The Bridge Flashcards

1
Q

Where is The Bridge set?

A

Oresund bridge that connects the Swedish and Danish

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2
Q

How long did it run for?

A

2011-2018

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3
Q

How many seasons does it have?

A

4 seasons

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4
Q

How many episodes are there per season?

A

10

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5
Q

What season/episode do we study?

A

Season 3, episode 1

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6
Q

Who created/wrote The Bridge

A

Hans Rosenfeldt

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7
Q

What UK company bought the screening rights?

A

BBC

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8
Q

When was it screened?

A

Saturday 9pm “subtitled drama” slot

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9
Q

What channels was it shown on?

A

BBC 4 and BBC HD

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10
Q

What are the expectations of BBC 4

A

Cultural, diverse, arts, documentaries, international products and intellectually stimulating content

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11
Q

Why did the BBC want streaming rights?

A

BBC were called out for not being diverse enough
Had fired middle aged woman and employed younger women
Got the rights to counteract this

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12
Q

What is nordic noir?

A

A type of Scandinavian crime fiction and television drama that features dark storylines and bleak urban settings

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13
Q

Crepuscular gloom in The Bridge

A

Lack of bright colours
Lack of sunlight
Dim lighting
Damp and gloomy feel
Cold, bleak and oppressive
Over-cast skies

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14
Q

Lighting in The Bridge

A

Naturalistic low-key lighting
Muted and cool tones
Overcast, dull lighting
Investigations sets in dim lighting to create suspense
Saga is shown with minimal lighting on her

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15
Q

Musical score in The Bridge

A

Sun by Choir of the Young believers
Minimalistic atmospheric music
Electronic and industrial sounds to link with the theme and setting
Haunting melodies evoke a sense of loneliness and despair
Repetition
Cynical
Nordic folk influence
Dark, brooding and reflective of the emotion and moral ambiguity within the show

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16
Q

Unusual camera placements in The Bridge

A

Wide shot through a door positions the audience in a way in which they are peering into the scene. of a family
Creates suspense, mystery and an unsettling feeling

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17
Q

Invisible editing in The Bridge

A

Simple cuts
Smooth transitions
Long takes to allow the audience to follow the plot
Cross cutting to create links and tension
Seamless dialogue exchanges
Tracking shots
Establishing shots

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18
Q

Silence in The Bridge

A

When the two workers walk into the room full of the doll silence is uses to create suspense and a tense environment: creates drama and makes the audience feel on edge
When the trailer is blown up: impactful

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19
Q

Slow and melancholic pace in The Bridge

A

Deliberately slow
Focuses on detail
Sense of realism
Episodes build slowly and reveal things one by one to create suspense

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20
Q

Cold, bleak and inhospitable landscapes in The Bridge

A

Urban spaces
Empty industrial sites
Desolate rural landscapes

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21
Q

Moral ambiguity

A

Blurring the lines between good and bad

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22
Q

Saga challenging stereotypes

A

Neuro-divergent but seen in in a high up job
Her “differences” make her very good at her job but less socially aware
Breaks the “blond bimbo” type

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23
Q

Lisa challenging stereotypes

A

We see her showing her daughter how to fight back, physically which challenges representations of women and men are normally the violent ones
Constructs her as a potential suspect as she is seen as violent

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24
Q

Lisa conforming to stereotypes

A

As a protective mother

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25
Q

Ricard challenging stereotypes

A

He is a male cleaner, usually women are in domestic roles
Lisa’s cleaner

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26
Q

Ricard conforming to stereotypes

A

Typical trope of getting someone suspicious near a woman who could potentially be vulnerable
Steals Lisa’s necklace and has a spider which makes him appear creepy

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27
Q

Morten challenging stereotypes

A

Shown as sensitive when he goes to his mum’s house, who’s been killed, to get something sentimental
Shows him as vulnerable as we see a different side to him

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28
Q

Morten conforming to stereotypes

A

Seen carrying a knife
Presented as the dodgy loner who lives alone in a trailer park
We immediately suspect him as he is separated from everyday life

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29
Q

Henrick conforming to stereotypes

A

A man who has a lot of power and cheats on his wife with her knowing

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30
Q

Swedish stereotypes

A

Uptight, reserved, politically correct, bureaucratic

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31
Q

Danish stereotypes

A

Expressive, warm, laid-back, down to earth, free willed and rule breakers

32
Q

Do Denmark and Sweden follow a social democratic political ideaology

A

Aims to maximise labour force participation
Promoting gender equality
Egalitarianism
Benefits
Extensive income redistribution
Social cohesion
Working together as a society to create a successful unit

33
Q

How does Saga challenge stereotypes?

A

Saga who is neuro-divergent and is seen in a high up job, it makes her very good at what she does but less emotionally away

34
Q

How does Lisa challenge stereotypes?

