Unit 4 and 5 Flashcards

1
Q

Card Question

A

Card Answer

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2
Q

20th century Art styles

A
Impressionism
Expressionism
Primitivism
Pop art
Minimalism
Post Modern
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3
Q

Impressionism

A
radical painting Paris 1860
play of light
rejected formal portrait, more nature
favoured visible brushstokes
Monet, Renoir, Degas, Seurat, van Gogh
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4
Q

Expressionism

A

German alte 19th early 20th
subjective emotions, human fear, trauma, obsession
distortion, exxageration, angularity, bold
Munch, Kandinsky, Kokoschka, Schiele

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5
Q

Primitivism

A

late 19th non-western tribal art artifacts
elemental, abstraction geometric
Gauguin and early Pablo Picasso

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6
Q

Pop Art

A

American late 1950’s
pop culture television, comics
Andy Worhol, Lichtenstein, Rauschenburg and Jasper Johns

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7
Q

Minimalism

A

New York 1960’s
stark abstraction geometric elements
juxtaposition of shapes or colours
Judd, Stella, Flavin, Mark Rothko

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8
Q

Post Modern

A

mid to late 20th architectural
reaction to simple 1920’s
return to ornamentalism; columns, pediments
Micheal Graves, Philip Johnson, Robert Venturi

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9
Q

20th Century Music

A

post-romanticism
impressionism in music
expressionism in music
atonality

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10
Q

Post-Romanticism

A

expansive medolies, chrom harmony, lush orchestra, program

Der Rosenkavalier final trio Strauss

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11
Q

Impressionism in Music

A
late 19, early 20 French style
Claude Debussy, Maurice Ravel
program, non-traditional scales, modes, whole tone, pentatonic
blurring metrical pulse
La Cathedral engloutie debussy
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12
Q

Expressionism in Music

A

20th century German
extreme dissonance, angular, irregular rhythm groupings
deeply physcological themes
Ewartung op 17 Schoenberg

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13
Q

atonality

A

music that has no tonal center no sense of key

Five Pieces for Orchestra Schoenberg

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14
Q

Second Viennese Schoole

A

new school by schoenberg, alban berg and Anton webern
expressionism, developed 12 tone
atonality, contrapunctal texture
Violin Concerto mov 1 Alban Berg

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15
Q

serialism

A

20th century compositional approach set by SecondVienneseSchool
musical paramters set by numbers, undergoas manipulation
synonmyn dodecaphics, 12 tone
Le marteau sans maitre Pierre Boulez

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16
Q

neo-Classicism

A

post WW1 style return to absolute music and traditional form

less emotional, Symphon 1 op 25 Classical by Sergei Prokofiev

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17
Q

neo-Romanticism

A

late 20th, return tonal lush orcehstra expansive melody
heightened emotionalism
Adagio for Strings, Samuel Barber

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18
Q

Jazz

A

uniquely American, developed by AfroAm in New Orleans/Chicago/NY
emphasized syncopation, inflected melodies blues scale b3, b5, b7) improv
West End Blues, Louis Armstrong

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19
Q

indeterminacy

A

aleatoric music mid 20th century
randomness /change to aspects of music and performance
Venetian Games; Witold Lutoslawski

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20
Q

electronic music

A

created whole or in part by electronic means
recording devides, synth, computers,
Philomel by Milton Babbitt

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21
Q

minimalism in music

A

later 20th century
endless repition of shotr melodic patterns
steve Reich, Philip Glass, John Adams, Michael Nymanx
Glassworks by Philip Glass

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22
Q

Gustav Mahler style

A
traditional; sonata, rondo, theme+var
Romantic-emotional, Sehnsucht, Weltschmerz, chromatic broad lyricism
next step Lieder
orchestral song developed; group songs solo voice and orchestra
progressive harmony tonality bitonality
exoticism pentatonic Chinese texts in last symph
influence by Beethoven; choir, cyclic
grand orchestra No8 thousand
orchestration master
childhood influences folk
poems as text 
life and death, purpose no2 Resurrection
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23
Q

Gustav Mahler years

A

1860-1911

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24
Q

Gustav Mahler titles

A

9 symph no2Resurr, 6Tragic, 8ofThousand
orchestral song cycle Das Lied von der Erde, Des Knaben Wunderhorn, Kindertotenlieder
voal Dal klagende lied, lieder

