their place.

A

ICHI NI TSUITE

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154
Q

IKKYO

A

First teaching. UDE OSAE or arm pin. Also called IKKAJO.

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155
Q

First teaching. UDE OSAE or arm pin. Also called IKKAJO.

A

IKKYO

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156
Q

IRIMI

A

Entering with the body (step or slide).

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157
Q

Entering with the body (step or slide).

A

IRIMI

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158
Q

IRIMI NAGE

A

Entering throw.

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159
Q

Entering throw.

A

IRIMI NAGE

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160
Q

IRIMI TENKAN

A

Enter and turn, sometimes called TAI SABAKI.

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161
Q

Enter and turn, sometimes called TAI SABAKI.

A

IRIMI TENKAN

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162
Q

JIYU WAZA

A

Free style practice of techniques.

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163
Q

Free style practice of techniques.

A

JIYU WAZA

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164
Q

JO (TSUE)

A

Walking stick, a 4’ – 5’ wooden staff which is used in AIKIDO as (1) a visible extension of one’s technique and personality, (2) a weapon to be neutralized, or (3) as an instrument of coordination.

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165
Q

Walking stick, a 4’ – 5’ wooden staff which is used in AIKIDO as (1) a visible extension of one’s technique and personality, (2) a weapon to be neutralized, or (3) as an instrument of coordination.

A

JO (TSUE)

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166
Q

JODAN

A

Upper level/position.

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167
Q

Upper level/position.

A

JODAN

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168
Q

JU (YAWARA)

A

Flexibility, suppleness.

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169
Q

Flexibility, suppleness.

A

JU (YAWARA)

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170
Q

JUJI

A

The character for the number ten, shaped like a cross.

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171
Q

The character for the number ten, shaped like a cross.

A

JUJI

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172
Q

JUJI-GARAMI

A

Cross shaped entanglement.

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173
Q

Cross shaped entanglement.

A

JUJI-GARAMI

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174
Q

JUJI NAGE

A

Arm cross throw.

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175
Q

Arm cross throw.

A

JUJI NAGE

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176
Q

JUJI YOKE

A

Arm cross evasion.

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177
Q

Arm cross evasion.

A

JUJI YOKE

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178
Q

JUMBI UNDO

A

Warm up exercise.

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179
Q

Warm up exercise.

A

JUMBI UNDO

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180
Q

KAESHI WAZA

A

Countering or escaping techniques.

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181
Q

Countering or escaping techniques.

A

KAESHI WAZA

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182
Q

KAITEN

A

Rotary (turning on the spot 180 degrees – feet remaining in place.

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183
Q

Rotary (turning on the spot 180 degrees – feet remaining in place.

A

KAITEN

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184
Q

KAKUJI HAJIME

A

Everyone by themselves, begin.

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185
Q

Everyone by themselves, begin.

A

KAKUJI HAJIME

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186
Q

KAMAE

A

Attitude, posture or stance either with or without a Weapon, which reflects combative spirit. Includes HANMI. Also used as a command.

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187
Q

Attitude, posture or stance either with or without a Weapon, which reflects combative spirit. Includes HANMI. Also used as a command.

A

KAMAE

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188
Q

KAMIZA

A

The front of a DOJO, especially one containing a small shrine; seat of honor.

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189
Q

The front of a DOJO, especially one containing a small shrine; seat of honor.

A

KAMIZA

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190
Q

KANCHO

A

Head of the house.

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191
Q

Head of the house.

A

KANCHO

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192
Q

KANJI

A

Chinese characters, used in written Japanese.

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193
Q

Chinese characters, used in written Japanese.

A

KANJI

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194
Q

KANKYU

A

Slow/fast.

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195
Q

Slow/fast.

A

KANKYU

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196
Q

KANREN WAZA

A

Applied technique.

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197
Q

Applied technique.

A

KANREN WAZA

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198
Q

KANSETSU

A

Joints, as in the arms and the legs.

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199
Q

Joints, as in the arms and the legs.

A

KANSETSU

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200
Q

KANSETSU WAZA

A

Joint techniques.

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201
Q

Joint techniques.

A

KANSETSU WAZA

202
Q

KATA

A

A form, or a series of formalized movements, used for training in the martial arts.

203
Q

A form, or a series of formalized movements, used for training in the martial arts.

