The Eighteenth to Twentieth Centuries Flashcards
Three schools of thought intermingled to motivate landscape design during the 18th century
Western classicism
(Baroque Italy or Grand Monarchy France)
China
(principles of irregularity and symbolism)
England
(against classicism - new and liberal age intermingling with chinoiserie)
New capital of Russia founded by Peter the Great in 1703; considered as a strategic ‘window on to Europe’
St. Petersburg (Leningrand)
The palace of Peter the Great outside St. Petersburg, designed by Le Blond in 1717
Peterhof (Petrodvorets)
Erected between 1732 and 1762; supreme work of classical landscape art wherein the designers have created order and harmony out of the apparent chaos of natural rock form, by pure abstract design
Trevi Fountain
Capital of the world’s first truly liberal society
Washington
Given the responsibility for the new design of Washington by President George Washington
Thomas Jefferson
A Frenchman ahosen as the professional town planner for Washington at Potomac (1791), however, his plans was unrealized as contemporary city and intractable to change and growth, thus, the idea collapsed
Pierre Charles L’Enfant
The place where Chinese landscape design reached a climax, at the same time as Versailles, and with a very similar objective - a continuity of history
Summer Palaces of Peking (Beijing)
Wrote the Gardens of Epicurus (1687) wherein he praised the Chinese gardens, which he had visited, for their intricate irregularity
Sir William Temple
Term made by Sir Temple to those parts ‘where the beauty shall be great, but without any order…that shall be easily observed’
Sharawadgi
French term referring ti anything made by, or imitated from, the Chinese; popular motif for landscape and architectural furnishings during the 18th century in Europe and England
Chinoiserie
From a French word that means “rock work”; a term applied to a type of Renaissance ornament in which rocklike forms, scrolls, and shells are used together in a confusion of detail often without organic coherence but presenting a lavish display of decoration; especially popular in France, Germany, and Switzerland during the late 18th century
Rococo (Rocaille)
French expression for “object of art”; a small object of artistic value
Objet d’art
A very small village; a small cluster of houses in the country; in Britain, a village without a church of its own but belong to the parish of another town
Hamlet
The School springing from a relation to nature that had always been latent but now emerged from beneath the fashionable Italian and French classical overlays
The English School