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25
Mahler Symph 4 general
1899-1901 German - Des Knaben Wunderhorn poem 4 movements large orchestra and Mezzo (4th mov only)
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symphony
multimovement orchestral work 18th century Haydn, Mozart, Beethoven usually 4 movements 1 in sonata form
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cyclical structure
material heard in one movement recures in later movements structural unity Romantic composers mostly in symphony
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Mahler Symphony 4, Movement 4 summary
``` G Major - Emajor Formal structure, strophic,rondo-like opens Sehr behaglich very comfortably Common time childs optimistic view of heaven, feast prepared by the saints ```
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Mahler Sympn4 mov 4 Intro and V1:
Orchestra intro - principal theme clarinet ppp folk melody tonic chord lyricism dotted figures grace notes harp gently in background angles Verse1: mexxo expansive prinTheme undulating melisma word Heaven harp pizzicato strings support woodwinds and triangle high G Saint Peter accomp homorythm chorale flutes, horns, harp parallel chords solemn archaic TRANS: parkling sleigh bells first mov. repeated note harsh gracenotes winds brass 16thnote woodwinds imitates strings string articulation varies con arco, pizz, col legno
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Mahler Sympn4 mov 4 Verse 2
prep for feast; leading lamb to slaughter mezzo broad descending phrase repated notes word painting little lamb twonote cleating figure oboes sublime high G the anlges TRANS: repeated in abbreviated form
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Mahler Sympn4 mov 4 Verse 3
About feast food mezzo variant of principal theme bounties of heaven- spirited angular melody concludes with chorale-like setting richly scored
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Mahler Sympn4 mov 4 Verse 4
about the angel's music marked very tenderly mysteriously to E major 'heavenly key' sentiments of text unorthodox modulating and ending closing measures recall cal opening feature Enghorn and harp
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Maurice Ravel years
1875-1937
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Maurice Ravel biography - youth
1875 - Basque village of Ciboure -> Paris father swiss, mother Basque piano 7 yrs 1889- Paris Conservetoire, paris world fair first- Menuet antique composition class Gabriel Faure popular, but didn't win Prix de Rome friends Les apaches:Richardo Vines, Erik Satie
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Maurice Ravel biography - career years - final years
``` popular as composer comfortable lifestyle 1909 comission Sergie Diagilev Les Ballet des Russes - Daphnis et Chloe orchestra wind machine 1915 WW1 ambulance driver 1917 mother dies slowed output Le tombeau dedication to war arrogant - rejected Chevalier of the Legion of Honour 1927 - USA visit friend with Gershwin honoary doctorate Oxford 1932 - injured taxi brain 1937 died in Paris brain surgery ```
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Maurice Ravel - style
tonal harmony with chrom bass lines traditional diatonic impressionist; modes, pentatonic, whole tone, paralell, unresolved 7 and 9th chords, aggregate chords neoClassicism, lean texture contrapun rich orchestra like debussy, Rimsky-Korsakov, Stravinsky spanish like mother Basque; Rapsodie espagnole, Bolero american jazz - piano concerto G, violin sonata Blues movement set french poetry symolists humor, gentle, charm
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Maurive Ravel - titles
ochestra: Rapsodie espagnole, La valse concerto: piano for left hand, and G ballet; Daphnis, Bolero, Ma mere l'oyre opera: L;heure espagnole, l'enfant et les sortileges vocal; song collections Sheherazade, chansons madecasses, histoires naturelles chamber: SQ, pianoTrio, duosonata piano: Menuet antique, jeux d'eau, miroirs, gaspard de la nuit
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Ravel Jeux d'eau general
1902 like Liszt piano les jeux d'eau.. Dedicated to faure, premiered by friend french poet Regnier 'river god laughs as water tickles him'
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glissando
french disser to slide harp strumm all strings shimmering effect on piano; rapid ascending or descending slide on the keys
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whole-tone scale
non traditional scale late 19,- 20th centuries six pitches whole tone spacing CDEF#G#A#(c)
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pentatonic scale
5 pitches CDEGAC five black keys on piano folk music euro and asian culture
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Ravel Jeux d'eau summary
E major sonata form like allegretto common time
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Ravel Jeux d'eau Exposition