A

KATA

204
Q

KATA-DORI

A

One shoulder grasped.

205
Q

One shoulder grasped.

A

KATA-DORI

206
Q

KATAME

A

Locking or pinning techniques.

207
Q

Locking or pinning techniques.

A

KATAME

208
Q

KATANA

A

The steel sword of Japan when worn with the cutting edge up, thrust through a sash at the hip. Long swords which are attached to the belt with a connecting cord and worn with the cutting edge down are called TACHI. The KATANA may also be referred to as a SHINKEN to distinguish it from a BOKKEN.

209
Q

The steel sword of Japan when worn with the cutting edge up, thrust through a sash at the hip. Long swords which are attached to the belt with a connecting cord and worn with the cutting edge down are called TACHI. The KATANA may also be referred to as a SHINKEN to distinguish it from a BOKKEN.

A

KATANA

210
Q

KATATE

A

A single hand.

211
Q

A single hand.

A

KATATE

212
Q

KATATE-DORI/MOCHI

A

One hand grab.

213
Q

One hand grab.

A

KATATE-DORI/MOCHI

214
Q

KATSU JIN KEN

A

The sword that saves people’s lives.

215
Q

The sword that saves people’s lives.

A

KATSU JIN KEN

216
Q

KEIKO SHURYO

A

Class dismissed.

217
Q

Class dismissed.

A

KEIKO SHURYO

218
Q

KEN (TSURUGI)

A

A blade or sword, especially of the straight, two edged type, KEN is used as a prefix in several words relating to swordsmanship, including KENJUTSU or sword art, KENDO or sword way, KENSHI or swordsman, etc.

219
Q

A blade or sword, especially of the straight, two edged type, KEN is used as a prefix in several words relating to swordsmanship, including KENJUTSU or sword art, KENDO or sword way, KENSHI or swordsman, etc.

A

KEN (TSURUGI)

220
Q

KENJUTSU

A

Swordsmanship.

221
Q

Swordsmanship.

A

KENJUTSU

222
Q

KENSHO

A

Seeing into one’s true nature, enlightenment. See also SATORI.

223
Q

Seeing into one’s true nature, enlightenment. See also SATORI.

A

KENSHO

224
Q

KESA-GIRI

A

Diagonal body cut (up or down). A KESA is a surplice worn by Buddhist monks.

225
Q

Diagonal body cut (up or down). A KESA is a surplice worn by Buddhist monks.

A

KESA-GIRI

226
Q

KI

A

Vital force, unified energy of all one’s powers – mental, physical and spiritual.

227
Q

Vital force, unified energy of all one’s powers – mental, physical and spiritual.

A

KI

228
Q

KI MUSUBI

A

Connecting KI.

229
Q

Connecting KI.

A

KI MUSUBI

230
Q

KIAI

A

A KAKEGOE or shout delivered for the purpose of focusing all one’s energy, or otherwise dominating your opponent – for example the look in your eyes, or the way you stand.

231
Q

A KAKEGOE or shout delivered for the purpose of focusing all one’s energy, or otherwise dominating your opponent – for example the look in your eyes, or the way you stand.

A

KIAI

232
Q

KIHON DOSA

A

Basic movement.

233
Q

Basic movement.

A

KIHON DOSA

234
Q

KIHON WAZA

A

Basic techniques.

235
Q

Basic techniques.

A

KIHON WAZA

236
Q

KIRI

A

Cutting.

237
Q

Cutting.

A

KIRI

238
Q

KIRI OTOSHI

A

Dropping cut.

239
Q

Dropping cut.

A

KIRI OTOSHI

240
Q

KIRITSU

A

The attention stance of the Japanese military, heels together and toes at a 45 degree angle. A command.

241
Q

The attention stance of the Japanese military, heels together and toes at a 45 degree angle. A command.

A

KIRITSU

242
Q

KOHAI

A

A student junior to oneself.

243
Q

A student junior to oneself.

A

KOHAI

244
Q

KOHO

A

Backward.

245
Q

Backward.

A

KOHO

246
Q

KOHO KAITEN UKEMI

A

Backward roll.

247
Q

Backward roll.

A

KOHO KAITEN UKEMI

248
Q

KOHO UKEMI

A

Back break falls.

