Theme 3 Culture Lenin + Stalin Flashcards

1
Q

What was the ‘New Soviet Man’?

A

Ideal socialist man that was modelled after the Bolshevik values
Often used used in art to convey hide old bourgeois culture

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2
Q

Summarise each of the following periods in their control of the arts?

A

Lenin: Slow to see the impact that culture had on communism. After civil war, he began to create new culture.
Stalin: furthered Lenin’s restrictions on art. Promoted new, idealistic paintings of art. Art expected to go along with regime.
Until 1970: Soviet culture developed although there remained some who wanted to oppose it.

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3
Q

What was Lenin’s opinion of art?

A

He had traditional tastes for old Russian Culture and wanted to maintain the writers/artists on his side.

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4
Q

What was the Commissariat of Enlightenment and why did it please artists?

A

It was a ministry of Culture that supported and encouraged artists. Replaced the censorship and restrictions from old regime and encouraged them and accommodated communist sympathisers.

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5
Q

What was the conditions in which artists were allowed to work under the Bolsheviks?

A

Those non-communist that sympathised with the ideals of the revolution were seemingly supported by Lenin.

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6
Q

Who were the key figures within the prolekult movement?

A

Promoted by the head of Commissariat of Enlightenment. Argued for the need of new technology to create “proletarian culture”
New proletarian artists assembled
Alt ans:
Workers and peasants encouraged to produce their own culture, from their own art and writing.

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7
Q

What were the Constructivists and what did they contribute?

A

A key part of the group of proletarian artists that aimed to create new socialist culture from the workers and industrial technology.
Focused on collective of workers as a class.

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8
Q

What other examples of prolekult were there?

A

-Magazine “Smithy” established that contained poetry about machines and factories.
-Anniversary of the Revolution in 1920 celebrated by a re-enactment of the storming of the winter palace.

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9
Q

What was high culture and how was it treated?

A

Prolekult challenged high culture which was art that had more restricted and exclusive audiences (such as fine art, ballet and opera). Bolsheviks disliked “high culture”.

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10
Q

What was avant-garde art?

A

Experimental period of art that mixed modernism’s abstract art with futurism that focused on the visions for a new world.
It was heavily used on Bolshevik poster art as propaganda.

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11
Q

What are the key examples of avant-garde art and how were they used?

A

Poster Art = Slogans and posters created for the government as propaganda.
Painting + Sculpture = experimental art used to visually depict the revolution as much of USSR was illiterate.
Jazz music trended in Russia.

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12
Q

. How was avant-garde used in the theatre?

A

Led by Vyacheslav MeyerHold.
Fantasy based theatre show depicting workers defeating their exploiters.
So confusing for audiences it was abandoned after 1 performance.

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13
Q

. Who were Sergei Eisenstein and how did he contribute towards the avant-garde movement?

A

Big name in cinema, Eisenstein made movies depicting the revolution and spreading the regime through film.
His experimental use of imagery made his work innovative, but sometimes too sophisticated for the audience.

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14
Q

Why did some people criticise the avant-garde movement?

A

Despite Lenin himself agreeing with the importance of cinema to promote political messages, some movies were too sophisticated for the audience.
Showed that Avant-Guard was not the way forward.

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15
Q

What was the context that the Cultural Revolution took place in?

A

In the late 1920s, the greater freedom under Lenin was removed in an attempt to make society less bourgeois.
This began the Cultural Revolution in 1928.

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16
Q

What was the aim of the Cultural Revolution?

A

A full scale assault on traditional writers and artists that were previously tolerated under Lenin that were replaced with loyal socialists.
1928 - 32.

17
Q

What involvement did the Komsomol have in the Cultural Revolution?

A

The Komsomol (the young enthusiastic communists) were encourage to root out bourgeois elements.
Anything suspected of being “too bourgois” would be disrupted and attacked.

18
Q

What changes were made to literature during the Cultural Revolution?

A

RAPP (Russian Association of Proletarian writers) attacked communist sympathisers’ artists.
Took a turn towards “the cult of the little man” which glorified achievements of the industrial workers and collective peasants. Encouraged by government as it criticised “bourgeois” writing that focus on wealthy people.

19
Q

What was ‘Time Forward’ and why is it a typical example of output during the Cultural Revolution?

A

A novel by Kataev that recounted the story of the city Magnitogorsk. It supported ideas of 5yearplan.
Quickly lost popularity as many trope repeated.
RAPP continued to promote these cultural activities.

20
Q

What is Socialist Realism?

A

Art that presented idealised images of life under socialism.

21
Q

Why was Socialist Realism used in the 1930s?

A

Used to inspire the population of sociallism’s achievements and convince them that “Life has become more joyous” (Stalins own words)

22
Q

How did artists react?

A

The movement now rewarded those who complied and restricted those who did not. Artists who conformed to the rules, suffered with the quality of their work (eg. MIkhail Zoshchenko). Artists who did not conform, were forced to emigrate and could not sell their work (Boris Pasternak’s poetry was smuggled abroad and published)

23
Q

What were the implications for ART under Socialist Realism?

A
  • No experimentation with form, abstract art was rejected.
  • Art only featured ideal images of Socialism and Soviet life.
  • Often used to depict Stalin in a good image to fuel his personality cult.
24
Q

What were the implications for LITERATURE under Socialist Realism?

A
  • Ideas moved away from the “cult of the little man” to emphasising party heroes.
  • Books depicting older values where the law captures evil capitalists were popular and sold cheaply.
  • Party heavily controlled who could publish what.
25
Q

What were the implications for MUSIC under Socialist Realism?

A
  • Stalin walked out of a performance featuring adultery due to “discordant notes”. Actually because of Stalin’s dislike for the jazz music used.
    -Government concern over jazz led to it being banned in the 1940s.
  • Forced to stick to strict themes to publish music
26
Q

. What were the implications for ARCHITECTURE under Socialist Realism?

A

Socialist realism promoted “Stalinist Baroque” architecture a.k.a Wedding Cake style.
- Made use of classical lines
- Many buildings built like this such as Moscow University and Metro.

27
Q

What were the implications for FILM under Socialist Realism?

A

Revolution often depicted in Films.
- Heroic visions of storming the winter palace in 1917 showed revolution as a “mass movement”
- Realistically, due to the excessive use of live ammunition, more people died in the making of the movie than the real event.
- Cinema promoted patriotism during world war.

28
Q

What points are made in defence of Socialist Realism?

A

Useful tool of propaganda. Its roots in the people mean that it was widely accesible.
Heavily inspired the people to work harder.

29
Q

How successful do you think Socialist Realism was?

A

Showed the importance of culture used to influence the people. By building loyalty through everyday art, people remained motivated and hard working - an ideal continuing revolution.