``` THEME1: RH introduces delicate arpeg melody 16th 32nd notes LH archors E major harmony language 7th 9th chords unresolved dolcissimo Theme2: new pentatonic LH octaves rapid harmonic seconds 16th triplets RH melody open chords parallel motion rippling 32nd notes LH tremolo figures momenturm constant pedal - shimmer TRANS: Theme2 polytonal unresolved 9th ```
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Ravel Jeux d'eau Development
new 5note melody RH supported by arpeggios chrom ascending passages inner voice gossamer harp maintains relentless drive from pp to fff culminates in a black-key glissando down
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Ravel Jeux d'eau Recap
Theme1 restated over G# pedal harplike effect flashing septuplet rolled polytonality juxtaposition C major and f# major Theme2: un poso pie lento calm caressing Coda: concludes undulating harp RH
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Bela Bartok years
1881-1945
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Bela Bartok biography - youth
1881 - Hungary now Romania father headmaster, mother teacher also musicans piano with mom at 5 father died, six years of moving less schooling 1890's composing, dance pieces waltzes polkas piano program 1892 - first public concert includes his own piano composition 1894 - settled in Poszony, now Slovak Republic chapel organist local school Vienna Conservatory idol Erno Dohnanyi hungarian piano 1899 - Budapest Academy piano composition popular as pianist inspired by Strauss symph poem Also sprach Zarathustra
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Bela Bartok biography - career years
1903-1940 shy, health issues lungs first success nationlist symph poem Kossuth unqieu hungarian; folk music inspired 1905 - friend Zoltan Kodaly folk song collecting travelled extensively to collect instructor Budapest Academy over 20yrs inspired by Les Ballets Russes - 1917 - premier ballet The Rooden Prince successful led to opera Bluebeard's Castle 1923 - married student, one son performing again; popular gramaphone recordings concerts Europe 1928 - 2 month coast-coast USA exposed human rights, wanted to emigrate
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Bela Bartok biography - final years
1940 - toured USA again historic recording trio Contrasts Benny Goodman moved to USA, Colombia University NYC struggled financially 1943 hospitalized leukemia concerto commission by boston symphony 1945 - died in NYC
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Bela Bartok style
enthusiasm for Strauss post Romatic style hungarian folk, pentatonic, irregular ryth, dance expressionist opera Bluebeard influenced Debussy and Impressionism, Stravinsky primitivism percussive approach instrumental Out of Doors contrapunctal neoclassical fugue sonata rondo cyclic mirror forms, formal structure Fibonacci pedagogical works Mikrokosmos piano solos
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Bela Bartok titles
opera: Bluebeard ballet: wooden prince, miraculous mandarin orchestral: Kossuth, Music for Strings, Percussion, and Celeste, Concerto for orchestra concerto: 3 piano, 2 violin, viola vocal: Cantata profana, folk arrng chamber: 6 SQ, 2 violin sonata, contrasts, twopiano percussion sonata piano: Rumanian dances, mikro, allegro barbaro, sonatina, out of doors
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Bartok Concert for Orchestra mov4: general
``` 1943, 5 movements commission while in hospital done in 7 weeks begins in E Lydian end B Major rondolike ABACBA Allegretto changing meter ```
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changing meter
20th century time signature changes frquently rejection of standard patterns nonsymmetrical
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ostinato
short rythmic or melody pattern repated throughout
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polytonality
simultaneos use of two or more keys
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quotation in music
parodies another composition or style | draws melody from preexisting work, new guise
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modality
nontraditional styles; scales back to antiquity | lydian mode EF#G#A#BC#D#E
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Bartok Concert for Orchestra mov4: Intro, A and B
Intro: violins, violas, cellos 4note motive unison tritone A: folk melody oboe tritone expanded by woodwinds, accomp by inversion syncopation lopsided asymmetrical feel changing meter B: calmo, cantabile, violas melody, loosely hungarian folk harps contrapunctal writting, canonic immitation
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Bartok Concert for Orchestra mov4: rest of rondo