249
Q

Back break falls.

A

KOHO UKEMI

250
Q

KOKORO

A

Heart or mind.

251
Q

Heart or mind.

A

KOKORO

252
Q

KOKYU

A

Breath, a state of compatibility with the movements of UKE, “fitting in”, to go with the grain.

253
Q

Breath, a state of compatibility with the movements of UKE, “fitting in”, to go with the grain.

A

KOKYU

254
Q

KOKYU DOSA

A

An exercise used to develop your KI or breathing \without using brute strength.

255
Q

An exercise used to develop your KI or breathing \without using brute strength.

A

KOKYU DOSA

256
Q

KOKYU HO

A

Breath method.

257
Q

Breath method.

A

KOKYU HO

258
Q

KOKYU NAGE

A

Breath throw.

259
Q

Breath throw.

A

KOKYU NAGE

260
Q

KOKYU RYOKU

A

Breath power.

261
Q

Breath power.

A

KOKYU RYOKU

262
Q

KOSA

A

Cross.

263
Q

Cross.

A

KOSA

264
Q

KOSHI

A

The lower back and hips.

265
Q

The lower back and hips.

A

KOSHI

266
Q

KOSHIITA

A

Back plate for the HAKAMA.

267
Q

Back plate for the HAKAMA.

A

KOSHIITA

268
Q

KOTE

A

Small hand/wrist.

269
Q

Small hand/wrist.

A

KOTE

270
Q

KOTE- GAESHI

A

Outward wrist twist.

271
Q

Outward wrist twist.

A

KOTE- GAESHI

272
Q

KUBI

A

Neck or head.

273
Q

Neck or head.

A

KUBI

274
Q

KUBI ATE

A

Neck strike.

275
Q

Neck strike.

A

KUBI ATE

276
Q

KUMIJO

A

Partner exercise using JO.

277
Q

Partner exercise using JO.

A

KUMIJO

278
Q

KUMITACHI

A

A short, two person exercise with a long sword or a BOKKEN.

279
Q

A short, two person exercise with a long sword or a BOKKEN.

A

KUMITACHI

280
Q

KUZUSHI

A

Breaking, as in balance.

281
Q

Breaking, as in balance.

A

KUZUSHI

282
Q

KYU

A

White/coloured belt ranks. Any rank below SHODAN.

283
Q

White/coloured belt ranks. Any rank below SHODAN.

A

KYU

284
Q

KYUSHO

A

Vital points, vulnerable spots.

285
Q

Vital points, vulnerable spots.

A

KYUSHO

286
Q

MA AI

A

Proper distancing and timing

287
Q

Proper distancing and timing

A

MA AI

288
Q

MAE

A

Front

289
Q

Front

A

MAE

290
Q

MAE UKEMI

A

Forward break falls

291
Q

Forward break falls

A

MAE UKEMI

292
Q

MARUI

A

Circular, round; a principle in AIKIDO techniques

293
Q

Circular, round; a principle in AIKIDO techniques

A

MARUI

294
Q

MASAKATSU

A

True victory/truth victorious

295
Q

True victory/truth victorious

A

MASAKATSU

296
Q

METSUBUSHI

A

Blinding the eyes. A strike to the eyes with the back of the fist, or a substance to throw in someone’s eyes. Note to be confused with the company MITSUBISHI.

297
Q

Blinding the eyes. A strike to the eyes with the back of the fist, or a substance to throw in someone’s eyes. Note to be confused with the company MITSUBISHI.

A

METSUBUSHI

298
Q

MIGI

A

Right

299
Q

Right

A

MIGI

300
Q

MISOGI

A

Purification of the mind and body

301
Q

Purification of the mind and body

A

MISOGI

302
Q

MOCHI

A

To grasp or carry with the hands. Also TORI.

303
Q

To grasp or carry with the hands. Also TORI.

A

MOCHI

304
Q

MOKUSO

A

Literally silent thought; quiet contemplation.

305
Q

Literally silent thought; quiet contemplation.

A

MOKUSO

306
Q

MUDANSHA

A

Students without black belt ranks.

307
Q

Students without black belt ranks.

