Test #3 Flashcards

1
Q

“Therefore in Troubled Waters”
Dunque fra torbide onde

A
  1. Peri
  2. “Therefore in Troubled Waters” from Il Canto d’Arione
  3. Recitative (in Italian)
  4. HISTORICAL
  5. TWO MUSICAL
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2
Q

“He Vented to the Stars”
Sfogava con le stelle

A
  1. Caccini
  2. “He Vented to the Stars” from Le Nuove Musiche
  3. Monody (predecessor of aria; in Italian)
  4. HISTROAL
  5. TWO MUSICAL
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3
Q

Orfeo, Act 2: “You are dead”

A
  1. Monteverdi
  2. Orfeo, Act 2: “You are dead”
  3. Monody-like recitative (in Italian)
  4. HISTORICAL
  5. TWO MUSICAL
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4
Q

Symphoniae Sacrae III: “Saul, Saul, why are you persecuting me?”

A
  1. Shutz
  2. Symphoniae Sacrae III: “Saul, Saul, why are you persecuting me?”
  3. Grand/ sacred concerto with cori spezzati
  4. HISTORICAL
  5. TWO MUSICAL
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5
Q

Armide: Act 2, Sc. 5, “At last, he is in my power”

A
  1. Lully
  2. Armide: Act 2, Sc. 5, “At last, he is in my power”
  3. Tragedie en lyrique (fr. opera seria)
  4. HISTROICIAL
  5. TWO MUSICAL
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6
Q

Dido and Aeneas: “Dido’s Lament” (2parts)

A
  1. Purcell
  2. Dido and Aeneas: “Dido’s Lament”
  3. Opera seria: recitative and aria with ground bass
  4. HISTROIXAL
  5. TWO MUSICAL
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7
Q

Jephte, closing chorus: “Weep, you children of Israel”

A
  1. Carissimi
  2. Jepthe, closing chorus: “weep, you children of Israel”
  3. Oratorio (in latin)
  4. Priest based in Rome; prolific composer of sacred and secular music
    • Story: Bible- Israelite general, Jephte, promises to sacrifice first person he sees if victorious in battle; tragic: its his daughter…
    • Oratorio: sacred counterpart to opera. Text from bible.
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8
Q

“Christmas” Concerto Grosso, op. 6/8: mov 1 and 2

A
  1. Corelli
  2. Concerto Grosso, op. 6/8: mov 1 and 2
  3. Concerto Grosso
  4. Rome- based violinist, promotes a new form in a new genre, the concerto.
    • Features a 4 part ripieno/ tutti against 3 part concertino/ solo
    • concerto grosso: few vs. all. Soloists play only “episodes” with new material, different keys; involves B.C. Baroque.
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9
Q

Julius Cesar: Cleopatra’s aria “I adore you, dear eyes”

A
  1. Handel
  2. Julius Cesar: Cleopatra’s aria “I adore you, dear eyes”
  3. Da Capo Aria (in italian)
  4. Born in German 1685, contemporary of J.S. Bach
    5.
    - Plot of opera: Cleopatra seduces JC to make her sole ruler of Egypt (and dethrone boy king brother, Tolomeo)
    - Two stanzas with two strands of text each, sung disguised as “Lidia”.
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10
Q

A Mighty Fortress, BWV 140, mov. 1

A
  1. J.S. Bach
  2. A Mighty Fortress, BWV 140, mov 1
  3. Lutheran Cantata (in German)
  4. HISTORICAL
  5. TWO MUSICAL
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11
Q

Four Seasons, op. 8/3: “Winter”, mov. 1

A
  1. Vivaldi
  2. Four Seasons, op. 8/3: “winter”, mov 1
  3. Solo concerto movement in ritornello form; programme music
  4. HISTORICAL
  5. TWO MUSICAL
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12
Q

Sinfonia in B-flat major, mov. 1

A
  1. J.F. Fasch
  2. Sinfonia in B-flat major, mov 1
  3. sinfonia (predecessor of late 18C symphony)
  4. HISTORICAL
  5. TWO MUSICAL
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13
Q
A
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