A1: abbreviated opening, increased disson C: interruption; clarinet melody from Shostakovich sym7 quotation crude - commentary on Nazi dissonance, brass glissandi tuba melody violin imitating inversted rich harmonic fabric modal, atonal, polytonal B1: sweeping melody returns dispells thicker string texture, muted, warmer A2: woodwinds fragm of opening flue cadenza softly sustain chord strings music dissolves gentle close
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Sergei Prokofiev year
1891-1953
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Sergei Prokofiev biography - youth
1891 Ukrain welloff family, father engineer, mother pianist lessons at 4 composed at 5, loved opera wrote 4 opers in youth lessons Reinhold Gliere russian pianist 1909 St. Petersburg Conservetory youngest ever ; wild playing percussive dissonant compositions teachers Rimsky-Korsakov 1910 - first piano sonata student moscow debut Rubinstein Prize upon graduation
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Sergei Prokofiev biography - career and final years
1914-1953 London - Sergei Diaghilev - commissioned Scythian Suite 1918 to USA piano thrilled by critiqued savage comic opera Love for Three Oranges Chicago 1922 - paris and travelled international virtuoso pianist and composer strong connection still with Soviet nation 1936 - went back to Moscow, with wide and sons government censors visited hollywork new art of film scoring 1948 - married poet Mira Mendelssohn his assistant operas Betrothal in amonestary and war/Peave 1953- died same time as dictator Stalin
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Sergei Prokofiev style
Classical: forms sonata, genres concerto, symh no1 Classical Lyrical: melodies lush harmony, Romeo Juliet Motoric: ryth cdrive moto perpetuum Toccata Search for Innovation: profressive unabashed dissonance, abrupt changes of key, unqieu approach piano, novel texture, percussive effects Diabolical Suggestion Russian nationalism quotes folk Alexander Nevsky impish scherzo crisp rythm staccato harmonic language tonality dissonant polytonality Sarcasm no2 virtuoso piano sonata concertos
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Sergei Prokofiev titles
opera: The gamber, love 3orange, Firey Angel, War.Peace ballet: ProdigalSon, RomJul, Cinderlla filmscore: AlexNevky, LieuKije, IvantheTerrible orches: 7 symph concerto: 5 piano, 2 violin, 1 cello chamber: 2 SQ conatas vocal: UglyDuck, ThreeRomances, 12RussianFolksongs solo pianoL 9 sonata, diabolical suggestion, sarcasms, vissions fugitives
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Prokofiev Romeo Juliet The Capulet Ball Orchestral Suite No 2 - summary
``` 1936; from ballet into orchestral suite large orchestra with expanded percussion ternary no key Andante common time ```
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ballet
dance often interprets a story 17th century cout of Louis the 14th 19th century ballet reached pinnicle at Russian court Russian dancers dominated throughout 20th century
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choreography
art of designing dance steps and movements | ballet or musical
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en pointe
french for on point challenging dance technqieu in ballet; femansl traditional balance on toes with dance slippers with wooden box toe
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orchestral suite
group orchestral movements drawn from larger work programmatic played in concert setting
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Prokofiev Romeo Juliet The Capulet Ball Orchestral Suite No 2 - Intro and Section A
``` Intro: densley dissonant chords entire orchestral range extreme dynamics ppp to ff ominous atmosphere feud A: E minor, allegro pesante common time twomeasure E minor low strings low brass melody into bruqeu melody rising and falling tonis dominant minor arpeggios pesante, agressive dottednote noble arrogance syncopation more pungent chromatic inflectiond marcato, sharply angular wide span Dminor; stepwise ascending natural minor f by french horns in octaves incessant dotted leitmotif arrivals of the capulets passes through Aminor and F minor back to e minor perfect cadence ends ```
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Prokofiev Romeo Juliet The Capulet Ball Orchestral Suite No 2 - Section B, A1
``` Eminor Moderato tranquillo 3/4 melody outlines ascending Eminor triad connection flutes, joined by clarinets harp, pizzicato strings, celesta etheral atmosphere Juliets first dance at the ball ; dolce A1: Eminor Allegro pesante 44 return abbreviated tenor sax main theme triplet figure final perfect cadence ```
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Arnold Schoenberg Biography - Youth
``` 1874 Vienna Austria father shoe maker, died young left school worked at bank 5 years self-taught music cello, chamber with friends amateur orchestra Alexander Zemlinsky quest of religion, OrthoJew to Christianity to Judaism asthma, poor health ```
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Arnold Schoenberg Years