A

MUDANSHA

308
Q

MUNE

A

Chest

309
Q

Chest

A

MUNE

310
Q

MUNE-DORI/MOCHI

A

Chest grasp, grasped lapel

311
Q

Chest grasp, grasped lapel

A

MUNE-DORI/MOCHI

312
Q

MUNE-ZUKI

A

Punch or thrust to the base of the breastbone

313
Q

Punch or thrust to the base of the breastbone

A

MUNE-ZUKI

314
Q

NAGARE

A

Flowing. KI NO NAGARE means stream of spirit. See also RYU.

315
Q

Flowing. KI NO NAGARE means stream of spirit. See also RYU.

A

NAGARE

316
Q

NAGE

A

To throw or the thrower (person who is doing the technique, TORI or SHITE).

317
Q

To throw or the thrower (person who is doing the technique, TORI or SHITE).

A

NAGE

318
Q

NANAME

A

Diagonal or oblique

319
Q

Diagonal or oblique

A

NANAME

320
Q

NIDO

A

Two times

321
Q

Two times

A

NIDO

322
Q

NIDO MAWARI

A

2 times pivot

323
Q

2 times pivot

A

NIDO MAWARI

324
Q

NIDO-ZUKI

A

2 time thrust

325
Q

2 time thrust

A

NIDO-ZUKI

326
Q

NIKYO

A

Second teaching. KOTE MAWASHI or wrist turn. Also called NIKAJO

327
Q

Second teaching. KOTE MAWASHI or wrist turn. Also called NIKAJO

A

NIKYO

328
Q

NUKI TSUKE

A

Drawing the sword

329
Q

Drawing the sword

A

NUKI TSUKE

330
Q

O SENSEI

A

“Great teacher”

331
Q

“Great teacher”

A

O SENSEI

332
Q

OBI

A

Sash or belt

333
Q

Sash or belt

A

OBI

334
Q

OMOTE

A

Surface or front. Also called SHOMEN.

335
Q

Surface or front. Also called SHOMEN.

A

OMOTE

336
Q

ONAJIKU

A

In the same way

337
Q

In the same way

A

ONAJIKU

338
Q

ONEGAI SHIMASU

A

Please, in this context “I welcome you to train with me”. Polite and formal.

339
Q

Please, in this context “I welcome you to train with me”. Polite and formal.

A

ONEGAI SHIMASU

340
Q

OSAE

A

Pressing, pushing. To immobilize/control.

341
Q

Pressing, pushing. To immobilize/control.

A

OSAE

342
Q

OSAE WAZA

A

Pinning techniques

343
Q

Pinning techniques

A

OSAE WAZA

344
Q

OTAGAI (NI) REI

A

Blow (to) each other

345
Q

Blow (to) each other

A

OTAGAI (NI) REI

346
Q

OTOSHI

A

Drop or let fall.

347
Q

Drop or let fall.

A

OTOSHI

348
Q

OYO

A

Application

349
Q

Application

A

OYO

350
Q

RANDORI

A

Free style practice; all out training.

351
Q

Free style practice; all out training.

A

RANDORI

352
Q

REI

A

Bow

353
Q

Bow

A

REI

354
Q

REIHO/REIGI

A

Etiquette

355
Q

Etiquette

A

REIHO/REIGI

356
Q

RENRAKU

A

Connection, communication.

357
Q

Connection, communication.

A

RENRAKU

358
Q

RENSHU

A

Practice, exercise. REN here means train, and SHU means learn.

359
Q

Practice, exercise. REN here means train, and SHU means learn.

A

RENSHU

360
Q

RENZOKU

A

Continuation

361
Q

Continuation

A

RENZOKU

362
Q

RIAI

A

The interrelationship of principles. RIAI refers to the similarities in body movement, distancing, and timing involved in meeting an opponent; whether one is armed or empty handed. In a larger sense, RIAI also refers to the similarities in principles and goals of all the Japanese ways.

363
Q

The interrelationship of principles. RIAI refers to the similarities in body movement, distancing, and timing involved in meeting an opponent; whether one is armed or empty handed. In a larger sense, RIAI also refers to the similarities in principles and goals of all the Japanese ways.

