Test 3 Flashcards

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1
Q

Three part model by Merriam

A

Sound, behavior, concepts

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2
Q

Sachs Hornbostel system

A

how we classify instruments based on vibration

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3
Q

Behavior for Native American music

A

dancing, social gathering, drum group (males)

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4
Q

Concepts for Native American music

A

unified beat = unified community, war dances are for preparation of war

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5
Q

Aborigine

A

indigenous people of australia

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6
Q

Dreamtime

A

aboriginal spiritual belief system that ancient spirits created earth features by singing them to existence

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7
Q

stratified polyphony (Indonesia)

A

all instruments follow a basic melody, high pitch plays the most notes and low pitch plays the least notes

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8
Q

Colotomic (indonesia)

A

certain instruments play a musical “punctuation” that marks time in the music

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9
Q

instruments in Javanese gamelan

A

gongs, xylophones, flutes, fiddle, drums

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10
Q

Japanese Gagaku and structure

Mus example Etenraku (loud obnoxious noise)

A

Oldest orchestra in the world, 16 beat rhythms cycle

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11
Q

Mode

A

set of rules used to compose music in a particular tradition- model systems throughout the world

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12
Q

Raga (indian improv)

A

Based on three elements- melody, rhythm, drone

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13
Q

Mbuti Pygmies

A

Term for forrest dwellers in Central Africa, know for egalitarian society

Music example: elephant song (guy yelling in background, polyphony, call and response)

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14
Q

Common features in African Music

A

variety of timbre, polyphony, call and response, short repeated patterns

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15
Q

polyrhythm (africa)

A

rhythm in which duple and triple meter occurs simultaneously

fontmfrom drumming- rhythmic timeline

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16
Q

Kora of west Africa

A

21 string bridge harp, commonly used by griot musicians (elite professional musicians)

Must example Kora Mali- one with harps- osinato

17
Q

South African 20th century

A

migrant mine workers in South Africa formed vocal groups to maintain ties in mining communities

18
Q

Mbube (South Africa)

A

a vocal style named after a hit record by Solomon Linda

Mus Ex: Solomon Linda’s evening birds

19
Q

Syncretism

A

combining of different, seemingly contradictory, cultural forms into a new hybrid form

20
Q

Vodou in Haiti

A

syncretic blend of African trance religion and catholicism

21
Q

Cuban Son- el cuarto de Tula (clave)

A

cuban song form that combines Spanish song and guitar with African derived rhythms and percussion (son= rhythm)

22
Q

clave

A

structural rhythm in latin music similar to the timeline of African music

23
Q

Buena Vista Social Club

A

cuban social dance musicians active in the 30’s and 40’s- rediscovered in the 90’s

Tito Puente

24
Q

Javanese Gamelan (listening example starts with chimes)

A

Indonesian ensemble made up mostly of percussion- cylical form structure (gong cycles)- had stratified polyphony and colotomic

25
Q

Ostinato (African)

A

short, repeated patterns

26
Q

Ravi Shankar

A

starts with weird guy singing, raga improv, tea cycle