Unit 4 and 5 Flashcards
Card Question
Card Answer
20th century Art styles
Impressionism Expressionism Primitivism Pop art Minimalism Post Modern
Impressionism
radical painting Paris 1860 play of light rejected formal portrait, more nature favoured visible brushstokes Monet, Renoir, Degas, Seurat, van Gogh
Expressionism
German alte 19th early 20th
subjective emotions, human fear, trauma, obsession
distortion, exxageration, angularity, bold
Munch, Kandinsky, Kokoschka, Schiele
Primitivism
late 19th non-western tribal art artifacts
elemental, abstraction geometric
Gauguin and early Pablo Picasso
Pop Art
American late 1950’s
pop culture television, comics
Andy Worhol, Lichtenstein, Rauschenburg and Jasper Johns
Minimalism
New York 1960’s
stark abstraction geometric elements
juxtaposition of shapes or colours
Judd, Stella, Flavin, Mark Rothko
Post Modern
mid to late 20th architectural
reaction to simple 1920’s
return to ornamentalism; columns, pediments
Micheal Graves, Philip Johnson, Robert Venturi
20th Century Music
post-romanticism
impressionism in music
expressionism in music
atonality
Post-Romanticism
expansive medolies, chrom harmony, lush orchestra, program
Der Rosenkavalier final trio Strauss
Impressionism in Music
late 19, early 20 French style Claude Debussy, Maurice Ravel program, non-traditional scales, modes, whole tone, pentatonic blurring metrical pulse La Cathedral engloutie debussy
Expressionism in Music
20th century German
extreme dissonance, angular, irregular rhythm groupings
deeply physcological themes
Ewartung op 17 Schoenberg
atonality
music that has no tonal center no sense of key
Five Pieces for Orchestra Schoenberg
Second Viennese Schoole
new school by schoenberg, alban berg and Anton webern
expressionism, developed 12 tone
atonality, contrapunctal texture
Violin Concerto mov 1 Alban Berg
serialism
20th century compositional approach set by SecondVienneseSchool
musical paramters set by numbers, undergoas manipulation
synonmyn dodecaphics, 12 tone
Le marteau sans maitre Pierre Boulez
neo-Classicism
post WW1 style return to absolute music and traditional form
less emotional, Symphon 1 op 25 Classical by Sergei Prokofiev
neo-Romanticism
late 20th, return tonal lush orcehstra expansive melody
heightened emotionalism
Adagio for Strings, Samuel Barber
Jazz
uniquely American, developed by AfroAm in New Orleans/Chicago/NY
emphasized syncopation, inflected melodies blues scale b3, b5, b7) improv
West End Blues, Louis Armstrong
indeterminacy
aleatoric music mid 20th century
randomness /change to aspects of music and performance
Venetian Games; Witold Lutoslawski
electronic music
created whole or in part by electronic means
recording devides, synth, computers,
Philomel by Milton Babbitt
minimalism in music
later 20th century
endless repition of shotr melodic patterns
steve Reich, Philip Glass, John Adams, Michael Nymanx
Glassworks by Philip Glass
Gustav Mahler style
traditional; sonata, rondo, theme+var Romantic-emotional, Sehnsucht, Weltschmerz, chromatic broad lyricism next step Lieder orchestral song developed; group songs solo voice and orchestra progressive harmony tonality bitonality exoticism pentatonic Chinese texts in last symph influence by Beethoven; choir, cyclic grand orchestra No8 thousand orchestration master childhood influences folk poems as text life and death, purpose no2 Resurrection
Gustav Mahler years
1860-1911
Gustav Mahler titles
9 symph no2Resurr, 6Tragic, 8ofThousand
orchestral song cycle Das Lied von der Erde, Des Knaben Wunderhorn, Kindertotenlieder
voal Dal klagende lied, lieder