A

RIAI

364
Q

ROKUDAN

A

Sixth degree black belt in martial arts ranking systems

365
Q

Sixth degree black belt in martial arts ranking systems

A

ROKUDAN

366
Q

RYO

A

Both

367
Q

Both

A

RYO

368
Q

RYOKATA-DORI/MOCHI

A

Both shoulders grasped

369
Q

Both shoulders grasped

A

RYOKATA-DORI/MOCHI

370
Q

RYOTE

A

Both partner’s wrists grasped

371
Q

Both partner’s wrists grasped

A

RYOTE

372
Q

RYU (NAGARE)

A

A school or tradition, martial art or otherwise.

373
Q

A school or tradition, martial art or otherwise.

A

RYU (NAGARE)

374
Q

SABAKI

A

Handling. ASHI SABAKI is handling the feet or footwork.

375
Q

Handling. ASHI SABAKI is handling the feet or footwork.

A

SABAKI

376
Q

SAMURAI

A

Retainer. In Japanese, BUSHI is more commonly used to mean a member of the warrior class.

377
Q

Retainer. In Japanese, BUSHI is more commonly used to mean a member of the warrior class.

A

SAMURAI

378
Q

SANDAN

A

Third degree black belt in martial arts ranking system. Third rank or grade.

379
Q

Third degree black belt in martial arts ranking system. Third rank or grade.

A

SANDAN

380
Q

SANKYO

A

Third teaching. KOTE HINERI or wrist twist. Also called SANKAJO.

381
Q

Third teaching. KOTE HINERI or wrist twist. Also called SANKAJO.

A

SANKYO

382
Q

SANKAKU

A

Triangle

383
Q

Triangle

A

SANKAKU

384
Q

SATORI

A

Enlightenment; spiritual awakening or realization. Term common in ZEN BUDDHISM.

385
Q

Enlightenment; spiritual awakening or realization. Term common in ZEN BUDDHISM.

A

SATORI

386
Q

SATSUJINKEN

A

The sword that kills people

387
Q

The sword that kills people

A

SATSUJINKEN

388
Q

SAYA

A

Scabbard

389
Q

Scabbard

A

SAYA

390
Q

SAYU UNDO

A

Left/right exercise

391
Q

Left/right exercise

A

SAYU UNDO

392
Q

SEIRETSU

A

Line up

393
Q

Line up

A

SEIRETSU

394
Q

SEIZA

A

Position when seated on one’s heels. Also used as a command.

395
Q

Position when seated on one’s heels. Also used as a command.

A

SEIZA

396
Q

SEMPAI

A

Senior. The SEMPAI/KOHAI relationship is particularly important in Japanese culture and permeates all areas of life. Japanese are always conscious of whether people they meet are above or below them in social status in regards to their seniority.

397
Q

Senior. The SEMPAI/KOHAI relationship is particularly important in Japanese culture and permeates all areas of life. Japanese are always conscious of whether people they meet are above or below them in social status in regards to their seniority.

A

SEMPAI

398
Q

SEMPAI (NI) REI

A

Bow (to) senior

399
Q

Bow (to) senior

A

SEMPAI (NI) REI

400
Q

SENSEI

A

Teacher/instructor. Originally meant first born, compare with DESHI.

401
Q

Teacher/instructor. Originally meant first born, compare with DESHI.

A

SENSEI

402
Q

SENSEI (NI) REI

A

Bow (to) teacher

403
Q

Bow (to) teacher

A

SENSEI (NI) REI

404
Q

SEPPUKU

A

Ritual suicide by self-disembowelment

405
Q

Ritual suicide by self-disembowelment

A

SEPPUKU

406
Q

SHIAI

A

Contest; match; competition. Competition does not exist in AIKIDO except for most TOMIKI RYU AIKIDO, a few KI Society groups.

407
Q

Contest; match; competition. Competition does not exist in AIKIDO except for most TOMIKI RYU AIKIDO, a few KI Society groups.

A

SHIAI

408
Q

SHICHIDAN

A

Seventh rank or grade. Seventh degree black belt in martial arts ranking system.

409
Q

Seventh rank or grade. Seventh degree black belt in martial arts ranking system.

A

SHICHIDAN

410
Q

SHIDOIN

A

A formal title meaning approximately ‘instructor’. The middle of three instructor levels instituted by the AIKIKAI HOMBU DOJO in the mid 1970’s; corresponds approximately to fourth and fifth degree black belts. The three instructor levels in ascending order are FUKUSHIDOIN, SHIDOIN and SHIHAN.

