Theorist-Media Language Flashcards

1
Q

Roland Barthes-Semiotics

A

Media products are decoded by their readers in 2 ways, both denotative reading and connotative reading

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2
Q

Denotative reading

A

Readers recognise the literal or physical content

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3
Q

Connotative reading

A

A deeper understanding of the text including emotional, symbolic or ideological significance

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4
Q

Enigma codes

A

Construct moments of mystery and intrigue for the readers

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5
Q

Action codes

A

Build interest or suspense which show that ‘something is about to happen’

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6
Q

Semantic codes

A

Understanding the messaging to have an extra layer of meaning or a hidden meaning

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7
Q

Symbolic codes

A

Any repeated symbol that conveys a deeper meaning

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8
Q

Cultural codes

A

Refer to material from beyond the text and relies on our wider knowledge of culture, might refer to proverbs, idioms, historical or scientific ideas or knowledge

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9
Q

Levi Strauss-Binary opposition

A

Meanings can be constructed upon pairs of opposition to help create narrative conflict and structure

Have particular ideological significance reinforcing certain cultural or societal values

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10
Q

Tzvetan Todorov-Narratology

A

Based on a 3 act structure

A state of equilibrium is being established

Then it’s being disrupted in some way (Takes up the majority of the narrative)

Concluding with a new equilibrium, returning to some sense of normality

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11
Q

Steve Neale-Genre theory

A

Genres may be dominated by repetition, but are also marked by difference, variation and change

Change, develop and vary, as they borrow from and overlap with one another

Exist within specific economic, institutional and industrial contexts

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12
Q

Jean Baudrillard-Postmodernism

A

In postmodernism culture the boundaries between the ‘real’ world and the world of media have collapsed

It’s no longer possible to distinguish between reality and simulation

Audiences are constantly bombarded with images which no longer refer to anything ‘real’

Media images have come to seem more real than the reality that they supposedly represent, referred as ‘hyperreality’

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