Theories Flashcards

1
Q

Giles’ Accommodation Theory

A

Where we adjust speech patterns depending on whom we are speaking to

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2
Q

Convergence

A

Where our speech movers CLOSER to that of another person

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3
Q

Divergence

A

Where our speech moves FURTHER apart from another person

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4
Q

Downward Convergence

A

Involves adjustments in the direction of the speech norms from HIGHER TO LOWER CLASS

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5
Q

Upward Convergence

A

Changes speech norms from LOWER TO HIGHER CLASS

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6
Q

Mutual convergence

A

Where both parties adjust speech patterns to each other’s

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7
Q

Fairclough’s Theory

A

Many social situations are shaped by power dynamics
(Eg. Teacher + student interactions)

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8
Q

Synthetic Personalisation

A

*inclusive language ‘we’ and ‘you’

“A tendency to give the impression of treating each of the people handled in masses as an individual”

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9
Q

Informalisation

A

Over time language has become more informal and personal
*this could be a marketing strategy

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10
Q

Power

A

In most conversations there is a power struggle/ imbalance

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11
Q

Trudgill and Lakoff’s Prestige Theory

A

Women tend to use overt prestige
Men tend to use covert prestige

OUTDATED THEORY
—> Informality is about CONTEXT not gender

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12
Q

Barthes’ codes

A

Hermeneutic/ Enigma code

Proairetic/ Action code

Semantic code

Symbolic code

Cultural code

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13
Q

Hermeneutic Code

A

The code that creates mystery

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14
Q

Proairetic Code

A

The code that creates action + suspense

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15
Q

Semantic Code

A

The code that carries connotations
(eg. If you use ‘white’ imagery to connote innocence)

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16
Q

Symbolic Code

A

The code associated with binary oppositions and symbolism

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17
Q

Cultural Code

A

This refers to anything in the story that refers to an external body of knowledge

(Such as: scientific, historical, cultural knowledge)

18
Q

Paul Grice’s Cooperative Principles

A

4 maxims for communication to flow smoothly

Quantity

Quality

Relevance/ relation

Manner

19
Q

Quantity

A

Speaking the right amount

Saying too little or too much would break this maxim

20
Q

Quality

A

How truthful your utterances are

Lying, sarcasm, metaphors, idioms would break this maxim

21
Q

Relevance/ relation

A

Speaking relevantly when conversing

Changing the topic agenda would break this maxim

22
Q

Manner

A

Being clear in what you say

Mumbling, speaking too quietly, using language they don’t understand would break this maxim

23
Q

Breaking a maxim

A

Flout

Violate

24
Q

Flout

A

Deliberate breaking of a maxim where those concerned are aware

25
Q

Violate

A

Where one person is not aware of breaking a maxim, this could be the speaker or anyone involved in the discourse

26
Q

Goffman’s facework

A

Face- presenting a particular image of ourselves to others when communicating

We have the potential to save or break face

For a conversation to be cooperative, we avoid breaking face- achieved through politeness strategies

27
Q

Face Threatening Act (FTA)

A

Created when we break face

28
Q

Face saving act (FSA)

A

Created when we save face

29
Q

Brown and Levinson’s development

A

Positive politeness

Negative politeness

Off the record politeness

Bald on record politeness

Opting out

30
Q

Positive Politeness

A

Using language to show solidarity with addressee

Achieves positive facework

Eg. Complimenting others

Broken by: threats, insults, belittling the listener

31
Q

Positive Politeness

A

Using language to show solidarity with addressee

Achieves positive facework

Eg. Complimenting others

32
Q

Negative Politeness

A

Using language to show respect to addressee
—> hedging and apologising

Negative politeness achieves negative framework

Eg. Requests, giving advice, warning, suggestions

Broken by: not said in a polite way/ taken the wrong way
Negative FTA

33
Q

Off the Record Politeness

A

Indirect speech acts where an implicature arises

Eg. “Wow, it’s really cold in here”

34
Q

Bald on record politeness

A

Does nothing to minimise the hearer’s ‘face’

Direct way of communication g

FTA Usually happen if the tenor is distant

Eg. Speaker A is cold and says to speaker B: “close the window, I’m cold”

35
Q

Opting out

A

Saying nothing

Eg. If you want the borrow your friend’s homework but don’t want to threaten their face, you may choose not to ask at all and opt out of the request entirely

36
Q

Eckert and McConnell- Ginet’s Communitiy of Practice

A

Social identities often lead to community of practices

Eg. A class has a shared goal of learning and getting an A-Level qualification
—> Mandela created a community of practice with SA citizens via their shared experience of apartheid

37
Q

Aristotle’ Rhetoric Theory

A

Placed importance on the ‘ART OF PERSUASION’

Language of rhetoric- way of convincing others + having good communication with others

Achieved via:
*ethos
*pathos
*logos
*kairos

38
Q

Ethos

A

Speaker/ writers CREDIBILITY + TRUST

More like to be peruaded/ convinced if we trust the individual presenting an argument

Eg. Adverts endorsed by celebrities/ professionals

39
Q

Pathos

A

Speaker/ writer’s appeal to EMOTIONS of the audience

Eg. Inspiring stories

40
Q

Logos

A

Speaker/ writer’s appeal to LOGICAL THINKING of the audience

Proof/ evidence to form an argument

Eg. ‘90% of people say…’

41
Q

Kairos

A

Refers to the ‘TIMELINESS’ of an argument

Eg. ‘Right here, right now’

More persuasive