1874-1951
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Arnold schoenberg Biography - Middle Years
1901 married Zemlinsky's sister Mathilde to Berlin-conductor cabaret, moved a lot Teacher Stern Conservatory Berlin supported by Strauss 1903 Vienna private students - Webern studied art - expressionism 1908 abandoned tonality The Book of the Hanging Gardens published treatise on harmony serviced in WWI - depressed slowed output 1917 Vienna years of silence, worked on 12tone 1923 first 12tone compositions, wife died 1926 Berlin instructor composition Prussian Academy Arts
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Arnold schoenberg Biography - Final Years
1933 rise of Nazi - left Germany; summer France then to Boston 1934 LA - lectured at USC and UCLA retired 70 1951 died in LA
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twelve-tone music
method of composition Schoenberg organize atonal music fixed order of 12 chromatic pitches tone row dodecaphonic music
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tone row
fixed order of 12 chromatic pitches basis of 12tone composition undergoes manipulation; transposition, inversion, retrograde, retro-inver
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inversion
writing the tone row upside down
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retrograde
writing the tone row backwards
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retrograde-inversion
writing the tone row upside down and backwards
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diminution
rhythmic device note values shortened | music sounds faster
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canon
Latin for law strict imitation of music line at fixed intervals used on whole work on inside
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Arnold Schoenberg - Style period years
``` Post romantic until 1908 Expressionist 1908-1917 Years of Silence 1917-1923 Serialist 1923-1933 American 1933-1951 ```
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Arnold Schoenberg - Style general
atonality champion radically new 12 tone technique generally contracpuntal texture, chamber revolutionary, lots of opposition
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Arnold Schoenberg - Style Post Romantic
``` 1908 Wagner, Mahler, Strauss programm chromatic, lush orchestra Verklarte Nacht (transfigured Night) ```
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Arnold Schoenberg - Style Expressionist
``` 1908-1917 rejections of tonality disjunct melody wide range Klangfarbenmelodie Sprechstimme polyphonic procedures masked dissonance Pierrot lunaire ```
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Arnold Schoenberg - Style Serialist
1923-1933 12 tone Classical form sonata, rondo, vari, suite Variations for Orchestra op31
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Arnold Schoenberg - Style American
``` 1933-1951 greater style diversity, returns to tonal more liberal 12 tone more religious themes Survivor From Warsaw ```
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Arnold Schoenberg - Titles
opera: Erwartung one character, Moses und Aron vocal: oratorio Gurrelieder and Die Jakobsleiter, Kol Nidre, cantata A survivor of warsaw song cycle: Brettl Lieder, Das Buch der Hangenden, Pierrot lunaire orchestra: tone poem Pelleas und Melisande symph: 1,2, 5pcs for orchestra, variators for orch concertos: cello, viol, piano chamber: string sextet Verklarte Nacht piano: Three Piano Pcs, Six Little Pieces
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Schoenberg - Pierrot lunaire general
``` 1912 song cycle sad clown italian tradition Sprechstimme sung and spoken story German originally French source: 21 poems Albert Giraud mezzo and 8 instruments (5 players) V,Violax2, Flute, Piccolox2, Clari/Bass,cello, piano) ```
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Klangfarbenmelodie
``` German tone-color melody 20th century Schoenberg individual motes melody from different instruments wide range pointillism in painting angular melody sparse sound ```
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pointillism
post-Impressionist painting used dots of pure colour on canvas in music; Klangfarbenmelodie and contrapuntal lines
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Sprechstimme
German speech-voice vocal technique Schoenberg pitched speaking singer initiates note then drops pitch slightly indicated with an 'x' on the stem of the note
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rondeau
poetic form 14th century 4 versus; 1 verse repeated in second and 4th in part in music; similar structure for works
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Schoenberg's Pierrot lunaire - Der Mondfleck - general
``` voice, piccolo, clarinet, Vio, Cello, P atonal, rondeau Sehr rasche (very quickly) 3/4 TEXT: white fleck upsets pierrot rubs the spot but it's a moon beam ```