A

Lisa is violent, almost linking in with male violent characteristics
It is not typical for a mum to teach their child how to fight back

35
Q

How does Ricard challenge stereotypes?

A

You don’t usually see male cleaners in a domestic settings

36
Q

How does Ricard conform to stereotyoes?

A

Typical trope of getting someone suspicious near a woman who could potentially be vulnerable

37
Q

How does Henrick conform to stereotypes?

A

he id aa man who has a lot of power and cheats on his wide
We suspect him as he in unfaithful and we think he has something to hide

38
Q

How does morten conform to stereotypes?

A

Seen carrying a knife and he looks dodgy
Meets stereotype of a guy who lives alone, seperated from his mum (who is the victim) and is a loner

39
Q

What do liberal feminists focus on?

A

On fighting fro power through gaining equal, legal rights for women in society

40
Q

What do liberal feminists believe in terms of the media?

A

The media perpetuates sex role stereotypes because they reflect dominant social values

41
Q

What do liberal feminists believe in terms of men?

A

Men are no the enemy and they men and women can live alongside each other as equals

42
Q

What do radical feminists believe in, in terms of men?

A

Men control a patriarchal society through dominance and physical strength

43
Q

What do radical feminists want for women?

A

They want women dominating society
Reject typical gender roles

44
Q

What do socialist feminists believe in?

A

Class and economics

45
Q

What do socialist feminists believe in, in terms of women at work?

A

Economic values of domestic labour are not recognised
Women are exploited as part of a capitalist system

46
Q

What do socialist feminists believe a woman’s economic value is linked to?

A

Race, ethnicity, class and sexuality

47
Q

How can audiences relate to Saga?

A

Saga having to deal with an estranged mother
She doesn’t have a romantic partner, which makes her appealing

48
Q

What is cultural capital?

A

Invites audiences to feel superior they have chosen to engage with no easy to understand texts

49
Q

What does John Fiske say about fans?

A

Fans in forums gain respect because they can tall about certain culture texts with great knowledge

50
Q

What is Nordicana?

A

A festival that started in 2013 to tap into a European fandom by UK distributor of Nordic products, Arrow films

51
Q

What is the festival?

A

Two day event, hosting screenings of 12 films with top creators talents, writers and commentators

52
Q

Who produced the Bridge?

A

Co-produced by Denmark and Sweden

53
Q

Who were the novels written by?

A

Ola Larsmo

54
Q

Who were the podcasts produced by?

A

The Danish public broadcaster DR

55
Q

What did the podcasts feature?

A

Interviews with the cast and crew, behind-the-scenes stories and fan questions

56
Q

How did other countries gain rights to adapt the tv show?

A

The producers of The Bridge sold the format rights to countries like the US, Mexico, Germany, France and the UK

57
Q

What do the remakes help create?

A

A loyal and engaged fan base for the series

58
Q

Who was “The Tunnel” produced by?

A

Co-produced by Sky Atlantic and Canal+

59
Q

What was The Tunnel praised for?

A

Faithful adaptation of the original plot and characters as well as its exploration of the cultural and political differences with France

60
Q

How did the show interact with fans?

A

Through an official facebook, twitter and instagram accounts where it posted news, teasers trivia and polls

61
Q

What fan events took place?

A

Q&A sessions, exhibitors and tours where the fans could meet the actors, see locations and experience being on set

62
Q

What challenges did the Bridge face?

A

Co-producer, the German Broadcaster ZDF, decided to withdraw due to low ratings in Germany

63
Q

Where else did the series receive support from?

A

Creative Europe media programme

64
Q

Who else did the series obtain funding from?

A

From the Nordic film
Copenhagen film fund
Malmo film fund

65
Q

Who else did the series secure co-production deals with?

A

France’s Canal+
Norway’s NRK
Finalnd’s YLE
Benelux’s lumiere group

66
Q

How was The Bridge distributed in the UK?

A

Through the BBC

67
Q

When did the BBC acquired distribution rights?

A

After its success at the MICOM festival in Cannes where it won the Coup de Coeur award

68
Q

Where was the series broadcasted in the UK?

A

BBC 4, the channel that is dedicated to foreign language drama documentaries and arts

69
Q

How many views did an episode have on average?

A

1.4 million

70
Q

Why was nordic noir so popular with British BBC4 audiences?

A

In contrast and similarity to the British crime drama genre

71
Q

How does buying international products help the BBC

A

They can save money as they do not have to invest in producing their own original content

72
Q

Who was the Bridge originally broadcasted by?

A

SVT in Sweden and DR in denmark

73
Q

How many countries was the Bridge distributed to?

74
Q

Who did the third season receive funding from?

A

The Copenhagen film fund

75
Q

What did the funding from the Copenhagen film fund achieve?

A

More Danish crew members being employed on the third season than on the previous