411
Q

A formal title meaning approximately ‘instructor’. The middle of three instructor levels instituted by the AIKIKAI HOMBU DOJO in the mid 1970’s; corresponds approximately to fourth and fifth degree black belts. The three instructor levels in ascending order are FUKUSHIDOIN, SHIDOIN and SHIHAN.

A

SHIDOIN

412
Q

SHIHAN

A

A formal title approximately meaning model instructor. The highest of the three instructor levels instituted by the AIKIKAI HOMBU DOJO in the mid 1970’s. Corresponds approximately to sixth degree black belt and above.

413
Q

A formal title approximately meaning model instructor. The highest of the three instructor levels instituted by the AIKIKAI HOMBU DOJO in the mid 1970’s. Corresponds approximately to sixth degree black belt and above.

A

SHIHAN

414
Q

SHIHO NAGE

A

Four direction throw. Technique where SHITE passes under UKE’s arm, pivots 180 degrees, and throws. This technique originally included a pin with the arm barred in SHIHO NAGE position to complete.

415
Q

Four direction throw. Technique where SHITE passes under UKE’s arm, pivots 180 degrees, and throws. This technique originally included a pin with the arm barred in SHIHO NAGE position to complete.

A

SHIHO NAGE

416
Q

SHIKAKU

A

Dead angle, blind spot. A position relative to one’s partner where it is difficult for them to continue their attack.

417
Q

Dead angle, blind spot. A position relative to one’s partner where it is difficult for them to continue their attack.

A

SHIKAKU

418
Q

SHIKKO

A

Knee walking. A form of walking pivoting on the knees from SEIZA which improves balance and hip stability, preparing the student for executing SUWARI WAZA.

419
Q

Knee walking. A form of walking pivoting on the knees from SEIZA which improves balance and hip stability, preparing the student for executing SUWARI WAZA.

A

SHIKKO

420
Q

SHIME

A

A choke or lock, for example HIJI-JIME is an elbow lock.

421
Q

A choke or lock, for example HIJI-JIME is an elbow lock.

A

SHIME

422
Q

SHINAI

A

The mock weapon used in modern sport KENDO. The SHINAI is made of split lengths of bamboo tied together.

423
Q

The mock weapon used in modern sport KENDO. The SHINAI is made of split lengths of bamboo tied together.

A

SHINAI

424
Q

SHINKEN

A

The live or sharpened steel sword

425
Q

The live or sharpened steel sword

A

SHINKEN

426
Q

SHINKEN SHOBU

A

Literally real swords, victory or defeat

427
Q

Literally real swords, victory or defeat

A

SHINKEN SHOBU

428
Q

SHINKOK YU

A

Deep breathing

429
Q

Deep breathing

A

SHINKOK YU

430
Q

SHINTO

A

“The way of the gods.” The indigenous religion of Japan.

431
Q

“The way of the gods.” The indigenous religion of Japan.

A

SHINTO

432
Q

SHITE

A

Person executing the technique or throw. The defender, also called TOR or NAGE. Literally “doing hand”.

433
Q

Person executing the technique or throw. The defender, also called TOR or NAGE. Literally “doing hand”.

A

SHITE

434
Q

SHODAN

A

Beginner level. First degree black belt.

435
Q

Beginner level. First degree black belt.

A

SHODAN

436
Q

SHOMEN

A

Front face. Also called OMOTE.

437
Q

Front face. Also called OMOTE.

A

SHOMEN

438
Q

SHOMEN (NI) REI

A

Bow (to) front of DOJO.

439
Q

Bow (to) front of DOJO.

A

SHOMEN (NI) REI

440
Q

SHOMEN UCHI

A

Front strike to the head. MENUCHI for short.

441
Q

Front strike to the head. MENUCHI for short.

A

SHOMEN UCHI

442
Q

SHOSHIN

A

Beginner’s mind each time you are UKE or NAGE.

443
Q

Beginner’s mind each time you are UKE or NAGE.

A

SHOSHIN

444
Q

SHUGYO

A

Austere training

445
Q

Austere training

A

SHUGYO

446
Q

SHUTO (TEGATANA)

A

Hand blade, cut with edge of arm

447
Q

Hand blade, cut with edge of arm

A

SHUTO (TEGATANA)

448
Q

SUKASHI WAZA

A

Techniques performed without allowing the attacker to complete a grab or initiate a strike.