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Schoenberg's Pierrot lunaire - Der Mondfleck - music
brisk angular sung sprechstimme pointillistic effect instruments complex weave contrapuntal complexities 3-voice figure piano with canon imitation other parts diminution and retrograde techniques vocal line spans a wide range; most expressionist
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Schoenberg's Pierrot lunaire - O alter Duft aus Marchenzeit - general
``` voice and all 8 instruments atonal, rondeau Bewegt, with motion Common time TEXT: Pierrot in sunlight yearns for joy and life's possibilities (nostalgic) ```
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Schoenberg's Pierrot lunaire - O alter Duft aus Marchenzeit - music
in contract; melody flowing lyrical consonance parallel third triads together ; traditional feeling hint of tonality Sprechstimme wistful, dream
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Alban Berg Style
1885-1935 Mahler ochestra and Wagner leitmotifs, Debussy wholetone/parallelchord Schoenberg teacher (12tone, expressionism) Balanced tonal and atonal linerla serial technique, tone row tonal traditional passacaglia, fugue, sonata, theme+var virtuosic works Sprechstimme and Klangferbenmelodie
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Alban Berg Titles
opera: Wozzeck, Lulu unfinished vocal: Altenberg Lieder orchestra, Der Wein concert aria concerto: violin, chamber orchestra: Three Orchestral pcs op6 chamber: SQ, 4pcs for clarinet, lyric suite Piano: sonata op1
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Berg Wozzeck - general
``` 1922 opera German 19th century play Woyzeck Georg Buchner libretto: Berg himself 2 acts 5 scenes each ``` ``` Bari Wozzeck Sop Marie boy soprano The Boy tenor The Captain bass The Doctor tenor The Drum Major ``` made into a movie 1970
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Berg Wozzeck - acts plot
Act1: Wozzeck taunted by Captain and Doctor to make him crazy, which is halfway already, suspected Marie's cheating Act2: Wozzeck sees Marie's gold earings sign of cheating with the drum major. Drum major beats him up Act3: Wozzeck meets marie under red mood; stabs her. later wades into the water and drowns. Final scene; little boy is abandonded by the children - portrays victims by no fault of their own at mercy of unfeeling world
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Berg Wozzeck - Act3 Scene 4
Wozzeck returns to find the knife, throws into the pond then wades after it and drowns frentic angular vocal line wide range harp glissandi wth Wozzeck's cry Morder atonal harmony, chord clusters Srechstimme -Wozzeck delirium and drowning extended harp rises from depths bloodsoaked moon Captain/Doctor hear moanig dense 6nte chords, wellsup from low strings drowing
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Berg Wozzeck - Interlude
adagio, 3/4, Dmin meditation on Wozzeck's death lyricism recalls leitmotifs earlier full orchestra ppp to fff
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Berg Wozzeck - Act3 Scene 5
Children playing; one says Marie's dead, and taunts the boy. boy doesn't understand till plays saying 'hopp, hopp' children playing - spirited melody nursery rhyme unison chorus pizzicato, strings stacato winds celesta, triangle bright mornig sun when the boy is alone, playing - descending perfect 4th sings undulating winds harp sustained strings unsettling close
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Anton Webern style
1883-1945 Second Viennese school, Schoenberg teacher lyrisicm Schubert, Bruckner and Mahler Expressionism early 12tone radial strict approach almost total serialism doctoral thesis on Tenaissance polyphony Heinrich Isaac - contrapuntal canonic, palindromic traditional forms, absolute music Klangferbenmelodie
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Anton Webern titles
orchestra: Im Sommerwind, Passacaglia op1, Sym op21, Variations op30 vocal: Lieder, sacred, five canons, Daus augenlicht chmber: Bagatelles, chambr concerto piano: Kinderstuck, variations op27
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Webern Symphony op21 general
1928 chamber symphony 2 movements, same tone row chamber;Violin,Viola,Cello,2 harp, clarinet, bassclarinet, two horns
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Webern Symphony op21 Second Movement general and Theme
``` 12 tone 2/4 theme and 7 variations and coda tone row a,f#,g,g#,e,f,b,bb,d,c#,c,eb THEME: sehr ruhig very quiet 11 measure theme gentle relaxed transposed inversion, retrograde inversion klangferbenmelodie pointillism ```
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Webern Symphony op21 Second Movement - Varitions 1 ,2
Var1: Lebhafter livlier double canone 4part muted strings pizzicato alternates with arco Var2: sehr lebhaft very lively clarinet, basclarinet, horn more rhythmic
