Task 2 Flashcards

1
Q

According to Newell et al, an outcome is creative if:

A
  1. It has novelty and usefulness
  2. It demands that we reject ideas we had previously accepted
  3. It results from intense motivation and persistence
  4. It comes from clarifying a problem that was originally vague
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2
Q

What approach do Computational Creativity Researchers follow?

A

They don’t define creativity beforehand and just work on practical applications, which might improve our understanding or creativity post-hoc. When defining creativity, they embrace the imperfect definitions including metaphors etc

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3
Q

What is pastiche?

A

The notion that when a computational system appears to be creative, this might just be the programmer’s creativity reflected in the code.

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4
Q

Explain the difference between exploratory and transformational creativity.

A

While exploratory creativity explores the problem space looking for new things, transformational creativity warps the problem space to find new ways to the goal state.

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5
Q

What theory arose from the logic that one has to suppress common solutions to be creative?

A

Dual Model of Creativity: Original ideas are produced by an interaction of a system that generates ideas and a control system that evaluates them. The frontal lobe areas seem to be involved in the generation of new ideas, whereas the connections between frontal and parietal areas may act as inhibitors of common associative networks.

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6
Q

Describe the relationship of content and form of creative things

A

The more creative, the more the content’s worth exceeds the form

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7
Q

next to exploratory and transformational, what a third kind creativity?

A

Combinatorial

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8
Q

Differentiate between p-creativity and h-creativity

A

p: Psychological Novelty - New to the creator
h: Historical Novelty - New to everyone

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9
Q

The notion that AI hasn’t failed only when it hasn’t reached heights of human performance is called…?

A

Superhuman fallacy

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10
Q

Why is combinatorial creativity often difficult for AI?

A

AI sees the large amount of possible connections but cannot find out on itself, which ones are more worthy

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11
Q

What is an argument, according to which exploratory algorithms aren’t truly creative?

A

They have to be fed input data, production rules and a problem question

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12
Q

What kind of algorithm is the basis for machine learning?

A

Genetic Algorithms

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13
Q

What does it mean to have creative autonomy?

A

It means being able to independently apply and change one’s standards.

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14
Q

What a rebuttal for the argument that AI is only truly creative if it can create novel ideas while being shut off from any external influences?

A

Creativity is a social construct and autonomy does not equal isolation.

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15
Q

Under which criteria does an artificial system possess creative autonomy?

A

1) Autonomous Evaluation - The system can evaluate its liking of a creation without being guided
2) Autonomous Change - The system executes changes without being told when or how to do so
3) Non-Randomness - The system’s actions aren’t purely based on chance

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16
Q

Explain ways in which AI systems can make use of an audience of other AI’s as critics

A
  • Human relations are often determined by physical proximity – an AI could be coded to prefer other critic systems, who are in close proximity in some aspect
  • Humans favor similar others - an AI could be coded to prefer other systems that are similarly coded
  • Facing an ambiguous messages, humans base their reactions on cues from the majority – an AI could do the same
  • AI could be implemented with a sense of self-confidence: Especially if the quality of the product is unsure, the AI is strongly reinforced by the reactions of critics
  • Cognitive Dissonance: To keep the confidence in a creation from dropping too much at once due to some external influence, the system could add information to some critic involved in the change
17
Q

During self-generated thought, which brain processes are active?

A

Default Mode Network