Task 3 Flashcards

True Colors

1
Q

Basics of color perception

A
  • color as result of interaction of a physical stimulus with a particular nervous system
  • three steps:
    1: Detection -> detection of wavelengths
    2: Discrimination -> tell difference between one wavelength and another
    3: Appearance -> assign perceived colors to lights and surfaces in the world
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2
Q

Step 1: Detection

A
  • three types of cone photoreceptors: differ in photopigment they carry -> differ in sensitivity to light of different wavelengths
    • S-Cones: 420 nm
    • M-Cones: 535 nm
    • L-Cones: 565 nm
  • their spectral sensitivities overlap
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3
Q

Step 2: Color Discrimination

  • principle of univariance
  • cone-opponent cell
A
  • principle of univariance: an infinite set of different wavelength-intensity combinations can elicit exactly the same response from a single type of photoreceptor -> one photoreceptor cannot make color discriminations based on wavelength
  • cone-opponent cell: cell type that subtracts one type of cone input from another
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4
Q

Step 3: Color Appearance

- color space

A
  • color space: three-dimensional space, established because color perception is based on the outputs of three cone types, that describes a set of all colors
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5
Q

Color Blindness:

- determining factors

A
  • type of cone affected
  • type of defect (photopigment for cone missing or anomalous)
  • mostly: M- and L-cone defects
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6
Q

Color Blindness:

- Types

A
  • Protanope: absence of L-cones
  • Deutanope: absence of M-cones
  • Tritanope: absence of S-cones
  • Cone monochromat: only one cone type; truly color-blind
  • Rod monochromat: no cones; truly color-blind; badly visually impaired in bright light
  • Cerebral achromatopsia: total color blindness
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7
Q

Color Blindness:

- Anemia

A

inability to name objects in spite of the ability to see and recognize them
- typically due to brain damage

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8
Q

Color Blindness:

- Agnosia

A

failure to recognize objects in spite of the ability to see them
- typically due to brain damage

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9
Q

Adaptation and Afterimages:

  • negative afterimages
  • adapting stimulus
  • neutral point
A
  • negative afterimages: afterimages whose polarity is the opposite of the original stimulus; light stimuli produce dark negative afterimages; colors are complementary
  • adapting stimulus: stimulus whose removal produces a change in visual perception or sensitivity
  • neutral point: point at which an opponent color mechanism is generating no signal
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10
Q

Color Constancy

A

= tendency of a surface to appear the same color under a fairly wide range of illuminants

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11
Q

Light Constancy

A

= fact that we see whites, grays, and blacks as staying about the same shape under different illuminations
- information of shadows: shadow’s meaningful shape must be taken into account

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12
Q

Selective Reflection

A

= process in which some wavelengths are reflected more than others -> leads to occurrence of chromatic colors (blue, green, and red)
- achromatic colors = white, gray, and black

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13
Q

Selective Transmission

A

= only some wavelengths pass through the object or substance -> color of things that are transparent (liquids, plastics, and glass)

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14
Q

Color Mixing

- Paints -> subtractive color mixture

A
  • both paints still absorb same wavelengths they absorbed when alone -> only wavelengths selected are those selected by both paints common –> subtractive color mixture
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15
Q

Color Mixing

- Lights -> additive color mixture

A
  • all of the light that is reflected from the surface by each light when alone is also reflected when the lights are superimposed
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16
Q

Perceptual Dimensions of Colors

A
  • spectral colors: colors in spectrum
  • nonspectral colors: colors that do not appear in the spectrum because they are mixtures of other colors (e.g. magenta -> red and blue)
17
Q

Trichromatic Theory of Color Vision

- in general

A

= theory that the color of any light is defined in our visual system by the relationships of three numbers - outputs of three cones
- Young-Helmholtz theory

18
Q

Trichromatic Theory of Color Vision

- Color-Matching Evidence

A
  • color matching
  • light of a particular wavelength stimulates each receptor mechanism to different degrees -> pattern of activity in three mechanisms result in the perception of a color
19
Q

Trichromatic Theory of Color Vision

  • Physiological Evidence
    • metamerism
A
  • cone pigments (S-, M-, and L-cones)

- metamerism: two physically different stimuli are perceptually identical

20
Q

Trichromatic Theory of Color Vision

- three receptor mechanisms

A
  • monochromat:
    • principle of univariance
  • dichromat:
    • color perception depends on the pattern of activity in three receptor mechanisms
21
Q

Opponent-Process Theory of Color Vision

- in general

A

= color vision is caused by opposing physiological responses generated y blue and yellow, red and green, and black and white

  • evidence:
    • color circle -> all colors fall in four different categories
22
Q

Opponent-Process Theory of Color Vision

- psychophysical measurements

A
  • hue cancellation

- discovery of opponent neurons

23
Q

Opponent-Process Theory of Color Vision

- physiological evidence

A
  • opponent neurons
  • BUT:
    • both theories correct –> each describes neural processes that take place in different parts of the visual system
24
Q
Article: 
#thedress
A
  • color constancy –> perception of the dress is based on individual differences
  • people either correct for “cool illumination” (white and gold) or “warm illumination” (blue and black)
25
Q

Population coding

  • specificity coding
  • distributed coding
A
  • specificity coding: firing of one neuron to one specific stimulus
  • distributed coding: large number of stimuli that can be represented by a large number of neurons