Symphony No. 5, op. 67 (Beethoven) Flashcards

1
Q

structure

A

4 movements, cyclical structure (three shorts and a long)`, sonata cycle

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2
Q

date of composition

A

1807-1808 (Middle Period)

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3
Q

genre

A

symphony

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4
Q

performing forces

A

symphony orchestra (strings, piccolo, flutes, oboes, clarinets, bassoons, contrabassoon, trumpets, French horns, trombones, timpani)

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5
Q

1: form

A

sonata form

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6
Q

1: key

A

C minor, then E flat major (in 2nd theme), C major (2nd theme during recap), C minor (Coda)

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7
Q

1: tempo

A

allegro con brio

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8
Q

1: time signature

A

2/4

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9
Q

1: character/mood

A

restless, tense, bold

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10
Q

1: fermatas

A

arrest the forward drive of the theme, generating tension and a restless character

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11
Q

2: form

A

two themes with variations, (A, B, V1-4, Coda)

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12
Q

2: key

A

A flat major, C major (mid-Theme B), A flat major (Variation 1), C major (Theme B in Variation 3), A flat minor (Variation 4), A flat major

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13
Q

2: tempo

A

andante con moto

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14
Q

2: time signature

A

3/8

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15
Q

2: character/mood

A

elegant

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16
Q

3: form

A

ternary (ABA) - Scherzo and Trio replaces traditional Menuet and Trio

17
Q

3: key

A

C minor, C major (Trio)

18
Q

3: tempo

19
Q

3: meter

20
Q

3: character/mood

A

Scherzo = dark, Trio = playful, energetic

21
Q

3: opening

A

rocket theme (pp)

22
Q

3: trio notes

A

imitative texture, double basses given the theme in a rare move

23
Q

3: suspense in scherzo return

A

suspense is achieved at the end of the movement through a deceptive cadence that leads into a transitional passage. A blazing crescendo leads directly into the final movement

24
Q

4: form

A

sonata form

25
4: key
C major, bridge leads to G major (2nd theme)
26
4: tempo
Allegro
27
4: time signature
C
28
4: character/mood
dramatic
29
4: second theme notes
[trip-e-let 1, tripelet 1, tripelet 1----], stepwise motion of the new theme, dramatic contrasts (ff and p)
30
4: coda notes
piccolo stands out above the orchestra playing rapid ascending scales. at the presto. the presto = codetta theme played rapidly. final tonic chord repeated 8 times?
31
originality
1. theme to double bassi (3rd movement trio) 2. replaced menuet and trio with scherzo and trio 3. cadenza-like oboe solo in recap of 1st mvmt 4. scherzo recalled in development of 4th mvmt 5. piccolo standing out in coda of 4th mvmt
32
review and reflection
expanded orchestra (4 families of instruments)