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Webern Symphony op21 Second Movement - Varitions 3,4
Var3: Wieder massiger again more moderately full orchestra colour spectrum ``` var4: Ausserst ruhig extremely quiet slowest tempo dense texture (center) others mirror ```
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Webern Symphony op21 Second Movement - Varitions 5,6
Var 5: sehr lebhaft very lively strings and harp,ostinato extended crescendo Var 6: Marschmassig marchlike canonic clarinet bass clarinet sustained horns
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Webern Symphony op21 Second Movement - Varitions 7 ,coda
Var 7: Etwas breiter somewhat broadened full orchestra, contrary moion double canon Coda: original row, retrograde harp at end raindrop effect
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Olivier Messiaen years
1908-1992
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Olivier Messiaen Biography - youth
1908 Avignon France dad english, mom piano 1919 Paris Conservetoire prize winner performance theory
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Olivier Messiaen Biography - career
1930 ogranist Saint Trinite church Paris all his life 1931 married Claire Delbos coposer violin 1936 professor Ecole Normale de musique founder of La jeune France - composers modern french French army WWII 1940 POW Germany Quatuor pour la fin du temps while in prison 1941 professor Paris Conservetoire 30 yrs students Boulez, Stockhausen, Vivier
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Olivier Messiaen Biography - final
1944 published technique de mon langage musical - his approach rhythm and pitch growing recogition, internationall, travelled birdsong 1962 remarried pianist Yvonne Loriod, former student travelled Japan, Legion of Honor France 1972 USA western mountains; final works opera St Franis Assisi 1992 died age 83 declining health
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Olivier Messiaen Style main 3
spirituality-catholic, chant melodies influenced by chant Vingt regards sur l'enfant jesu ``` non-Western: structure,rhythm,harmony ancient greek poetry Hindu music rhythm accumulation of durations not divisions southamerican peru folk 'Harawi' traditional birdsong japan sept haikai ``` Nautre: birdsong researched transcribed Abime des oiseaux from quartet
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Olivier Messiaen Style other
early debussy -piano 8 preludes major,minor,wholetone scales, octonic, others later- serial melody rhythm, instrumentation dynamics chords,modes as colours nonretrogradeable rhythms palindroms
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Olivier Messiaen Titles
organ: le banquet celeste, la nativite du seigneur piano: preludes, 20 glances at infant jesus, catalog of birds orchestra: Turangalila symph, exotic birds, chronochromie, canyons to the stars chamber: quartet, le merle noir vocal: chants of heaven and earth, harawi, the transfiguration opera: st francis
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Quatuor pour la fin du temps
``` Messiaen 1941 8 movements chamber Clair,Viol, Cell, Piano ABA , a with the abrupt ending, B imperceptible ```
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mode of limited transposition
scale limited to fewer than usual 12 transpositions, some only once first ; whole tone scone: octatonic absence of central pitch
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sourdine
french mute string and brass instruction use mutes softer dynamics
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Gyorgy Ligeti Style
``` Hungarian, in Romania far influenced Europe classical tradition, non Wester folk humuorous micropolyphony East Asian harmonies West idian, African ```
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Gyorgy Ligeti titles
orchestra: Apparitions, Atmosphers, Lontano concertos: piano, violin, cello, Hamburg concerto choral: Requiem,clocks/clouds, lux aterna Opera; le grand macabre amber: Adventures, chamber conerto harpsicord: continuum, hungarian rock
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Arvo Part Style
``` Estonia radio Prokfiev, Shostakovich influenced experimentation serial - didn't like it collage technique borrowed music studied middle ages renaissance tintinnabulation religious spiritual minimalism - beauty of simplicity ```
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Avro Part titles
choral: St John Passion, Cantate, Berliner Mese solo vocal: Stabat Mater, My heart in the highlands orch: Cantus Benjamin Birtten, Tabula Rasa Inst: piano brass ensemble strings
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tintinnabulation
latin bell minimalism Avro 1970 two voices, one arpeggiates tonic traid, other diatonic slow tempi
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minimalism
``` 1960s little variation tonal trancelike philip glass, reich, john adams ```