the sounds of poetry Flashcards

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1
Q

rhyme

A

repetition or correspondence of the terminal sounds of words

  • early english poetry: used alliteration instead of
    rhyming
  • modern poetry: mostly in free verse
  • later middle ages - 20th century: the music of rhyme
    was central to both sound and formal conception in the
    western world
  • rhyme= originally memory device; represent(ed) sense
    of pattern, harmony, correspondence, symmetry and
    order. → reminders of ‘cosmic harmony’ → less in
    chaotic and fragmented modern world; also provides
    sort of discipline for poet
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2
Q

end rhyme

A

when the last words in two or more lines rhyme with each other

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3
Q

rhyme scheme

A

a poems particular pattern of end rhymes

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4
Q

internal rhyme

A

word within a line rhymes with another word in the same or adjacent lines

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5
Q

perfect/true/full rhyme:

A

requires word to share consonant and vowel sounds

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6
Q

off/half/near/slant rhyme:

A

words share one but not the other

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7
Q

eye rhyme

A

words look like they should rhyme but dont

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8
Q

alliteration

A

repetition of usually initial consonant sounds through a sequence of words

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9
Q

consonance

A

repetition of consonant sounds, especially at the end of words or syllables without the correspondence of vowel sounds necessary to create rhyme

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10
Q

assonance

A

repetition of vowel sounds in a sequence of words with different endings

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11
Q

anaphora

A

repetition of the same word or series of words at or near the beginning of successive sentences or clauses

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12
Q

iamb/iambic

A

unstressed/unaccented syllable followed by stressed/accented one

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13
Q

trochee/trochaic

A

stressed syllable followed by an unstressed one

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14
Q

anapest/anapestic

A

two unstressed syllables followed by a stressed one

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15
Q

dactyl/dactylic

A

stressed syllable followed by two unstressed ones

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16
Q

rising or falling metres

A

rising: iambic + anapest
falling: trochaic + dactylic

17
Q

spondee:

A

two stressed syllables

spondaic feet vary or interrupt the prevailing rhythm, emphasizing a syllable that would be expected to be unstressed

18
Q

pyrrhic

A

two unstressed syllables

pyrrhic feet vary or interrupt the prevailing rhythm, emphasizing a syllable that would be expected to be stressed

19
Q

counting feet/meter

A

a line of poetry is subdivided into feet in order to measure its meter; count of stresses

manometer - one foot
diameter - two feet
trimeter - three feet
tetrameter - four feet
pentameter - five feet
hexameter - six feet
heptameter - seven feet
octameter - eight feet

20
Q

scansion

A

technique of listening to and marking stressed and unstressed syllables, counting the syllables and feet