Test 3 Flashcards
Three part model by Merriam
Sound, behavior, concepts
Sachs Hornbostel system
how we classify instruments based on vibration
Behavior for Native American music
dancing, social gathering, drum group (males)
Concepts for Native American music
unified beat = unified community, war dances are for preparation of war
Aborigine
indigenous people of australia
Dreamtime
aboriginal spiritual belief system that ancient spirits created earth features by singing them to existence
stratified polyphony (Indonesia)
all instruments follow a basic melody, high pitch plays the most notes and low pitch plays the least notes
Colotomic (indonesia)
certain instruments play a musical “punctuation” that marks time in the music
instruments in Javanese gamelan
gongs, xylophones, flutes, fiddle, drums
Japanese Gagaku and structure
Mus example Etenraku (loud obnoxious noise)
Oldest orchestra in the world, 16 beat rhythms cycle
Mode
set of rules used to compose music in a particular tradition- model systems throughout the world
Raga (indian improv)
Based on three elements- melody, rhythm, drone
Mbuti Pygmies
Term for forrest dwellers in Central Africa, know for egalitarian society
Music example: elephant song (guy yelling in background, polyphony, call and response)
Common features in African Music
variety of timbre, polyphony, call and response, short repeated patterns
polyrhythm (africa)
rhythm in which duple and triple meter occurs simultaneously
fontmfrom drumming- rhythmic timeline
Kora of west Africa
21 string bridge harp, commonly used by griot musicians (elite professional musicians)
Must example Kora Mali- one with harps- osinato
South African 20th century
migrant mine workers in South Africa formed vocal groups to maintain ties in mining communities
Mbube (South Africa)
a vocal style named after a hit record by Solomon Linda
Mus Ex: Solomon Linda’s evening birds
Syncretism
combining of different, seemingly contradictory, cultural forms into a new hybrid form
Vodou in Haiti
syncretic blend of African trance religion and catholicism
Cuban Son- el cuarto de Tula (clave)
cuban song form that combines Spanish song and guitar with African derived rhythms and percussion (son= rhythm)
clave
structural rhythm in latin music similar to the timeline of African music
Buena Vista Social Club
cuban social dance musicians active in the 30’s and 40’s- rediscovered in the 90’s
Tito Puente
Javanese Gamelan (listening example starts with chimes)
Indonesian ensemble made up mostly of percussion- cylical form structure (gong cycles)- had stratified polyphony and colotomic