The Danger of a Single Story Flashcards

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1
Q

‘I’m a storyteller.’

A

-Short sentence, introduces herself as an authoritative figure
-Gripping, makes the reader feel a need to hear what the writer will say.

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2
Q

‘My mother says that I started reading at the age of two, although I think four is probably close to the truth.’

A

-Makes reader feel closer to writer through use of amusing anecdote.

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3
Q

‘all my characters were white and blue-eyed…that the sun had come out.’

A

-List (mostly things with British connotations) - overwhelmed with stories that she couldn’t relate to.

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4
Q

‘we are in the face of a story’

A

-Personification - evokes a sense of immediacy in the reader as it sounds more threatening

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5
Q

‘colour of chocolate’, ‘kinky hair’

A
  • Imagery - integrating into her speech - making change she wants to see
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6
Q

‘They stirred my imagination. They opened up new worlds for me’

A

-extended metaphor - comparing books as doors into other worlds.

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7
Q

‘it saved me’

A

-Emphatic language - stakes are made much higher.

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8
Q

‘enormous pity’

A

-single sorry of a different circumstance.
-forces reader to hold up a mirror and consider their own actions, as they also may be guilty of stereotyping.

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9
Q

“tribal music”

A

-Writer is mocking the assumption

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10
Q

‘She assumed that I did not know how to use a stove.’

A

-Short sentence/paragraph to show shock and sadness made by these incidents.

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11
Q

‘single story’

A

-Alliteration of ‘s’ insinuates that it is evil
-Repeated, as if it’s almost a catchy phrase

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12
Q

‘Stories matter. Many stories matter.’

A

-Short sentences to make her point and emphasise it.

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13
Q

‘Stories have been used to dispossess…can also be used to empower and to humanise.’

A

-Juxtaposition of bad and good things stories can do to create a strong contrast, which makes it more memorable for reader due to emphasis placed on them

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14
Q

Dialogue

A
  • Helps audience experience what was actually going on and keeps them engaged.
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15
Q

IT IS A SPEECH

A

MAKE SURE TO REFER TO THE READER AS THE AUDIENCE

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