Tonality in the Symphony Flashcards

1
Q

What is the main idea behind the concept of tonal unity?

A

A piece of music is governed by an overarching tonic, which acts as a point of reference to which everything else is related.

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2
Q

How do pieces of tonal music typically structure their keys?

A

They tend to begin and end in the tonic and visit related keys in the middle.

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3
Q

What is a ‘tonal plan’?

A

It refers to the expected keys of each movement in a symphony.

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4
Q

What is common for a symphony’s movements regarding the tonic?

A

It commonly begins and ends in the tonic, with inner movements often in a related key.

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5
Q

What adaptations did traditional composers make to tonal plans in the Romantic period?

A

They often included contrasting movements in unexpected keys and changed the tonal plan if middle movements were swapped.

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6
Q

What are tonal regions?

A

They explore the way key centres are presented within a specific movement, often referring to sonata form.

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7
Q

What is tonal antagonism?

A

It involves breaking down the tonic-dominant relationship, particularly in sonata form movements.

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8
Q

Who is commonly associated with tonal antagonism?

A

Beethoven.

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9
Q

What is tonal escapism?

A

A technique associated with Schubert, where distant tonal regions are treated as a form of musical escapism.

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10
Q

How did Beethoven and Schubert differ in their approach to distant tonal regions?

A

Beethoven treated them as problems to be solved, while Schubert viewed them as relaxed states paired with lyrical music.

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11
Q

What changes occurred in tonality during the late Romantic period?

A

A wider palette of tonal colours became available due to groundwork laid by earlier composers and challenges to symphonic traditions.

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