Spring from Le Quattro Stagioni, op. 8, no. 1 (Antonio Vivaldi) Flashcards

1
Q

date of composition

A

1725

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2
Q

genre

A

solo violin concerto

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3
Q

source of inspiration

A

sonnets, most likely written by Vivaldi, describing the 4 seasons

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4
Q

performing forces

A

solo violin, strings, and continuo

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5
Q

1st mvmt: Key

A

E major

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6
Q

1st mvmt: Tempo

A

Allegro

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7
Q

1st mvmt: Time signature

A

C

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8
Q

1st mvmt: Form

A

ritornello form

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9
Q

1st mvmt: Poetic text

A

Spring has arrived. The birds celebrate with festive song; murmuring streams are caressed by gentle breezes. Storm clouds darken the sky, bringing thunder and lightning. After the storm, the birds resume their joyful singing.

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10
Q

1st mvmt: “Spring has arrived”

A

spirited rhythmic figures, bright character, celebratory dance-like quality

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11
Q

1st mvmt: “The birds celebrate with festive song”

A

high-pitched trills, repeated-note figures

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12
Q

1st mvmt: “Murmuring streams are caressed by gentle breezes”

A

Violins play a rapid, undulating figure

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13
Q

1st mvmt: “Storm clouds darken the sky, bringing thunder and lightning”

A

tremolando passages (quick repetition of notes) played by the violins evoke thunder; rising 32-note scales suggest lightning

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14
Q

2nd mvmt: Key

A

C sharp minor

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15
Q

2nd mvmt: Tempo

A

Largo

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16
Q

2nd mvmt: Time signature

A

3/4

17
Q

2nd mvmt: Poetic text

A

“The goatherd sleeps in a flowery meadow with his faithful dog beside him. The leaves rustle gently”

18
Q

2nd mvmt: Musical depiction

A

The solo violin’s langorous melody depicts the sleeping goatherd. The violin’s dotted-note figure in parallel thirds suggests the rustling leaves and the viola ostinato represents the barking dog.

19
Q

3rd mvmt: Key

A

E major

20
Q

3rd mvmt: Tempo

A

Allegro

21
Q

3rd mvmt: Time signature

A

12/8

22
Q

3rd mvmt: Form

A

ritornello form

23
Q

3rd mvmt: Poetic text

A

“Nymphs and shepherd dance gaily to the festive sound of bagpipes as they welcome Spring”

24
Q

3rd mvmt: Musical depiction

A

The bass notes suggest the drone of bagpipes, while the lilting compound meter creates a dance-like character

25
Q

3rd mvmt: Style

A

rustic (rural, simple) elements (bagpipes, folk dance)

26
Q

2nd mvmt: Orchestration

A

reduced orchestration (no cello or continuo)

27
Q

2nd mvmt: Form

A

two-part structure

28
Q

Review and Reflection

A

fortspinnung (a continuously unfolding melody), clearly defined metric structure (12/8), motoric rhythm, idomatic and virtuosic writing, ornamentation, improvisation (basso continuo, mvmts 1 and 3)