449
Q

Techniques performed without allowing the attacker to complete a grab or initiate a strike.

A

SUKASHI WAZA

450
Q

SODE

A

Sleeve

451
Q

Sleeve

A

SODE

452
Q

SOKE

A

Head of family or house; used in martial arts to refer to the individual who is the blood successor/founder of a martial art tradition.

453
Q

Head of family or house; used in martial arts to refer to the individual who is the blood successor/founder of a martial art tradition.

A

SOKE

454
Q

SOTAI DOSA

A

Movement with partner

455
Q

Movement with partner

A

SOTAI DOSA

456
Q

SOTO

A

Outside

457
Q

Outside

A

SOTO

458
Q

SUBURI

A

Basic striking or thrusting with a JO or BOKKEN

459
Q

Basic striking or thrusting with a JO or BOKKEN

A

SUBURI

460
Q

SUBURITO

A

A heavy BOKKEN for use in SUBURI practice

461
Q

A heavy BOKKEN for use in SUBURI practice

A

SUBURITO

462
Q

SUIGETSU

A

Literally water moon, refers to the solar plexus in the middle of the chest below the breastbone.

463
Q

Literally water moon, refers to the solar plexus in the middle of the chest below the breastbone.

A

SUIGETSU

464
Q

SUKI

A

An opening or gap where one is vulnerable to attack

465
Q

An opening or gap where one is vulnerable to attack

A

SUKI

466
Q

SUMI

A

Corner

467
Q

Corner

A

SUMI

468
Q

SUMI OTOSHI

A

Corner drop. A throwing technique where UKE is unbalanced diagonally backwards by the extended hand or SHITE.

469
Q

Corner drop. A throwing technique where UKE is unbalanced diagonally backwards by the extended hand or SHITE.

A

SUMI OTOSHI

470
Q

SURI ASHI

A

Sliding steps

471
Q

Sliding steps

A

SURI ASHI

472
Q

SUWARI

A

Sitting

473
Q

Sitting

A

SUWARI

474
Q

SUWARI WAZA

A

Seated techniques

475
Q

Seated techniques

A

SUWARI WAZA

476
Q

TACHI

A

A type of Japanese long sword intended to be worn edge down

477
Q

A type of Japanese long sword intended to be worn edge down

A

TACHI

478
Q

TACHI REI

A

Standing bow

479
Q

Standing bow

A

TACHI REI

480
Q

TACHI-DORI

A

Long sword taking

481
Q

Long sword taking

A

TACHI-DORI

482
Q

TACHI WAZA

A

Standing techniques

483
Q

Standing techniques

A

TACHI WAZA

484
Q

TAI (KARADA)

A

Body

485
Q

Body

A

TAI (KARADA)

486
Q

TAI ATARI

A

Striking with one’s body, entering and blocking

487
Q

Striking with one’s body, entering and blocking

A

TAI ATARI

488
Q

TAI NO HENKO/ TAI NO TENKAN

A

Evasive body movements/turning

489
Q

Evasive body movements/turning

A

TAI NO HENKO/ TAI NO TENKAN

490
Q

TAI SABAKI

A

Body movement. Step, turn 180 degrees, step back. Also called IRIMI TENKAN.

491
Q

Body movement. Step, turn 180 degrees, step back. Also called IRIMI TENKAN.

A

TAI SABAKI

492
Q

TAIJUTSU

A

Body arts; i.e. unarmed practice

493
Q

Body arts; i.e. unarmed practice

A

TAIJUTSU

494
Q

TANDEN

A

Literally cinnabar field. The spot in the center of the abdomen where one’s center of balance is when standing. Short for SEIKA TANDEN.

495
Q

Literally cinnabar field. The spot in the center of the abdomen where one’s center of balance is when standing. Short for SEIKA TANDEN.

A

TANDEN

496
Q

TANDOKU DOSA

A

Solo exercise

497
Q

Solo exercise

A

TANDOKU DOSA

498
Q

TANINZU-DORI

A

Training against multiple attackers

499
Q

Training against multiple attackers

A

TANINZU-DORI

500
Q

TANTO

A

A dagger or knife

aikido vocabulary (7 decks)

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